Showing posts with label usb. Show all posts
Showing posts with label usb. Show all posts

Tuesday, January 8, 2013

M-Audio Keystation 49e 49-Note USB MIDI Controller Keyboard Review

M-Audio Keystation 49e 49-Note USB MIDI Controller Keyboard
Average Reviews:

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As somebody who does all of my music recording and editing using software, I was looking for something with the right features for what I do. If you're familiar enough with your software, this keyboard will do the job. However, it has several short-comings.
First, the keys are very "springy". They actually resist depression more than one would expect. Although the keyboard is velocity-sensitive, the "springiness" actually makes it difficult to control the sensitivity. If you've played on better keyboards, or have never played on a velocity-sensitive keyboard, it will require some "re-learning". Also, 49 keys has a disadvantage in that an entire octave is missing as compared to larger keyboards. Having moved from a 61 key to a 49 key keyboard, you realize how important the additional octave is. However, you can shift the pitch an entire octave using the dedicated keys.
This controller lacks a display. Higher-functions (such as changing MIDI channels or programs) are accessed by pressing an advanced button and one of the keyboard's keys. This requires consulting the manual, especially when you need to do something you don't do on a regular basis. On a positive note, you can assign the volume slider and modulation wheel to any controller you choose, which is helpful for controlling pan, portamento, breath, or any other effect. You can also change the functionality of the "octave" keys, so that you can change the selected program(sound) incrementally. This can be extremely confusing at times -- I plan on cutting and pasting sections of the manual directly onto the unit's body for easy reference.
If using USB, the keyboard requires no power supply. There is a small power switch located on the back of the unit, however, which must be turned on in order for the PC to recognize the USB device. I often find myself forgetting to turn it on. The dedicated MIDI out jack is handy for connecting to legacy MIDI equipment, but since no power supply is included, you'll need to find your own universal adapter. However, using USB means I have one less thing to plug into the power strip.
The unit has significant weight, more than I thought it would have. It's definitely a sturdy unit. But this definitely isn't the best of the lot; it will do the job of a "controller" for under $100. Recommended -- "yes" -- but only if you have a little patience and prior knowledge of MIDI, MIDI controllers, and keyboards.

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Monday, December 17, 2012

M-Audio Keystudio 49-NOTE USB Keyboard Review

M-Audio Keystudio 49-NOTE USB Keyboard
Average Reviews:

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Okay Look a couple disgruntled customers gave bad reviews about a product that does exactly what it's advertisements claim. 49 keys check, non-weighted keys;check, play 4 octives whithout using octive shift;check, pitch bend;check, modulation;check, assignable midi;check. Plug and Play, no driver installation needed with most every DAW not just Garage Band or Mac Products.Those people don't know what they are talkin about or what kind of equipment they are looking for frankly. I use a Sony Vaio with Windows Vista 64 bit, my DAW is FL Studio. It works fine. No, it doesn't make any sounds unless you have a program that it can communicate with, then there is no sound that is known to man that it want make for you, if only you now how to instruct it. It's not the keyboard's fault if you don't know how to use it. This keyboard is more for people who are into music production and have not progressed far enough or have not decided that they want to invest a couple of grand in a more serious keyboard, it's absolutely worth a [...] bucks. My advise to the lady is that if hubby doesn't know how to make his own melodies and background music, then just get him a toy Casio keyboard he'll love that. The only thing I would complain about is that the keys are not weighted, but I know that when I bought, it's a work around though. You just have to get used to the sensitivity, it would be nice if you could manually adjust the sensitivity setting to your personal touch. Good Keyboard not Great. There are no great keyboards @ [...] bucks!

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Harness the power of your Mac music software with M-Audio's KeyStudio USB keyboard controller. KeyStudio makes it easy to command a library of virtual instruments, audition loops and compose songs in GarageBand, Logic and other Mac-compatible applications. The sleek controller features 49 synth-action keys plus pitch bend and modulation wheels, sustain pedal input and more. Simply connect it to your Mac OS X computer with a single USB cable and start playing.

49-Note, Synth-Action Keyboard The KeyStudio keeps things simple with a 49-note keyboard and basic controls. Use the octave up and down buttons to hit higher and lower notes, and the pitch bend and modulation wheels for added expression.
Get Started Instantly The Keystudio will install instantly on Mac OS X computers--just plug and play. Of course, it works great on Windows machines too.
Powered by the USB port on your computer, the Keystudio makes a perfect controller for GarageBand, Logic or other music applications.
Assignable Functions You can easily set up the KeyStudio to work the way you want. You can assign the modulation wheel and volume slider for convenient control of functions like volume, pan or portamento (for just a few examples).
The assignable octave +/- buttons can be set to adjust octave shift, program change, bank MSB, transpose, Bank LSB, or MIDI channel change settings.
The "edit mode" button allows you to control advanced functions via the keys themselves, changing anything from octave to bank or program info.
Easy Connections Because the Keystudio is powered by your computer's USB bus, all you need for connection and power is the included USB cable.
You can also add a standard sustain pedal for more piano-like expression, using the quarter-inch input on the back of the keyboard.
What's in the Box M-Audio KeyStudio USB keyboard, USB cable, Printed KeyStudio Quick Start Guide

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Friday, December 7, 2012

PreSonus AudioBox USB 2x2 USB Recording Interface Review

PreSonus AudioBox USB 2x2 USB Recording Interface
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Brand New Review for Nov 2010:
I recommend this only if: 1) you are not recording a guitar with high output pickups through the instrument-in, because it will clip even with the gain turned all the way down on the AudioBox, 2) you are not using an SM57 or some other dynamic mic that requires more than 35dB of gain, otherwise it will be too quiet, and 3) your headphones have an impedance above 100 ohms, otherwise the USB-powered Audiobox can't keep up with the current draw and will have no bass in the headphone monitoring out.
If you meet those conditions, then this is a great, affordable, stable recording interface. On my Mac it's plug-n-play, both on my older G4 powerbook with Tiger and newer 2010 Mac Mini with Snow Leopard. On the Mac, no separate software or drivers are needed. The construction of the AudioBox is very good. All metal box, and metal knobs. The blue metal looks great.
The mic preamps sound pretty darn good, crystal clear if you're using a condenser mic. For recording vocals on condensers, this interface is great. If you're on an old system, however, recording direct guitar and running it through a virtual amp simulation will give you latency problems. Not as much on Core 2 Duo systems and above. Be advised that the zero-latency monitoring is for a clean signal going in, not the processed sound from your software plugin, thus you can't do zero-latency distorted guitar recording that way unless you listen to yourself play clean while recording.
Now officially this does not have line-level recording ability. So you can't take the headphone output from a walkman, guitar amp, or mp3 player into this. But actually that does work as long as you carefully keep the line signal volume low and plug it into the instrument jack on the AudioBox. I've done this and it records just fine. But if the line volume gets turned up too high, you risk burning out the chip inside the AudioBox, since it wasn't engineered with safety mechanisms for that, thus Presonus says it doesn't do line-in.
It gets 4 stars for what it does well, and minus 1 star because of the caveats / exceptions listed at the beginning. As with all gear buying, my honest recommendation is to save up and get something 1.5X the cost of what you thought you could afford. If I could do it all over again, I would get an Echo Audiofire 4, Focusrite Saffire Pro 14, or Apogee Duet and call it a day. But, my Audiobox has served me well for over two years now, made some great clear recordings, right up until I got new headphones with too low impedance and the bass dropped out.

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Wednesday, November 21, 2012

Samson CO1U USB Condenser Microphone Review

Samson CO1U USB Condenser Microphone
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The audio quality of the mic is outstanding, worthy of 4 stars on its own. I use it to do production for radio and it sounds nearly as good as the studio mics. The problem lies with the software and the drivers. Mac users aren't the only ones experiencing headaches. If you are going to use this microphone on a Windows PC, I highly recommend using the native Windows drivers instead of the Samson SoftPre drivers, as the XP drivers are much more stable. The SoftPre, for some reason, conflicts with the native XP drivers and is prone to crashing and causing erratic audio performance - such as stuttering, clipping and popping noise, none of which I get using XP's drivers. The Samson drivers also crashed my computer three times in the first couple of days I used it, so now I am using the XP drivers. The Samson drivers aren't fully compliant with Windows XP, and as such you'll get a barrage of warnings when installing them ("Drivers are NOT digitally signed...may cause system instability!"). Its kind of a disappointment, because the SoftPre has some very useful basic features like Gain, LPF and such, but if you know anything about working with DAW's, any capable editing program will have these functions built in anyways. So for the price, I say go for it...just stay FAR away from Samson's software.
*update*
This mic works perfectly with the native OS X Tiger drivers. Its truly plug and play, have been using it in Garage band with no problems. Also, this mic works perfect with Vista...no software needed.
ALSO...I notice alot of people commenting on adjusting the balance when using this microphone. You dont need to do that, because you are forgetting that this is a MONO sound source. In your audio editing program, select the Samson CO1U, and then when you select input, choose "Input 1 MONO" instead of "Input 1-2 Stereo." Stereo is out of balance because again, its a single mono source. Hope this helps.

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Samson CO1U USB Condenser Microphone

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Thursday, October 18, 2012

Blue Microphones Snowball USB Microphone (White) Review

Blue Microphones Snowball USB Microphone (White)
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Always hold it close to your mouth to eliminate echo and get that deep, rich satin voice you're looking for!

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Includes: tripod stand.Blue Microphones Snowball - Round and white, the Snowball lives up to it's name, and features a retro style that harkens back to the early days of audio. But on the inside, the Snowball represents only the most modern in microphone technology. Bringing you professional quality audio recording on the PC or Macintosh via USB. It's perfect for everything from soft vocals to a loud garage band. It's also ideal for professional sounding podcasts. PC Requirements - XP Home or Professional Edition, USB 1.0 or 2.0 port, and a minimum of 64MB of RAM Mac Requirements - Mac OSX, USB 1.0 or 2.0 port, and a minimum of 64MB of RAM

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Sunday, September 16, 2012

Blue Microphones Snowflake USB Microphone Review

Blue Microphones Snowflake USB Microphone
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If you are looking for an inexpensive but high quality, small & portable, USB microphone, the Blue Snowflake is a great choice. Blue Microphones Snowflake USB Microphone

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Whether you're recording your newest podcast, talking business on the web, or just narrating your latest great family movie, the Blue Snowflake Microphone can capture it with amazing clarity and depth that's head and shoulders above any comparable portable USB on the market!The Blue Snowflake Microphone works on both Mac and PC with no complicated drivers to install: just connect it to your computer's USB port, follow the prompts and you'll have high-fidelity sound in no time. It's perfect for podcasting, voice recognition software, iChat, and VoIP software such as Skype and Vonage. Or use it for dictation, field recording, lecture recording, and narration for slideshows and PowerPoint presentations. The sky's the limit. It's even great for recording music via GarageBand and other multitrack recording software.

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Monday, September 10, 2012

Blue Snowball & Ringer Package -Textured White Review

Blue Snowball and Ringer Package -Textured White
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This WAS my third attempt at purchasing a microphone for some Web Based Multimedia Training that I am developing. The other two manufactures that I purchased were junk. They hissed and popped and just plain sucked! I was at my witts end. However, this Microphone by Blue Mic was an excellent investment. IT WORKS GREAT! I plugged it in and away we went. I use the Adobe products it worked out of the box with both Captivate and Presenter. I highly recommend this microphone.

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Saturday, August 25, 2012

M Audio KeyRig 49 49 Key USB Keyboard Controller Review

M Audio KeyRig 49 49 Key USB Keyboard Controller
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This is exactly the keyboard you need if have a computer that does it all. This keyboad is compact, well made, and has all the features you need for simple MIDI entry. I don't recommend it for performance, though - not at all rugged. Great for Apple-based studio (or Wintel).

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Friday, August 17, 2012

E-MU Xmidi 1x1 - MIDI adapter - USB Review

E-MU Xmidi 1x1 - MIDI adapter - USB
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I got this for my new iMac with an Intel processor and it is completely plug and play. I didn't have to download anything, my computer recognized what it was and identified it by name automatically. The only little thing is the cable marked MIDI IN goes to the keyboard's MIDI OUT and the cable marked MIDI OUT plugs into MIDI IN on the keyboard. Slightly confusing but it makes sense after you think about it.

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Sunday, August 5, 2012

Korg MICROKEY 37-Key Portable Keyboard Review

Korg MICROKEY 37-Key Portable Keyboard
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The Microkey demonstrates that Korg learns from its failures and its successes. The Microkey's predecessor, the Nanokey, had some advantages: it was cheap and you could throw it in a laptop bag. Users soon found out that the Nanokey was too cheap. It wasn't sturdy, and the button keyboard did not win awards for usability. On the other hand, The Microkorg and Microkorg XL synthesizers have been hits with their mini-sized keys. Korg basically took the keyboard fromt eh Microkorg, put it in a no-frills controller case, and gave it a reasonable, [...] price tag. In short, the formula works.
With 37 mini-keys (3 octaves C-C), the Microkey is too big for a laptop bag, but it fits nicely in your lap or on a table. It plugs directly into your computer via USB. In my case, it was plug-and-play with Windows-7, with the computer automatically loading the driver; however I had to download a driver (no problem) for Mac OS-X. The small keys are easy to get used to, have a good feel and good velocity response. The Microkey does not transmit aftertouch. Other than the keys, the only controls are lighted octave shift + and - buttons (shifting up to 3 octaves in each direction), a spring-loaded pitchbend wheel, and an un-sprung modulation wheel. I knocked off a star for failure to include a jack for a sustain pedal, much less an additional jack for a volume pedal or continuous controller.
KORG LEGACY COLLECTION SPECIAL EDITION - This is what I really want to talk about. The Microkey is bundled with light versions of several software packages, the most notable being Korg's own M1LE. M1LE contains most of the sounds of Korg's bestselling hardware synthesizer/workstation of 1988, the Korg M1. Approximately 100,000 M1 synthesizers were sold for almost at almost [...]. In other words, the M1LE is pretty worthwhile on its own, but it really becomes worthwhile after you register your copy of M1LE online at [...], because registered M1LE owners qualify to buy a special edition of Korg's Legacy Collection software synthesizers for $99.00. The Legacy Collection Special Edition includes BOTH the analog edition and the digital editions of the Legacy collection. It includes the MS20, Polysix, Mono/Poly, Legacy Cell, Wavestation, and M1 (expanded). Recently Korg unbundled these software synths and started selling them individually for $49.99 each. So with the Legacy Collection Special Edition, you're basically buying all of these synths plus the hardware controller for $50.00 less than what you'd pay for just the software synths. Buying the Legacy Collection changes the Microkey from a good buy to a great buy. You have to download the synths one at a time from korguser.net, and the registration procedure is a bit of a pain. The license allows you to download the software on more than one computer that you own, but you can only use one at a time. Each computer that you install the software on must be individually registered. http://www.amazon.com/review/create-review There is no dongle or USB key needed for this version of the Legacy synths.
THE COMPETITION: For my money, the closest competition is Arturia Analog Experience - The Factory Hybrid Synthesizer, which, like the Microkorg plus Legacy Collection, gives you a compact controller plus thousands of sounds. Arturia's product, for just a little bit more than the Korg, Arturia gives you a more full featured controller (with aftertouch). It's a viable option that I almost bought (and might buy yet.) Another option (especially for Windows users) would be M-Audio's M-Audio Keyrig 25 25-note Synth-Action Keyboard and Midi Controller or M Audio KeyRig 49 49 Key USB Keyboard Controller I bought the Key Rig software separately several years ago. Here's a link to my review of the Key Rig Software, http://www.amazon.com/review/R1ZNFX9NE271ES. If your needs are simple, Key Rig may be all the software you need.

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Monday, July 30, 2012

Tascam US-100 USB 2.0 Audio Interface Review

Tascam US-100 USB 2.0 Audio Interface
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Tascam advertises this as "class compliant" USB 2.0, and it is. I plugged it into my Ubuntu Linux machine and was ready to go. No messing with drivers, no clunky setup. The US-100 works and works well. The case is nice and sturdy, making it idea for mobile use. And it sounds good too. If you want to just plug and play, this is a great buy.

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Tascam's US-100 breaks the price barrier for great-quality recording into your computer. The microphone input captures great-sounding performances, or you can plug in your guitar or bass directly into the instrument-level input. Stereo line inputs can be switched to RIAA phono level for digitizing your vinyl collection from your favorite turntable. The USB 2.0 connection guarantees playback without hiccups on your Mac or Windows computer, and the compact aluminum construction withstands the hazards of the road, studio or dorm room.
Click here for a larger image.

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Wednesday, July 18, 2012

TASCAM US122MKII USB Audio/Midi Interface Review

TASCAM US122MKII USB Audio/Midi Interface
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In September, Tascam "officially" certified all of its audio interfaces for use in Snow Leopard, saying the devices were "fully functional" in the operating system. They lied. Neither the Tascam US-122l nor the Tascam US-122MKII is fully functional in Snow Leopard.
I bought the Tascam US-122l based on Tascam's "certification." I have a mid-2009 iMac (not the brand new version) and am running Snow Leopard. After receiving the interface I downloaded the most up-to-date drivers and firmware. However, the interface was not recognized as a in/out sound device in either Snow Leopard's "system preferences" or its "Audio MIDI Setup." I called Tascam customer support and talked to a very friendly and informative representative who basically told me that there was nothing that I could do about it, and that a driver might (eventually) be released that offers full support. I asked if the US-122MKII was fully functional in Snow Leopard (it had been released right after I bought the US-122l), and he said that on his computer it showed up in both system preferences and audio midi setup. Based on this information, I bought the US-122MKII, only to come across the same exact problem.
IMPORTANT: Both audio interfaces are fully functional in the audio programs I have (Ableton Live, GarageBand, Audacity). If all you want to use the interface for is audio in-out for such programs, you won't have any problems. However, if you want to be able to use the interface as your computer's main soundcard (ie:, to output all sound through the interface) you should not buy either interface for use in Snow Leopard. This ability is a big plus: for example, your iTunes music will likely sound much better coming through an audio interface than straight from your onboard sound card. Additionally, the ability to output all your sound through your interface means that you can keep your speaker cables connected to your interface at all times, without having to switch back to your computer after you've finished recording.
I don't know if there are any audio interfaces out there that are fully functional with Snow Leopard yet, but Tascam's are NOT and the company should not be claiming that they are.***********UPDATE***************
Tascam has finally released a driver that makes the US-122mkii fully functional in Snow Leopard. The delay was frustrating, but now the interface is a great value for Mac users. I've changed my rating accordingly, but Tascam needs to be more honest about compatibility in the future if they want to maintain their customers' trust.

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Whether you're getting started with computer recording or adding a portable interface to your road rig, the Tascam US-122mkII USB audio interface is the affordable choice for professional results. Refreshed with improved audio specs and a fresh new look, the US-122mkII starts with two great-quality XLR microphone preamps with phantom power for condenser microphones. There's also a pair of balanced line inputs and a guitar-level in for direct recording of electric guitar or bass. The stereo signal is sent to your computer at up to 96kHz/24-bit audio quality.


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Monday, July 16, 2012

Mackie ProFX8 Professional Compact Mixer Review

Mackie ProFX8 Professional Compact Mixer
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If you intend to record via USB using the ProFX8, beware that USB recording introduces a low-level, high-pitch tone (1kHz + harmonics) on the monitor send, main out, and headphones. You and your audience will hear this buzz during quiet passages and between songs. After receiving mine in February, 2009, I called the support people at Loud Technologies (maker of Mackie) and talked with Tom M. who claimed Loud is aware of this issue and there is no fix. That's a shame because the ProFX8 is otherwise worth 5 Amazon Stars and is noticeably quieter than my Behringer Xenyx mixer.
The ProFX8 is currently out of production while Loud engages another manufacturer - the original manufacturer apparently went out of business. Tom from Loud hinted that the USB-induced noise may be fixed in the next production run, but he admitted it was pure speculation on his part. I'll be interested to hear from other Amazon reviewers who purchase a ProFX from this second production run. Chime in folks!
My ProFX8 arrived with a defective effects unit. Getting Tom to issue the paperwork for the repair was a little dicey because I bought my unit on Ebay (at the time, none were available anywhere else). Apparently, there is a black market for these Chinese-manufactured units, and Loud doesn't want to warranty any they didn't sell to an authorized dealer. Getting a receipt from the Ebay seller was the most uncertain step in this process. When I finally sent the ProFX8 in for repair, I also listed the USB noise issue on the paperwork. When the ProFX8 was returned, the effects unit was fixed and mentioned on the repair ticket, while the USB noise issue was ignored. The repair turnaround was a reasonable two or three weeks using ground shipping.
Some other facts/tips about the ProFX8:
-As soon as you connect the ProFX8 to a computer via the USB cable, you may notice some (other) digital noise in the mixer. Fix this by adding a ground-lift adapter to the end of the power plug of the ProFX8.
-The 1kHz tone does not enter the USB recording itself unless the USB Thru feature is used. The noise is obviously coming from the USB playback path (again, only while recording via USB).
-The USB Thru feature can be used to achieve zero-latency multi-track recordings. This is done by engaging the feature for a second or so before performing a new track and recording a bit of the playback (like a test click). Afterwards, line up the playback audio with the portion that was recorded with the USB Thru.
Update (April 17, 2009):
I sold the ProFX8 via the Mackie forum (and this review) to a professional musician with a decent breadth of mixer experience. He had this to say about my ProFX8:
"The basic reverbs are noticeably better than in most other compact mixers (Behringer, Yamaha) at this price point. Not the equal of Soundcraft, Allen Heath or Dynacord mixers, but still as you commented, it is amazing how much Mackie put in this thing for $200. I'm curious to see how it holds up over time. Hopefully their re-release model will take care of the USB noise issues."


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Tuesday, July 10, 2012

Behringer X1204USB 12-Channel Mixer Review

Behringer X1204USB 12-Channel Mixer
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This little mixer has the professional quality I require and I'm using this mixer combined with Cubase 6 software. I am happy to be using this to finish up my vocals on a progressive rock project to be mixed by the famed Terry Brown(RUSH). The Mice Pres have a wonderful warm and forward quality to them. The ease of use of the board is helping me complete a few singles that I am working on to include a Rap tune that will be spit by a member of the famed band Digital Underground, and another to be sung by the #1 Billboard charting Latin pop star Viva Angelina Sky.
It was so easy to set up and begin working with. I exchange aif files with my clients and other musiles from around the world, that I work with, and everyone has mentioned they are loving the vocal sounds. I think it's the Mic Pres! The mix between studio applications and live possibilities are awesome, too. The portability gives one a lot of options. I received it in perfect timing for me to complete my session work that was in lockdown from my previous equipment breakdown. I ordered from the dealer, they shipped in in my desired timeframe, I had it hooked up and I was on a phone patch studio session on schedule! AWESOME!
I recommend it. You can hear some of the new material on my website, [...] , as I begin to upload it, soon!!

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Friday, May 25, 2012

Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp Review

Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp
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I bought the Blue Icicle because I had to quickly record some trumpet lines and I didn't have an interface. Well, actually, I did pick up an open box unit that didn't work because they couldn't provide me with the external power supply, so I took it back and got the Icicle as a quick fix that would get me where I needed to go in a timely manner.
Hardware: iMac, dual core 2.0 GHz processor and 4 GB or RAM. OS 10.5.8.
Software: Garage Band.
Mic: Shure SM57.
Pros. For recording trumpet with an SM57 it was perfect. Clear sound, low noise, LOTS of signal. With the gain a little over half way on the Icicle and about 58% in Garage Band I got hot horn lines with gain to spare. Any hotter and they would have started clipping, so it definitely gave enough signal to get the job done.
Cons. The gain knob has no dial or indicators for how far you have turned it - it has to be done by feel making it almost impossible to duplicate your settings exactly. This could be improved with a knob with an arrow and a marked dial so you can see where it's set. It also feels a bit cheap - it's lightweight and feels almost fragile. Treated with care it's fine, but I doubt it would take much abuse before it would break and I have been ultra careful with it because it feels so lightweight and cheap. I also used it as recommended in the accompanying literature and didn't plug it directly into the back of the mic - I used it with a mic cable.
For what I needed it was perfect - simple plug and play that got good sound into my computer, and it worked well in a pinch. I just wish it was a little higher quality in terms of construction. A bit heavier and a better dial for the analog gain, and I would have rated it a full 5 stars but as it is, I can at best give it 4.


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The Icicle is Blue's new stylish USB converter and mic preamp combo that allows you to connect any XLR microphone directly into your computer via USB. The Icicle features a studio quality microphone preamp, 48V phantom power, fully balanced low noise front end, analog gain control, and driverless operation.

Make Any Mic a USB Mic The Icicle works with both dynamic and condenser microphones, providing high quality and hassle-free connectivity with Mac or PC. Whether you're using a microphone for digital recording, podcasting, voice messaging, or voice recognition applications, the Icicle is the quick and easy way to get connected.
Plug and Record Simply plug in the USB cable and your mic will be live--no special driver installation is required.
Quality and Simplicity The Icicle features a built-in, studio-quality mic preamp, along with a fully balanced, low-noise analog front end to send a clear signal via USB.
It also supplies 48V Phantom Power for condenser mics.
On the control front, the Icicle keeps it simple, with a single analog volume level control.
What's in the Box Blue Icicle, 6-foot USB Cable

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Wednesday, May 23, 2012

Behringer U-Control UMX610 61-Key USB/MIDI Controller Keyboard with USB/Audio Interface Review

Behringer U-Control UMX610 61-Key USB/MIDI Controller Keyboard with USB/Audio Interface
Average Reviews:

(More customer reviews)
MIDI keyboard controllers in general fall into a gray area between computer controller and musical instrument. Most seem to focus on the integration between device and DAW and fall very short on playability. I am a piano and guitar player and have reasonably good quality equipment in my recording studio. I wanted a keyboard that I could use in a different location, primarily for polishing up previously recorded tracks during the editing process. I settled on this 61 key unit because it has a sufficient number of scales to play a composition but is not so large to make it non-portable.
Here are the things I like about the keyboard:
1. It's light (about 10 lbs), so is easy to move about
2. Because it has limited MIDI controls, it is also thin, allowing it to be placed on a desk easily, then removed. In contrast, most other MIDI keyboards are twice as deep and require a permanent stand or position.
3. With Logic 9, the keyboard is plug and play. Logic recognizes it easily (an additional scan seemed to help the volume level). I haven't spent any time trying to assign controls, but the basic stuff seems to work nicely with Logic.
4. Full size keys. These keys are full size, or very close. They are not as large as the ones on the Roland stage piano I have, and not weighted, but they are large enough so that fingers are not tripping over each other.
Here are the most significant shortcomings of the keyboard.
1. It's light. Not titanium light, but cheap plastic light. This makes it portable but also quite fragile. I have the feeling that it will break. Soon.
2. Build quality. The rotary knobs are actually quite sturdy, but the little black plastic buttons make a loud and cheap clicking noise when depressed, as if I am doing something that they weren't designed for. The red color may be eye catching (or gaudy depending on your perspective), but it's already scratched in a few places even with delicate handling.
3. The keys, though full size, have very little feel or weighting, despite the company's claim that they are semi-weighted. I imagine that there are boards with even less feel, but this one offers next to no resistance to the touch. It's not a problem if you're entering a two finger bass line, but definitely is if you're used to the normal piano weighting of an acoustic or a good stage piano. I also realize that the lack of weighting keeps the unit light and portable, so I can accept this inherent limitiation.
4. Key sensitivity is also weak. There are three settings only-light, medium and heavy, where the keyboard responds with more or less sound. On the heavy setting, I have to literally smash the keys to get much sound, and on the light setting, everything played registers as the same volume. These are not keys that one can modulate at all.
5. As a MIDI controller, it's acceptable, but for someone using a full featured DAW, the eight knobs and a few buttons will be woefully inadequate to control complex parameters. I have a separate MIDI controller, so this is not an issue.
6. There is little documentation with the unit. I had to go online and dig about to locate a pretty sketchy manual on the product. I have not tried the included software, and do not intend to.
For what is available right now, this unit is not bad. It has no sounds of its own, but plays everything that Logic has in its audio library. Just plug in the USB connection and it is ready to go. In order to get a good keybed, such as one made by Fatar or Roland, one has to not only spend significantly more money (probably well worth it) but also has to put up with a footprint that is much bigger. It is this last part that really is the Behringer's strong suit. It's pretty svelte, while the rest of the bunch are enormous. Yet, in the final reckoning, I will not keep this unit. It just doesn't seem to be that well built, and I am not optimistic about it lasting. Moreover, while the size of the keys are nice, the playability leaves a lot to be desired, at least if one is used to real pianos.


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Thursday, May 17, 2012

Cakewalk A-300PRO USB/MIDI Keyboard Controller Review

Cakewalk A-300PRO USB/MIDI Keyboard Controller
Average Reviews:

(More customer reviews)
This review is actually for the A-500 Pro, but Amazon can't seem to find that particular one. There is no difference between the 300 and 500 except for the number of keys. Keys feel good, even though they are a little springy and they are a little small, but not too bad. With Macintosh's utility "Audio MIDI Settings" it's easy to map out and the driver installed without a hitch. Construction is solid and this thing is very lightweight. Display is easy to read and the controls are well designed, although just a bit complex. For me, here's the huge problem. I use Logic and often Camel Audio's Alchemy soft-synth, and the mod wheel is very important because for many of the patches it drastically alters the parms to the point of getting a new sound. The A500Pro has a mod stick that is spring loaded. Therefore, if you find a setting that you really like, you have to hold the mod stick because when released it springs back to "zero" position. This is a critical, deal-killing design flaw, in my opinion. You can never play a mod setting with two hands. I'm returning the A500 that I just bought and sticking with my M-Audio Axiom Pro for my laptop controller.

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