Showing posts with label midi controllers. Show all posts
Showing posts with label midi controllers. Show all posts

Wednesday, January 2, 2013

Akai SYNTHSTATION25 25-Key Keyboard Controller For Iphone And Ipod Touch Review

Akai SYNTHSTATION25 25-Key Keyboard Controller For Iphone And Ipod Touch
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I had been eyeballing this thing for a while, but I didn't have an iphone. I recently got an ipod touch 4g for an unrelated reason, and within a few hours of that purchase it occurred to me that I should get this thing too. I'm glad I did.
The controller is well built for a powerless piece of plastic (i say powerless because it is not a pre-amp or anything, it does require batteries). I own the LPK25 and the LPD8, and the SS25 is pretty similar in design with the exception of the pitch and mod wheels (drum pads are controlled via the touch screen). There is no on board speaker, and keys played don't play through the ipod's speaker, so you NEED headphones or to use the line out. Get an RCA to 1/8" adapter and you are set. I really like this because I make the noise in my band and it is difficult to do what I do without a computer. This essentially puts Garage Band in my pocket and I've spent many a night on the couch completely oblivious to my wife and kids while I amuse myself and actually get some work done at the same time; the portability is just awesome.
Software:
AKAI SS25 Software: 1/5 stars. It turns on when the ipod is plugged into controller unless another app is running which I find completely annoying. Also. I have yet to figure out how to record a freaking song with this software. UI just plain sucks and is not at all intuitive. If this were the only software available for the controller nothing could have redeemed it and i would have given the keyboard a 1/5 also. BUT luckily...
Nano Studio: 4/5 This software has everything the SS25 app lacks: friendly interface, decent library of sounds, and modeled after your typical track by track software. My only complaint is the drum and synth selectors on the keyboard behave a little strangely and don't necessarily correspond to tracks in an obvious way. Still, after a week I've produced some very pretty sounding tracks that are unique from one another. The best part of NS for me is that it can connect directly to and upload to Soundcloud.com, which I was already using for my regular band. You can also connect via Nanosync and transfer wirelessly to a computer. VERY HANDY.
Music Studio (full version): 4/5. Essentially the same as Nano Studio, but with more of a Garage Band sort of quality to it. The sound library is decent and expandable and laying track by track is easy. Exporting is also simple with MS, you can connect to a computer via your phones IP address and transfer files to a computer. I like Nano Studio just a tad more than MS, but only because I had been using NS for a day or so before getting MS and I'm a brand loyalist. However, I AM actively using both NS and MS apps.
Long story short: Get the controller, don't waste 99 cents on the Akai app, DO invest $15 in Nano or Music Studio, and go to town.

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Monday, December 17, 2012

M-Audio Keystudio 49-NOTE USB Keyboard Review

M-Audio Keystudio 49-NOTE USB Keyboard
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Okay Look a couple disgruntled customers gave bad reviews about a product that does exactly what it's advertisements claim. 49 keys check, non-weighted keys;check, play 4 octives whithout using octive shift;check, pitch bend;check, modulation;check, assignable midi;check. Plug and Play, no driver installation needed with most every DAW not just Garage Band or Mac Products.Those people don't know what they are talkin about or what kind of equipment they are looking for frankly. I use a Sony Vaio with Windows Vista 64 bit, my DAW is FL Studio. It works fine. No, it doesn't make any sounds unless you have a program that it can communicate with, then there is no sound that is known to man that it want make for you, if only you now how to instruct it. It's not the keyboard's fault if you don't know how to use it. This keyboard is more for people who are into music production and have not progressed far enough or have not decided that they want to invest a couple of grand in a more serious keyboard, it's absolutely worth a [...] bucks. My advise to the lady is that if hubby doesn't know how to make his own melodies and background music, then just get him a toy Casio keyboard he'll love that. The only thing I would complain about is that the keys are not weighted, but I know that when I bought, it's a work around though. You just have to get used to the sensitivity, it would be nice if you could manually adjust the sensitivity setting to your personal touch. Good Keyboard not Great. There are no great keyboards @ [...] bucks!

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Harness the power of your Mac music software with M-Audio's KeyStudio USB keyboard controller. KeyStudio makes it easy to command a library of virtual instruments, audition loops and compose songs in GarageBand, Logic and other Mac-compatible applications. The sleek controller features 49 synth-action keys plus pitch bend and modulation wheels, sustain pedal input and more. Simply connect it to your Mac OS X computer with a single USB cable and start playing.

49-Note, Synth-Action Keyboard The KeyStudio keeps things simple with a 49-note keyboard and basic controls. Use the octave up and down buttons to hit higher and lower notes, and the pitch bend and modulation wheels for added expression.
Get Started Instantly The Keystudio will install instantly on Mac OS X computers--just plug and play. Of course, it works great on Windows machines too.
Powered by the USB port on your computer, the Keystudio makes a perfect controller for GarageBand, Logic or other music applications.
Assignable Functions You can easily set up the KeyStudio to work the way you want. You can assign the modulation wheel and volume slider for convenient control of functions like volume, pan or portamento (for just a few examples).
The assignable octave +/- buttons can be set to adjust octave shift, program change, bank MSB, transpose, Bank LSB, or MIDI channel change settings.
The "edit mode" button allows you to control advanced functions via the keys themselves, changing anything from octave to bank or program info.
Easy Connections Because the Keystudio is powered by your computer's USB bus, all you need for connection and power is the included USB cable.
You can also add a standard sustain pedal for more piano-like expression, using the quarter-inch input on the back of the keyboard.
What's in the Box M-Audio KeyStudio USB keyboard, USB cable, Printed KeyStudio Quick Start Guide

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Tuesday, December 11, 2012

M-Audio Oxygen 25 25-Key USB MIDI Controller Review

M-Audio Oxygen 25 25-Key USB MIDI Controller
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Works great.The keys feel great and the keyboard is easy to set up.I just plugg it into my mac,push the power button on and start up garageband and it work great.No hassel!I recommend this product!

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Saturday, August 25, 2012

M Audio KeyRig 49 49 Key USB Keyboard Controller Review

M Audio KeyRig 49 49 Key USB Keyboard Controller
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This is exactly the keyboard you need if have a computer that does it all. This keyboad is compact, well made, and has all the features you need for simple MIDI entry. I don't recommend it for performance, though - not at all rugged. Great for Apple-based studio (or Wintel).

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Thursday, August 23, 2012

M-Audio AXIOM 25-Key Semi-Weighted Keyboard USB MIDI Controller Review

M-Audio AXIOM 25-Key Semi-Weighted Keyboard USB MIDI Controller
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I just bought this keyboard yesterday. I played around with for about 3 hours last night. So far it's everything I wanted it to be and more. It's one of the few midi keyboards that has trigger pads on it I've seen. The Enigma software from M-Audio is very easy to use. I mainly use Fruity Loops 5 so I have to spend some time to get the settings right. All the keys are very accurate to pressure you hit the keys with. It's very lightweight, maybe about 5 or 6 pounds. A very good buy for the price.

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Sunday, August 5, 2012

Korg MICROKEY 37-Key Portable Keyboard Review

Korg MICROKEY 37-Key Portable Keyboard
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The Microkey demonstrates that Korg learns from its failures and its successes. The Microkey's predecessor, the Nanokey, had some advantages: it was cheap and you could throw it in a laptop bag. Users soon found out that the Nanokey was too cheap. It wasn't sturdy, and the button keyboard did not win awards for usability. On the other hand, The Microkorg and Microkorg XL synthesizers have been hits with their mini-sized keys. Korg basically took the keyboard fromt eh Microkorg, put it in a no-frills controller case, and gave it a reasonable, [...] price tag. In short, the formula works.
With 37 mini-keys (3 octaves C-C), the Microkey is too big for a laptop bag, but it fits nicely in your lap or on a table. It plugs directly into your computer via USB. In my case, it was plug-and-play with Windows-7, with the computer automatically loading the driver; however I had to download a driver (no problem) for Mac OS-X. The small keys are easy to get used to, have a good feel and good velocity response. The Microkey does not transmit aftertouch. Other than the keys, the only controls are lighted octave shift + and - buttons (shifting up to 3 octaves in each direction), a spring-loaded pitchbend wheel, and an un-sprung modulation wheel. I knocked off a star for failure to include a jack for a sustain pedal, much less an additional jack for a volume pedal or continuous controller.
KORG LEGACY COLLECTION SPECIAL EDITION - This is what I really want to talk about. The Microkey is bundled with light versions of several software packages, the most notable being Korg's own M1LE. M1LE contains most of the sounds of Korg's bestselling hardware synthesizer/workstation of 1988, the Korg M1. Approximately 100,000 M1 synthesizers were sold for almost at almost [...]. In other words, the M1LE is pretty worthwhile on its own, but it really becomes worthwhile after you register your copy of M1LE online at [...], because registered M1LE owners qualify to buy a special edition of Korg's Legacy Collection software synthesizers for $99.00. The Legacy Collection Special Edition includes BOTH the analog edition and the digital editions of the Legacy collection. It includes the MS20, Polysix, Mono/Poly, Legacy Cell, Wavestation, and M1 (expanded). Recently Korg unbundled these software synths and started selling them individually for $49.99 each. So with the Legacy Collection Special Edition, you're basically buying all of these synths plus the hardware controller for $50.00 less than what you'd pay for just the software synths. Buying the Legacy Collection changes the Microkey from a good buy to a great buy. You have to download the synths one at a time from korguser.net, and the registration procedure is a bit of a pain. The license allows you to download the software on more than one computer that you own, but you can only use one at a time. Each computer that you install the software on must be individually registered. http://www.amazon.com/review/create-review There is no dongle or USB key needed for this version of the Legacy synths.
THE COMPETITION: For my money, the closest competition is Arturia Analog Experience - The Factory Hybrid Synthesizer, which, like the Microkorg plus Legacy Collection, gives you a compact controller plus thousands of sounds. Arturia's product, for just a little bit more than the Korg, Arturia gives you a more full featured controller (with aftertouch). It's a viable option that I almost bought (and might buy yet.) Another option (especially for Windows users) would be M-Audio's M-Audio Keyrig 25 25-note Synth-Action Keyboard and Midi Controller or M Audio KeyRig 49 49 Key USB Keyboard Controller I bought the Key Rig software separately several years ago. Here's a link to my review of the Key Rig Software, http://www.amazon.com/review/R1ZNFX9NE271ES. If your needs are simple, Key Rig may be all the software you need.

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Tuesday, July 24, 2012

M-Audio AXIOM 61 Advanced 61-Key Semi-Weighted USB MIDI Controller 9900-51413-10 Review

M-Audio AXIOM 61 Advanced 61-Key Semi-Weighted USB MIDI Controller 9900-51413-10
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MIDI controllers are often a subjective choice because not everyone uses them for the same purpose or has the experience of playing on weighted keys such as your normal piano.
I purchased this after having started with a 49 key M-Audio Key Studio which was an entry level controller with plain, non weighted keys and no extra control beyond the standard pitch & mod wheels and octave buttons. I wanted something that would allow comfortable "piano style" two handed play without getting into actual 88 key units. If you are not experienced with actual keyboards/workstations (the ones that have sound and sequencers on-board like the Fantom, Motif, Triton) then you will likely be surprised with the weight of the unit. It is not heavy per se, but if your prior experience is with a small drum pad or controller with non-weighted keys the 11 pounds will be something of a shock.
The key action is exactly what I was looking for. It gives you enough resistance to feel the play style without actually being heavy enough to wear out your hands like a piano can do. The adjustable velocity curves let you pick how hard you want to have to press a key to achieve set input level which is a nice way to customize the board to how strong your fingers and hands are. I found the action to be smooth and not as sloppy as the thin non-weighted keys I was used to.
The sliders feel slightly flimsy, think hollow plastic, but they ride on a slider bed that offers some resistance so they don't flop around. Not a big deal unless you are used to working with metal sliders. The endless rotary knobs have a good feel to them and look to be very useful.
The drum pads have a soft feel to them but they use switches under them that require fairly centered strikes to trigger the pad. I also own a KORG padKontrol that I use for my pad needs and it is a much better unit, with pads that don't require a direct center hit to trigger and also have a surface which is not as prone to letting your fingers slide. The KORG though is a $200 unit that has only pads and is focused around their use. The Axiom 61 has pads as more of an afterthought or convenience, they are not either numerous enough nor of sufficient quality to be a feature for this unit. They are handy to trigger things while playing the keyboard but not as a drum pad, which is what some folks believe they are getting.
The LCD display is very clear and bright making reading it no problem. I'd prefer if they would have inclined the face of it about 10 degrees towards the user though for even better reading ease.
The included software was of no use to me, I use Logic Studio 8. The lack of a printed manual was disappointing considering that you really need to read through it to understand how to use the various functions. It will typically be plug and play for the keyboard, pitch and mod wheels but the sliders, knobs and pads will require some assignment in almost all software.
Overall I am pleased with the Axiom 61. The keys are very nice as long as you understand they are not hammer-action piano keys. Between the sliders, knobs and pads I would say the knobs are the best implemented "accessory" feature with the sliders and pads coming off as usable but not anything to brag about. If you are getting started and want a good all-in-one solution wither this model or the 49 key Axiom will fill the bill nicely. The controls function properly but as mentioned above if you are into drum pads I'd only use these until you can get a stand alone unit.
I can see how someone who is not really sure what they are getting, could give it a 3 for the lack of a manual and the so-so accessory MIDI knobs/sliders/pads. I only wanted the 61 semi-weighted keys so everything else was not a deal breaker for me. If the knobs/sliders/pads had blown me away with their quality and there was a printed manual I'd have given it a 5 but I'm going to stick with a 4. It does what I bought it for very well and the extras work and do not detract from it.

Click Here to see more reviews about: M-Audio AXIOM 61 Advanced 61-Key Semi-Weighted USB MIDI Controller 9900-51413-10

The Axiom 61 is an advanced 61-key USB mobile MIDI controller with semi-weighted action and assignable aftertouch. Eight rubberized trigger pads are ideal for creating drum tracks and firing samples. Nine sliders and eight endless rotary encoder knobs put you in total control of your software studio. There are also 15 MIDI-assignable buttons—including six transport controls—assignable wheels, foot pedals and more. Programming is a breeze with dedicated front-panel keypad and backlit LCD screen. 20 memory locations store your setups and the free Enigma editor/librarian software lets you manage an unlimited number on your computer.



Total MIDI Control and Playability

Get Into the Action The Axiom series of mobile USB MIDI controllers has everything it takes to get the most from your MIDI software and hardware. Semi-weighted action complete with aftertouch gives you great feel and expression for both synth parts and pianistic passages. Eight rubberized trigger pads put your drums at your fingertips for programming with feel--or easy fire samples or visual effects.
Total MIDI Control Assign the eight rotary encoders to mixer controls like panning and effects sends, or to any synth parameters you want to control. Map the nine sliders to software mixer faders or drawbars on your virtual organ. 15 buttons, pitch and mod wheels, and sustain and expression pedal jacks round out a tour de force of MIDI domination. Assigning controllers is simple, yet has the power to let you delve as deep as you want. Each controller can map to just about any applicable parameter in the MIDI spec, including independent channel addressing for each. The possibilities are limited only by your imagination.
Intuitive Front-Panel Programming M-Audio Axiom MIDI controllers all feature a large backlit LCD screen for visual feedback--and the 61-key and 49-key models also place a 10-key pad right on the front panel for direct, intuitive programming. You'll also find 9 dedicated front-panel function buttons to easily access common operations like preset / program change or MIDI channel +/-, octave +/-, and transpose +/-. Use the Controller Mute button to prevent parameters from jumping when you change them, for example, then press Snapshot to transmit all current settings. 20 non-volatile memory locations instantly save and recall your favorite presets--and you can manage an entire preset library on your computer via SysEx dumps and our free Enigma software editor/librarian for PC and Mac.
Mobile Operation The Axiom series is extremely compact and lightweight and all models are powered directly from your computer's USB bus. Choose the size that's best for your needs, then take your music anywhere you want to go.

Axiom 61 Specs
MIDI Data from variable controllers:
MIDI Controller Number
RPN/NRPN
Program, Bank LSB, Bank MSB
Pitch Bend
GM/GM2/XG SysEx Messages

MIDI Data from buttons/switches:
MIDI Controller Number
Note On
Note On/Off toggle
RPN/NRPN
MIDI CC On/Off toggle
Program, Bank LSB, Bank MSB presets
MIDI Machine Control
GM/GM2/XG SysEx messages

Size: 38.4 x 11.2 x 2.6 inches; 97.6 x 28.5 x 6.6 (cm)
Weight: 11.7 pounds; 5.3kg

What's in the Box Axiom 61 Advanced 61-Key Semi-Weighted USB MIDI Controller, User's Manual, Ableton Live Lite Software

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Saturday, June 2, 2012

M-Audio Keystation 88ES Midi Controller Review

M-Audio Keystation 88ES Midi Controller
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I'm an amateur musician, and I always wanted a big keyboard, something close enough to a piano, but the big keyboards were always so expensive. In top of that, they always come with lots of knobs and features that I never wanted to learn or try. I just wanted a piano-like keyboard to play.
When I saw this keyboard for first time, I loved its 'minimalistic' style: no knobs, no screens, no buttons. Just the 88 keys and the minimum necessary controllers (3 buttons, 2 wheels and 1 slider), all in a beautiful and solid silver case. When I checked its price, I suspected maybe its quality was poor, but I had good references for the M-audio brand. So I decided to give it a chance and I'm still very proud of my purchase: just plugged it into the usb port of my PC and it was inmediately recognized. I was using FL Studio, but right now I'm trying Sonar and it works flawlessly. The keys offer some resistance to pressure, so it almost feel like piano keys.
If you're interested on this keyboard, I strongly recommend it. But if you don't to know that much of keyboards (and you don't want to, anyway), you have to know this keyboard is not a exactly a toy, nor is the kind that comes with lots of sounds and rythms. It is a controller, which means you have to use some kind of software or synth device for it to produce any sound. If you know exactly what you're buying, I don't think you will ever regret of buying this keyboard. It's great!

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If you appreciate the full range of a piano keyboard in a lightweight package, the 88-note Keystation 88es is for you. You get great-feeling, semi-weighted action that's velocity-sensitive, to convey all the nuances of your playing to your computer and most popular music education and studio software. The pitch and modulation wheels plus slider and buttons make it a great controller for playing and programming synths, samplers, drum sounds and more. At just 22 lbs., the Keystation 88es is equally at home on stage and in the studio. Class compliancy with Windows XP, Vista (32 bit), and Mac OS X ensures easy plug-and-play setup. It's even bus-powered, so one simple USB cable is the only connection you need.


88-Key Semi-Weighted USB MIDI Controller

88-note velocity-sensitive, semi-weighted action 88 keys means no constant hitting of an octave switch, an annoyance with smaller controllers. The semi-weighted action gives you a piano feel, and since it's velocity sensitive, your dynamic playing is accurately sent as data.
Pitch bend and modulation wheels These are ideal for controlling synths, samplers, etc.
Volume/assignable control slider Easily assign the control slider to different parameters of sound modules or software, for further control over your sound.
Advanced function button for programming When the Advanced Functions button is pressed, the keyboard goes into "Edit Mode." In Edit Mode, the keys on the keyboard are used for selecting functions and entering data. Black keys are used for selecting functions, while the white keys are used for data entry and channel selection.
Sustain pedal input (pedal sold separately) Add a sustain pedal, such as the M-Audio SP-1, for piano-like pedal control of your notes' duration.
Built-in USB MIDI interface Easily interface with most MIDI software using the built-in USB MIDI interface. The standard MIDI "out" jack routes MIDI signals from the keyboard or computer to your external devices.
USB Powered The 88es grabs power from the USB port on your computer. You can also purchase a 9VDC power adapter.
Mac OS X and Windows XP class compliant Enjoy plug-and-play operation with both Mac OS X and Windows XP. Ableton Live Lite music production software is included, so you can make music right away on either platform.
What's in the Box M-Audio Keystation 88es USB Keyboard, USB Cable, User's Manual

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Sunday, May 27, 2012

M-Audio Keystation 61es 61-Key Keyboard Review

M-Audio Keystation 61es 61-Key Keyboard
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I was surprised at the low price of this keyboard considering it has 61 semi-weighted keys. I thought maybe it wouldn't be such great quality but I was pleasantly surprised.
I thought at first that the keys were a little bit "springy", but I soon got used to them. So much so that when I went back to my old Yamaha keyboard (not weighted), the Yamaha felt terrible. This M-Audio lets you play nice and subtle.
There's not much to this keyboard, just a couple of very smooth acting wheels (pitch and modulation), a volume slider and a couple of function buttons. It all seems well-made and the keyboard is heavier than I expected.
I was pleased to find that when I took it out of its box, plugged in the USB cable and opened GarageBand, everything worked perfectly, immediately. No messing about.
It works well with GarageBand (not tried it with anything else), and being powered by the USB cable means it's dead easy to plug in and start playing.
At this price, I can't see how you can go wrong.

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The Keystation 61e is a 61-note USB keyboard with velocity-sensitive, semi-weighted keys that is designed to easily integrate in any computer music environment. Class compliancy with Mac OS X and Windows XP delivers true plug and play setup. The KeyStation 61e is also compatible with many music education and music creation software titles, making it ideal for classrooms and studios alike.More advanced users can control software synths, external sound devices, and more with the assignable slider and pitch and mod wheels.This sleek, compact keyboard is USB bus-powered and requires no external power supply.

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Wednesday, May 23, 2012

Behringer U-Control UMX610 61-Key USB/MIDI Controller Keyboard with USB/Audio Interface Review

Behringer U-Control UMX610 61-Key USB/MIDI Controller Keyboard with USB/Audio Interface
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MIDI keyboard controllers in general fall into a gray area between computer controller and musical instrument. Most seem to focus on the integration between device and DAW and fall very short on playability. I am a piano and guitar player and have reasonably good quality equipment in my recording studio. I wanted a keyboard that I could use in a different location, primarily for polishing up previously recorded tracks during the editing process. I settled on this 61 key unit because it has a sufficient number of scales to play a composition but is not so large to make it non-portable.
Here are the things I like about the keyboard:
1. It's light (about 10 lbs), so is easy to move about
2. Because it has limited MIDI controls, it is also thin, allowing it to be placed on a desk easily, then removed. In contrast, most other MIDI keyboards are twice as deep and require a permanent stand or position.
3. With Logic 9, the keyboard is plug and play. Logic recognizes it easily (an additional scan seemed to help the volume level). I haven't spent any time trying to assign controls, but the basic stuff seems to work nicely with Logic.
4. Full size keys. These keys are full size, or very close. They are not as large as the ones on the Roland stage piano I have, and not weighted, but they are large enough so that fingers are not tripping over each other.
Here are the most significant shortcomings of the keyboard.
1. It's light. Not titanium light, but cheap plastic light. This makes it portable but also quite fragile. I have the feeling that it will break. Soon.
2. Build quality. The rotary knobs are actually quite sturdy, but the little black plastic buttons make a loud and cheap clicking noise when depressed, as if I am doing something that they weren't designed for. The red color may be eye catching (or gaudy depending on your perspective), but it's already scratched in a few places even with delicate handling.
3. The keys, though full size, have very little feel or weighting, despite the company's claim that they are semi-weighted. I imagine that there are boards with even less feel, but this one offers next to no resistance to the touch. It's not a problem if you're entering a two finger bass line, but definitely is if you're used to the normal piano weighting of an acoustic or a good stage piano. I also realize that the lack of weighting keeps the unit light and portable, so I can accept this inherent limitiation.
4. Key sensitivity is also weak. There are three settings only-light, medium and heavy, where the keyboard responds with more or less sound. On the heavy setting, I have to literally smash the keys to get much sound, and on the light setting, everything played registers as the same volume. These are not keys that one can modulate at all.
5. As a MIDI controller, it's acceptable, but for someone using a full featured DAW, the eight knobs and a few buttons will be woefully inadequate to control complex parameters. I have a separate MIDI controller, so this is not an issue.
6. There is little documentation with the unit. I had to go online and dig about to locate a pretty sketchy manual on the product. I have not tried the included software, and do not intend to.
For what is available right now, this unit is not bad. It has no sounds of its own, but plays everything that Logic has in its audio library. Just plug in the USB connection and it is ready to go. In order to get a good keybed, such as one made by Fatar or Roland, one has to not only spend significantly more money (probably well worth it) but also has to put up with a footprint that is much bigger. It is this last part that really is the Behringer's strong suit. It's pretty svelte, while the rest of the bunch are enormous. Yet, in the final reckoning, I will not keep this unit. It just doesn't seem to be that well built, and I am not optimistic about it lasting. Moreover, while the size of the keys are nice, the playability leaves a lot to be desired, at least if one is used to real pianos.


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Monday, May 21, 2012

Korg nanoPAD USB Drum Controller, White Review

Korg nanoPAD USB Drum Controller, White
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I had really looked into the other reviews before buying this. I use Toontrack EZDrummer with various EZX's in Cubase and FruityLoops.
First off, the design is fantastic. The size is great not only for little studio spaces but also stages but also just makes it fun and inviting to play with. The touch pad is a great idea too and with all the midi mapping possibilities you can't really feel limited by having "only 12" pads.
The pads, as other reviews should note, are responsive all around and offer pretty good velocity detection, plus they have customizable velocity curves. The problem is that they are not made to last, not in the slightest! I ignored this when other reviews noted dead pads, and even getting dead pads after exchanging their unit for new ones. Don't make my mistake. I have two absolutely unforgivably sticky pads on mine that refuse to play two notes in a row. Dreadful. While I'm glad mine aren't dead per se, try playing for more than a minute without being able to play two kicks or high hats in a row. They may as well be.
I would recommend this to anyone willing to take a chance on it because it's a Korg. (I did... oh well.) If yours is flawless, sell it to me! This thing is really fun and the Korg Kontrol software is great too. If you have trouble with installation/detection you may need to run midifix which erases bogus midi connections from your registry. Hope this helps someone.

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Thursday, May 17, 2012

Cakewalk A-300PRO USB/MIDI Keyboard Controller Review

Cakewalk A-300PRO USB/MIDI Keyboard Controller
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This review is actually for the A-500 Pro, but Amazon can't seem to find that particular one. There is no difference between the 300 and 500 except for the number of keys. Keys feel good, even though they are a little springy and they are a little small, but not too bad. With Macintosh's utility "Audio MIDI Settings" it's easy to map out and the driver installed without a hitch. Construction is solid and this thing is very lightweight. Display is easy to read and the controls are well designed, although just a bit complex. For me, here's the huge problem. I use Logic and often Camel Audio's Alchemy soft-synth, and the mod wheel is very important because for many of the patches it drastically alters the parms to the point of getting a new sound. The A500Pro has a mod stick that is spring loaded. Therefore, if you find a setting that you really like, you have to hold the mod stick because when released it springs back to "zero" position. This is a critical, deal-killing design flaw, in my opinion. You can never play a mod setting with two hands. I'm returning the A500 that I just bought and sticking with my M-Audio Axiom Pro for my laptop controller.

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Sunday, December 25, 2011

M-Audio Prokeys Sono 61 Review

M-Audio Prokeys Sono 61
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I got the ProKeys Sono to use during a temp, out-of-town work stint and wanted something I could play by itself (that has its own on-board sounds) and also use to drive the Reason and Sonar software synths on my laptop.
Well, after many months of testing (through real use) I have to say it passed with flying colors (or 'colours' for our 'Commonwealth' friends).
Keyboard features include:
- 61 note keyboard with a very playable semi-weighted action somewhere between synth and hammer keyboards (well, based on the synth and hammer action keyboards I've played)
- 5 higher quality built-in sounds (grand piano, bright piano, electric piano, organ, clav)
- A set of lower quality (but still fairly usable in my book) General MIDI sounds
- 3 Adjustable settings for how the keyboard responds to velocity
- 2 stereo line-ins (RCA jacks) for getting audio into your computer to record
- 1 XLR jack for plugging in a mic
- 1 quarter inch instrument jack
- 2 quarter inch headphone jacks
- 2 quarter inch outs for monitoring the sounds coming out of the computer as well as the built-in sounds from the keyboard
I've mostly used ASIO4ALL drivers prior to buying this keyboard, which gave pretty decent performance and acceptably low latency (the delay between hitting a key on the hardware keyboard controller and hearing any software synth sounds from the computer) for playing. Happily, the ASIO driver for the ProKeys Sono delivered even LOWER latency than the ASIO4ALL drivers I had been using.
So, with the decent construction quality, the playability of the keyboard, and the better driver performance, I admit I'm quite happy with the thing. I also occasionally used the line inputs to record from an external hardware synth module, and had no problems. Some people might whine as the resolution is only 16-bit, 44.1 kHz, but having worked with way-noisy cassette 4-tracks as a teen, CD quality is still fine by me.
The one thing I didn't ever test was plugging a microphone into the thing. I had a Samson G Track USB Microphone (which I've also reviewed on Amazon) and used that exclusively for vocals while I was on the road. Therefore I can't comment on the amp quality.
Lastly, when I just felt like playing a bit, it was nice to tinkle around on the piano without having to turn on the laptop. The piano sound quality is VERY playable, with the only drawback being the 20-note polyphony for the 5 high-quality sounds (the General MIDI sounds have 40 note polyphony).
Negatives? No LCD or LED display for helping change/configure MIDI settings, or selecting the General MIDI sounds. It's workable without the display, but it would definitely help to see the values you've entered. And because of that drawback, the ProKeys Sono really is best mostly for playing soft synths, not controlling a whole soft recording environment
Summary:
Great option for driving soft syths with the added bonus of some on-board sounds and also serving as a PC/laptop audio interface. If you want more hands-on sliders and buttons for controlling your software synths and recording software, I'd go with a different option, but for the niche this keyboard is trying to fill, it does a pretty good job. Though it's probably only a 4-star rating for overall performance, the fact I had ZERO problems using it with my computer (which is RARE nowadays) bumps it up to "barely a 5".


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Monday, December 5, 2011

Line 6 POD Studio KB37 Review

Line 6 POD Studio KB37
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I'm new to creating music on a computer, and my research, along with tons of positive reviews from others, led me to the POD Studio KB37 as a good all-purpose starting point. In terms of flexibility, this package is very hard to beat. The built-in inputs and mic preamps let you record just about anything, from guitar/bass and other electric instruments to vocals and acoustic instruments (using your own mic, of course). For these uses alone, the KB37 is a great way to get sound into your computer with minimum headaches. Simply connect the KB37 to your computer with a single USB cable. It's USB-powered, so you don't even have to plug it into a power outlet.
The hardware's MIDI keyboard and control surface open up a whole new dimension. They allow you to add keyboard parts and adjust some software parameters via real-world knobs and buttons; this is much faster than clicking and dragging onscreen "virtual" controls.
The included software package reveals the KB37's full potential, transforming an otherwise great product into an incredible bargain. Sure, the Reason Adapted (synth, sampler, sequencer, and effects) and Ableton Live (multitrack recording) software are the "lite" versions of these programs, but even so, they're very versatile and powerful. If you're fairly new to DAW software, trust me, even the lite version of Reason is pretty incredible -- you'll get a lot of use out of it. It includes tons of sampled real-world instruments, fully functional and tweakable soft synths, drum machine, sequencer, effects, and a lot more. It takes quite a while to explore its impressive capabilities. Once you do, you'll know whether you want to upgrade to the full version, which is available at a discounted price. But again, the lite verion will be plenty for many users.
Finally, you get Line 6's POD Farm software, which gives you an arsenal of stompbox and rack effects for guitar, bass, vocals, and just about anything else. On top of that, it includes amp, cab, and mic preamp modeling. You get everything that most guitar multi-effects units provide and then some. Because it runs on your computer, naming and saving patches is quicker and easier than stand-alone multi-effects units, and you can save as many custom patches as you like. And, unlike stand-alone units, POD Farm is expandable. Line 6 claims that the KB37 allows you to monitor your tone, complete with effects, without a latency problem (a lag between playing a note and hearing the output). This is not an empty promise. On my modest laptop, which runs Windows Vista on an Intel Core 2 Duo T5550 (1.83GHz) with 3GB of RAM, I experience zero latency problems.
All told, for the price of one guitar multi-effects unit, you get everything you need to start a home studio. If you're a full-time keyboard player, this package probably isn't aimed at you. As its name suggests, the KB37's keyboard has only 37 keys. So, there are probably better MIDI keyboard controllers out there for you. Plus, as a keyboard specialist, you'd most likely want a full version of whatever synth software you prefer. On the other hand, if you play guitar or bass and you want all the building blocks for tweaking your tone, adding vocals, effects, *and* getting your feet wet with powerful synths, sampling, and multitrack recording, here it is for a laughably low price.


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Friday, November 25, 2011

Korg nanoPAD USB Drum Controller, Black Review

Korg nanoPAD USB Drum Controller, Black
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I had really looked into the other reviews before buying this. I use Toontrack EZDrummer with various EZX's in Cubase and FruityLoops.
First off, the design is fantastic. The size is great not only for little studio spaces but also stages but also just makes it fun and inviting to play with. The touch pad is a great idea too and with all the midi mapping possibilities you can't really feel limited by having "only 12" pads.
The pads, as other reviews should note, are responsive all around and offer pretty good velocity detection, plus they have customizable velocity curves. The problem is that they are not made to last, not in the slightest! I ignored this when other reviews noted dead pads, and even getting dead pads after exchanging their unit for new ones. Don't make my mistake. I have two absolutely unforgivably sticky pads on mine that refuse to play two notes in a row. Dreadful. While I'm glad mine aren't dead per se, try playing for more than a minute without being able to play two kicks or high hats in a row. They may as well be.
I would recommend this to anyone willing to take a chance on it because it's a Korg. (I did... oh well.) If yours is flawless, sell it to me! This thing is really fun and the Korg Kontrol software is great too. If you have trouble with installation/detection you may need to run midifix which erases bogus midi connections from your registry. Hope this helps someone.

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Korg's nanoPAD is a compact pad controller featuring 12 highly responsive trigger pads, each one capable of sending up to eight notes--or eight MIDI control messages--simultaneously, in addition to an X-Y touchpad with roll and flam functions for realistic drum programming.

The Korg nanoSERIES The Korg nanoSERIES provide a keyboard controller, a pad controller, and a studio controller with dedicated transport controls. Each of these USB-powered, slim-line controllers is designed to make the most of your valuable studio space, and is small enough to take with you on any musical journey. Place one of our keyboard controllers in front of your laptop, rest a pad controller on your music workstation, park a studio controller on your recording console--or anywhere else you need versatile control over your DAW, virtual instrument, effect or DJ software. Although small in size, all three nanoSERIES controllers go HUGE when it comes to functionality, yet their intuitive layouts provide extremely easy operation for any user.
nanoPAD--A Small Pad Controller That's Big on Control When Korg set out to make a drum pad controller, they did their homework - with unique features and exceptionally responsive pads, the resulting padKONTROL became and remains one of the most highly sought-after pad controllers on the market. Enter the nanoPAD, offering 12 excellent feeling and highly responsive pads in a new, smaller footprint. In addition, a new Chord Trigger function lets you enter chords onto a single pad, helping you to make the most of the work surface as you create. The pads are also able to transmit control change messages, making this a great interface for soloing or muting mixer tracks, turning objects on and off, or triggering clips during your live performances.
nanoPAD's X-Y pad offers 'Roll' and 'Flam' modes, to help you lay down ultra-realistic drum grooves. The X-Y pad will also send MIDI CC (Control Change), making it a go-to interface for any parameter within your software that requires full range MIDI control such as pitch, cutoff, volume and beyond.
What's in the Box Korg nanoPAD, USB cable, Owner's Manual

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Wednesday, November 9, 2011

Akai Pro MPK mini Review

Akai Pro MPK mini
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If you have spent any time reading the reviews of the LPD8 and the LPK25, rest assured you can apply them to this product as well. The MPK Mini is literally a combination of the LPD8 and LPK25; nothing less and nothing more. Which is a great thing if you've been considering both!
This is my first MPC product but I am an experienced keyboardist. The Pads are pretty nice. I enjoy how they light up when you hit them. Like others said regarding the LPD8, they aren't as sensitive as some might prefer, and I'm inclined to agree. It tends not to register some of might lighter hits, so I'm having to get used to how hard I have to hit it. No big deal. It's also nice to have the knobs. They aren't as nice as professional grade knobs, but they work nicely for such a compact unit. The keyboard has mini keys and they are very sturdy. Some complain that it feels like a toy keyboard. Of course it does, they are mini keys! The keys are fine for their purpose of capturing ideas. I do not consider them performance worthy.
For those comparing this to other 25 key midi controllers, please know what you are comparing. There's a reason this is $100. It's simply a combination of two other products. Don't complain about the lack of pitch/mod wheels. The purpose of this product is portability and to allow you to capture ideas when you don't feel like lugging around larger equipment. For these reasons, I find it to be an excellent product.
Definitely pick this product up if you're looking for something extremely portable with acceptable mini keys and very playable MPC pads.

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Friday, October 14, 2011

Korg nanoKEY 25 Key USB Controller Keyboard, White Review

Korg nanoKEY 25 Key USB Controller Keyboard, White
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The Korg Nano Series is, quite simply, among the most useful sets of tools ever produced for the COMPUTER... Let me say that word again: "COMPUTER."
I write, arrange and orchestrate music for a living. The nanoKey, in particular, is a lifesaver! It's portable, so I can stuff it into my laptop bag when I'm on the road. It works seamlessly with Finale, Encore and - my personal favorite - Sibelius (the "Big 3" of notation programs). It isn't as convenient for real-time sequencing, unless you've developed "the touch." It took me a while to get used to that, but I do play scratch tracks in Logic and Sonar, on occasion.
Anyone considering the purchase of this device should realize up front that it isn't really designed for stage performance, etc. It's best suited for computer entry. In fact, it's PERFECTLY suited for computer entry.
...and for fifty bucks it's WAY ahead of anything else!

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The nanoKEY is an ultra-compact keyboard controller, featuring a great-feeling 25-key velocity-sensitive keyboard that's ideal for song production. Each key on this USB-MIDI controller can also be set to send MIDI control data, further expanding its power.


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