Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Monday, November 5, 2012

Casio LK-230 Lighted Personal Keyboard, 61 Keys, with New Voice Pad Feature Review

Casio LK-230 Lighted Personal Keyboard, 61 Keys, with New Voice Pad Feature
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After a recommendation from a 'musical' person, we purchased this for our two-year old granddaughter. It is perfect now, and will continue to provide good sound quality in the future. Apparently, the advertised claim that this is "The epitome of music education and entertainment." is also true. The playback feature fascinates our granddaughter when she is not trying to play the keyboard.

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Friday, October 26, 2012

TASCAM DP-008 8-Track Digital Portastudio Review

TASCAM DP-008 8-Track Digital Portastudio
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After wanting a digital multi-track for a long time, I finally decided on this model, and I'm glad I did.
One thing that is not included in a list of specs is the usability factor. I've purchased my share of electronic devices for making and recording music over the years. Just looking at a dry list of specs has often been my method of deciding on what to buy. Well, on paper the DP-008 looks good, but it's not until you use this to cut a few tracks that you realize how well it is designed. I'm SOOOO glad I didn't buy the DP-004, as this model is clearly the results of Tascam eliminating the weaker aspects of the 4 track model just in time for the 8 track version.
I have seen a lot of digital multi-tracks that look good on paper, but to use them is a real pain. The fact that the DP-008 has all the individual track knobs means that you don't have to go flipping through pages on a menu or choosing the "hot track" in some other way. Here it's all laid out logically and makes tweaking the final stereo mix a piece of cake. Sure it would be nice if there were level sliders rather than dials, but these work just fine.
I use this model to record myself playing guitar and bass, run a Boss drum machine into it, and I record vocals with an external mic though a small mixer that has some helpful effects on it. You don't need a mixer, though, as the included mics are quite good. I am able to record several tracks, "bounce" them if I want to, and then write them to a stereo master mix. Then, I export that mix on the unit itself (sounds weird, but basically you're just creating a wav file that can be seen by a computer). The final step is connecting the DP-008 to a computer and merely dragging the song files over to the computer. I then use Audacity to convert it to an ogg file or mp3.
I use Linux and the process of transferring songs to the computer is very simple. In the past you would have received a useless cd-rom with a crappy "song transfer" program and maybe some crapware to go along with it. I'm glad that Tascam has decided to treat the customer right and state it clearly: There is no need for special software. Once you export the song, it will show up as an external storage device and you can simply transfer the files over to your computer, whether it's a PC running Windows or Linux, or a Mac.

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Tuesday, September 18, 2012

Apple Garageband Jam Pack: World Music Review

Apple Garageband Jam Pack: World Music
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I've bought three of the packs before and I just bought this one. At first I wasn't sure what it could really do for my sound, but it is absolutely amazing. The African choir will shock you, it sounds so good. The new instrument sounds will give your music a broader, more worldly sound. It's worth the buy even if you just want to pay around with it. It's the best one that I've bought yet.

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Monday, August 27, 2012

Apple Garageband Jam Pack: Symphony Orchestra Review

Apple Garageband Jam Pack: Symphony Orchestra
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The day before I ordered this Jam Pack, I had received an M-Audio 88es USB velocity sensitive keyboard from amazon (reviewed separately) Keystation 88es 88 Key USB MIDI Controller and sustain pedal M-Audio SP-2 US65010 Sustain Pedal Piano Style Sustain Pedal for Keyboards
The standard Garage Band 'Grand Piano' sounded just "OK", and there was no harpsichord. Those were my prime reasons for ordering this Jam Pack... and to have fun with the other sounds, of course.
The Steinway Piano in this pack is substantially better than the standard Garage Band piano. Neither is perfect - but this Steinway is great for the price. The difference is more than the soft hammer sound of a Steinway vs a hardened hammer sound of the standard piano. The velocity response and the behavior of sustained notes is much more realistic. The default settings have a fair amount of reverb - to simulate a concert hall. Adjusting that and other sliders can give a sound more appropriate to other settings.
It still does not sound like a real grand piano of course - there are no induced harmonics when the sustain pedal is depressed, for example. But, not bad at all.
The harpsichord is pretty disappointing in comparison. The lower register is amplified way louder than the upper - roughly everything below middle C as I recall. I haven't tried adjusting bass reduction effects etc to make it sound more 'correct'. Also, considerable reverb in the default 'Orchestra Harpsichord' to reflect a large hall. Lower that to get a chamber sound.
The variety of attack modes that are adjustable by keyboard control are pretty nice for instruments such as the strings and brass.
The huge quantity of loops (over 3 GB) will be of less use to me, but can be handy for making some quick transitions or tracks for videos - since Garage Band is basically THE sound editor for iMovie and Final Cut Express now. I had expected that the loops would be performances on real instruments, but many (most?) sound like sampled digital instruments to my ear.
If you want a better piano, a harpsichord and/or symphonic instruments, this pack is a great deal.
PS Not in the product description, so I just noticed: The Jam Pack comes with a selection of 'demo songs' reached from the File > Open Demos menu. (If shared, these reside on disk at Users > Shared > Symphony Orchestra Demo Songs.) Five symphonic themes as an orchestra of MIDI instruments and 8 loop (wave) compositions. Fun to mess with and good for learning purposes.

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Friday, August 17, 2012

E-MU Xmidi 1x1 - MIDI adapter - USB Review

E-MU Xmidi 1x1 - MIDI adapter - USB
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I got this for my new iMac with an Intel processor and it is completely plug and play. I didn't have to download anything, my computer recognized what it was and identified it by name automatically. The only little thing is the cable marked MIDI IN goes to the keyboard's MIDI OUT and the cable marked MIDI OUT plugs into MIDI IN on the keyboard. Slightly confusing but it makes sense after you think about it.

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Friday, July 20, 2012

Apple Garageband Jam Pack: Remix Tools Review

Apple Garageband Jam Pack: Remix Tools
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This Jam Pack just made my GarageBand fun again I was so tired of the limited loops and sound and now I have all these great loops and synths, worth it!

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Saturday, June 2, 2012

M-Audio Keystation 88ES Midi Controller Review

M-Audio Keystation 88ES Midi Controller
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I'm an amateur musician, and I always wanted a big keyboard, something close enough to a piano, but the big keyboards were always so expensive. In top of that, they always come with lots of knobs and features that I never wanted to learn or try. I just wanted a piano-like keyboard to play.
When I saw this keyboard for first time, I loved its 'minimalistic' style: no knobs, no screens, no buttons. Just the 88 keys and the minimum necessary controllers (3 buttons, 2 wheels and 1 slider), all in a beautiful and solid silver case. When I checked its price, I suspected maybe its quality was poor, but I had good references for the M-audio brand. So I decided to give it a chance and I'm still very proud of my purchase: just plugged it into the usb port of my PC and it was inmediately recognized. I was using FL Studio, but right now I'm trying Sonar and it works flawlessly. The keys offer some resistance to pressure, so it almost feel like piano keys.
If you're interested on this keyboard, I strongly recommend it. But if you don't to know that much of keyboards (and you don't want to, anyway), you have to know this keyboard is not a exactly a toy, nor is the kind that comes with lots of sounds and rythms. It is a controller, which means you have to use some kind of software or synth device for it to produce any sound. If you know exactly what you're buying, I don't think you will ever regret of buying this keyboard. It's great!

Click Here to see more reviews about: M-Audio Keystation 88ES Midi Controller

If you appreciate the full range of a piano keyboard in a lightweight package, the 88-note Keystation 88es is for you. You get great-feeling, semi-weighted action that's velocity-sensitive, to convey all the nuances of your playing to your computer and most popular music education and studio software. The pitch and modulation wheels plus slider and buttons make it a great controller for playing and programming synths, samplers, drum sounds and more. At just 22 lbs., the Keystation 88es is equally at home on stage and in the studio. Class compliancy with Windows XP, Vista (32 bit), and Mac OS X ensures easy plug-and-play setup. It's even bus-powered, so one simple USB cable is the only connection you need.


88-Key Semi-Weighted USB MIDI Controller

88-note velocity-sensitive, semi-weighted action 88 keys means no constant hitting of an octave switch, an annoyance with smaller controllers. The semi-weighted action gives you a piano feel, and since it's velocity sensitive, your dynamic playing is accurately sent as data.
Pitch bend and modulation wheels These are ideal for controlling synths, samplers, etc.
Volume/assignable control slider Easily assign the control slider to different parameters of sound modules or software, for further control over your sound.
Advanced function button for programming When the Advanced Functions button is pressed, the keyboard goes into "Edit Mode." In Edit Mode, the keys on the keyboard are used for selecting functions and entering data. Black keys are used for selecting functions, while the white keys are used for data entry and channel selection.
Sustain pedal input (pedal sold separately) Add a sustain pedal, such as the M-Audio SP-1, for piano-like pedal control of your notes' duration.
Built-in USB MIDI interface Easily interface with most MIDI software using the built-in USB MIDI interface. The standard MIDI "out" jack routes MIDI signals from the keyboard or computer to your external devices.
USB Powered The 88es grabs power from the USB port on your computer. You can also purchase a 9VDC power adapter.
Mac OS X and Windows XP class compliant Enjoy plug-and-play operation with both Mac OS X and Windows XP. Ableton Live Lite music production software is included, so you can make music right away on either platform.
What's in the Box M-Audio Keystation 88es USB Keyboard, USB Cable, User's Manual

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Thursday, May 31, 2012

Apple Logic Studio Review

Apple Logic Studio
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So you want a whole music studio for under $500? What are you, some kind of crazy Mac user?
Apple's generous price drop for this version of what many consider to be the ultimate music tool (and I'm one of those) has removed any excuse one may have for putting off this purchase any longer. Meaning they cut the price in half and added twice the features of the original: Not only do you get a leaner, meaner and much easier to use version of Logic Pro, but they've thrown in updated versions of Soundtrack Pro and Compressor (previously only available with Final Cut), a live performance module called MainStage, all five Garageband Jam Pack titles, WaveBurner 1.5 for CD mastering, new effects such as Delay Designer .... all you need supply is lots of time and about 45 gigs of hard drive space.
As a happy user of Logic since version 6, I found the upgrade (available for just under $200) easy to grow into, especially being used to Apple's other pro apps, and really appreciated the addition of Soundtrack Pro 2, whose predecessor I'd used more for track mastering. The newer interface for Logic is more self contained now, with sliding panels replacing all those open windows you used to have to deal with ... although that is still an option if you're a person who thrives on complexity. Now you can look at both the Arrange Window and Matrix Edit (now called "Piano Roll", how quaint) in the same window, just roll it in and out as needed. Same with Audio Mixer, Score View, Hyper Edit, etc. In keeping with this more streamlined method, some of the tools are more hidden away which, along with other changes, I'm quickly getting used to. Another rollaway panel gives you access to instrument settings (and other audio resources) by way of a Soundtrack-like browser -- don't like that piano sound and don't feel like scrolling through all of them? Just pick one off the list, and it's there!
Another nice feature you'll see right away is some handy standard templates: Now, instead of trying to figure out how many blank tracks, and what kind, you may need for a certain project, just click one of the template buttons and you're on your way. You can easily customize them if you're a seasoned user. The one that has this user the most excited is the orchestral template ..... a whole symphony orchestra, ordered the same as it would be in a classical score, with instruments already loaded and regions just waiting for note entry. Now that's power. You can transcribe classical works using Logic's score editor, which by the way will also print out scores should you ever hire live musicians for your compositions.
One thing that will make Logic veterans happy is, now you don't need the USB XS-Key to be plugged in to run the software. Upgraders only need it to install, then just unplug it and drop it in the box. New users won't even have to deal with it. They don't know what they've missed, and they're better off.
In summary, Logic is the solution for the Mac-based musician, as far as composing, arranging, recording, looping, producing, scoring, sound designing, whatever-ing in an audio capacity. No messy cables and reels of tape all over the place like in the old days, just launch and bring musical dreams to life. I can't emphasize enough what a good deal this is (without sounding like a salesman), and once you get over a slight learning curve you realize the possibilities are virtually boundless for what you'll come up with. Just be aware: this ain't no Garageband. Logic is for the serious musician or music producer for whom music matters above most other things. This is what obsessed people do with their time. If this sounds like you, well, you owe it to yourself to make the most logical investment.

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Logic Studio, Apple's comprehensive suite of professional music and audio tools, provides musicians with everything they need to create in the studio, on the stage, and for the screen. Logic Studio includes Logic Pro 8, Apple's legendary professional music production application featuring a new, intuitive interface; MainStage, an innovative new application for music performance; and Soundtrack Pro 2 for audio post-production and sound design. It also includes Studio Instruments and Studio Effects, with 40 acclaimed instruments and 80 professional effect plug-ins; an expanded Studio Sound Library; and new production utilities--all in a single box at an incredible price.

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Sunday, May 27, 2012

M-Audio Keystation 61es 61-Key Keyboard Review

M-Audio Keystation 61es 61-Key Keyboard
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I was surprised at the low price of this keyboard considering it has 61 semi-weighted keys. I thought maybe it wouldn't be such great quality but I was pleasantly surprised.
I thought at first that the keys were a little bit "springy", but I soon got used to them. So much so that when I went back to my old Yamaha keyboard (not weighted), the Yamaha felt terrible. This M-Audio lets you play nice and subtle.
There's not much to this keyboard, just a couple of very smooth acting wheels (pitch and modulation), a volume slider and a couple of function buttons. It all seems well-made and the keyboard is heavier than I expected.
I was pleased to find that when I took it out of its box, plugged in the USB cable and opened GarageBand, everything worked perfectly, immediately. No messing about.
It works well with GarageBand (not tried it with anything else), and being powered by the USB cable means it's dead easy to plug in and start playing.
At this price, I can't see how you can go wrong.

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The Keystation 61e is a 61-note USB keyboard with velocity-sensitive, semi-weighted keys that is designed to easily integrate in any computer music environment. Class compliancy with Mac OS X and Windows XP delivers true plug and play setup. The KeyStation 61e is also compatible with many music education and music creation software titles, making it ideal for classrooms and studios alike.More advanced users can control software synths, external sound devices, and more with the assignable slider and pitch and mod wheels.This sleek, compact keyboard is USB bus-powered and requires no external power supply.

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Friday, May 25, 2012

Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp Review

Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp
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I bought the Blue Icicle because I had to quickly record some trumpet lines and I didn't have an interface. Well, actually, I did pick up an open box unit that didn't work because they couldn't provide me with the external power supply, so I took it back and got the Icicle as a quick fix that would get me where I needed to go in a timely manner.
Hardware: iMac, dual core 2.0 GHz processor and 4 GB or RAM. OS 10.5.8.
Software: Garage Band.
Mic: Shure SM57.
Pros. For recording trumpet with an SM57 it was perfect. Clear sound, low noise, LOTS of signal. With the gain a little over half way on the Icicle and about 58% in Garage Band I got hot horn lines with gain to spare. Any hotter and they would have started clipping, so it definitely gave enough signal to get the job done.
Cons. The gain knob has no dial or indicators for how far you have turned it - it has to be done by feel making it almost impossible to duplicate your settings exactly. This could be improved with a knob with an arrow and a marked dial so you can see where it's set. It also feels a bit cheap - it's lightweight and feels almost fragile. Treated with care it's fine, but I doubt it would take much abuse before it would break and I have been ultra careful with it because it feels so lightweight and cheap. I also used it as recommended in the accompanying literature and didn't plug it directly into the back of the mic - I used it with a mic cable.
For what I needed it was perfect - simple plug and play that got good sound into my computer, and it worked well in a pinch. I just wish it was a little higher quality in terms of construction. A bit heavier and a better dial for the analog gain, and I would have rated it a full 5 stars but as it is, I can at best give it 4.


Click Here to see more reviews about: Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp

The Icicle is Blue's new stylish USB converter and mic preamp combo that allows you to connect any XLR microphone directly into your computer via USB. The Icicle features a studio quality microphone preamp, 48V phantom power, fully balanced low noise front end, analog gain control, and driverless operation.

Make Any Mic a USB Mic The Icicle works with both dynamic and condenser microphones, providing high quality and hassle-free connectivity with Mac or PC. Whether you're using a microphone for digital recording, podcasting, voice messaging, or voice recognition applications, the Icicle is the quick and easy way to get connected.
Plug and Record Simply plug in the USB cable and your mic will be live--no special driver installation is required.
Quality and Simplicity The Icicle features a built-in, studio-quality mic preamp, along with a fully balanced, low-noise analog front end to send a clear signal via USB.
It also supplies 48V Phantom Power for condenser mics.
On the control front, the Icicle keeps it simple, with a single analog volume level control.
What's in the Box Blue Icicle, 6-foot USB Cable

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Monday, May 21, 2012

Korg nanoPAD USB Drum Controller, White Review

Korg nanoPAD USB Drum Controller, White
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I had really looked into the other reviews before buying this. I use Toontrack EZDrummer with various EZX's in Cubase and FruityLoops.
First off, the design is fantastic. The size is great not only for little studio spaces but also stages but also just makes it fun and inviting to play with. The touch pad is a great idea too and with all the midi mapping possibilities you can't really feel limited by having "only 12" pads.
The pads, as other reviews should note, are responsive all around and offer pretty good velocity detection, plus they have customizable velocity curves. The problem is that they are not made to last, not in the slightest! I ignored this when other reviews noted dead pads, and even getting dead pads after exchanging their unit for new ones. Don't make my mistake. I have two absolutely unforgivably sticky pads on mine that refuse to play two notes in a row. Dreadful. While I'm glad mine aren't dead per se, try playing for more than a minute without being able to play two kicks or high hats in a row. They may as well be.
I would recommend this to anyone willing to take a chance on it because it's a Korg. (I did... oh well.) If yours is flawless, sell it to me! This thing is really fun and the Korg Kontrol software is great too. If you have trouble with installation/detection you may need to run midifix which erases bogus midi connections from your registry. Hope this helps someone.

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Saturday, April 7, 2012

ACID Music Studio 7 Review

ACID Music Studio 7
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I will try to make this brief. This is a easy program to use if you are experienced or just learning(like myself). The program pretty much spells everything out for you. But for a program that is based around music it limits you if you do not have the full version of Acid Pro(which is about 300 dollars). For example, if you are recording multiple tracks, you need to create mixing busses. But the program does not save your busses unless you have Acid Pro, so if you record something that has lets say 25 tracks all asigned to busses and then you save it, once you open the project back up all those busses are gone and the program tells you an error occured and it then tells you to buy Acid Pro so this will not happen anymore. This is very frustrating, if you make any projects that involve complex mixing, you basically need to leave your computer on until you finish your work and never want to touch it again, unless you love remixing stuff. There is also a strange thing where you can't automate panning and volumes from the busses, you have to pull up an "envelope" on the track and create bullet points to adjust these things. I find it to be tedious and strange, when other porgrams such as Pro Tools allow you to automate much easier. Overall this is a decent program, but it has its frustrations and does not work fully unless you want to buy the full 300 dollar program.

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Friday, March 2, 2012

Garritan Personal Orchestra Review

Garritan Personal Orchestra
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I am surprised that this is the first review for GPO on Amazon, considering the growing following this collection has.
This is one impressive product - a comprehensive list of sounds, that work very well together. Obviously the samples in more expensive packages are more impressive in their basic sound, but if used with skill it is truly astonishing what can be achieved with this set - one has only to listen to the numerous user demos on their web site to see for yourself. The situation here is that the sum is in fact greater than its parts.
In this price range, there really isn't anything that can compare to it. The quality of the results achievable are good enough for professional use, and in fact it is getting considerable professional application in many different areas.
Anyone looking for orchestral sounds, but unwilling (or more likely unable) to the spend the thousands necessary for the big libraries should take a look at what is being offered here.
Really, bravo to the Garritan team for creating such an impressive library at a price point accessible to almost anyone.

Click Here to see more reviews about: Garritan Personal Orchestra

Whether you're a professional film composer who needs to produce orchestral mockups at a moment's notice, a hobbyist who wants to create great sounding orchestral music, or a student who is studying the art and craft of orchestration, Personal Orchestra will simplify creative work at a price that won't break the bank. In the studio, at home or on the road, Personal Orchestra is for every musician.Personal Orchestra contains samples of all the major instruments in a symphony orchestra-strings, brass, woodwinds, and percussion-as well as instruments not found in other orchestral libraries-a Steinway® concert grand piano, a Stradivarius violin, Guarneri Violin, Gagliano Violin, Wurlitzer and Venus concert harps, Haynes flutes, Heckel bassoons, a Mustel celeste, a Rudolf von Beckerath concert pipe organ, a harpsichord, and many other exquisite instruments. There is everything one needs to create orchestrations of any size! In fact, as a whole, Personal Orchestra has the most expensive collection and highest caliber of orchestral instruments of any orchestral sample library ever recorded!Build ensembles one instrument at a time from individual solo instruments. This allows the user to construct ensembles or sections of any size - solo instruments, duos, trios, quartets, chamber ensembles, small orchestras, or a full symphonic orchestra.Personal Orchestra allows you to create realistic sounding orchestral music quickly and easily, right "out of the box." No confusin...

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Thursday, February 23, 2012

Logic Express 9 Upgrade Review

Logic Express 9 Upgrade
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Why should you upgrade to 9? Because Snow Leopard introduces the ability for intel powered Mac's to move up from 32 bit to 64 bit for some choice software. Logic being just about the choiciest.
Do you really want to move to 64 bit? It isn't necessary. If you like to work with Logic's EXS sampler, you can reconfigure in 32 bit if you'd like to take advantage of assigned virtual space on your hard drive. But if you got 9 (and you download the free apple upgrade), and if you got more than 4 gigs of ram, you can get that extra ram assigned directly to your sampler. Or if by chance you have any sampler laden 64 bit 3rd party software (Omnisphere, a lot of NI's stuff), same thing.
On the other hand most 3rd party plugs have not made the leap to 64 yet. They still will run on the upgraded system, but without any advantage. We're still early here in what now seems a significant (and in a few years' time will appear quaint) upgrade. If your relatively new to this and not heavily invested in 3rd party plug-ins, this probably is a great time to set yourself up for the future. Otherwise, there's no rush.

Click Here to see more reviews about: Logic Express 9 Upgrade


Record, edit, and mix your music on a Mac using the new Logic Express 9. Open your GarageBand files and get right to work, or start from scratch with a new composition. Logic Express 9 is a guitar player's dream, with Amp Designer and Pedalboard, two new plug-ins that re-create the sound of legendary amps and stompbox effect pedals. You can build your own amp model and try any combination of stompboxes. An improved set of music creation tools makes it even easier to capture and develop your musical inspirations. Use the new Flex Time tools to easily manipulate audio timing and tempo. And make music right out of the box with over 100 instrument and effect plug-ins from Logic Studio.

Upgrade Version
Upgrade from retail versions of Logic Express 6, 7, or 8; or Logic Audio 5 or 6.

Logic Express 9. Record, edit, and mix music on your Mac.

Top Features
Perfect for capturing and developing your musical inspirations
Seamless compatibility with GarageBand files
Flex Time features that make editing audio timing and tempo easier than ever
More than 70 studio-quality effect plug-ins, including vintage and modern compressors, delays, reverbs, and more
New Amp Designer plug-in to help you re-create the sound of 25 legendary amps and 25 speaker cabinets
New Pedalboard plug-in with an assortment of 30 virtual stompbox pedals inspired by the classics
36 software instrument plug-ins, including the Ultrabeat drum synth and beatbox, ES2 synth, and EXS24 sampler

Related Products
Complete your music studio with a Mac Pro workstation and two 24-inch Apple LED Cinema Displays. Take a MacBook Pro with you and make your music anywhere.

AppleCare
Offering solutions for businesses of any size, AppleCare provides ongoing product coverage, including the AppleCare Protection Plan for Mac systems and Apple flat-panel displays. To augment your experience with Apple professional software, AppleCare Professional Video Support and AppleCare Professional Audio Support offer direct access to Apple's professional support staff. For more information, visit www.apple.com/support/products.


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Tuesday, February 21, 2012

M-Audio Keyrig 25 25-note Synth-Action Keyboard and Midi Controller Review

M-Audio Keyrig 25 25-note  Synth-Action Keyboard and Midi Controller
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I had the item for a couple of months and never tried out the program Ableton Live Lite, because I heard the keyboard was the perfect companion for GarageBand. Even though that is true, it will work with just about any music production software, including the Ableton Live, which I started using, and so far it looks really promising. This is so much better than using the keyboard, I have to say. And the size and weight of it make it very convenient to use. You also can't beat the price. Sometime in the future, I hope to get an APC40 to go along with an upgraded version of Live 8 for my music production needs. Hope this helps.

Click Here to see more reviews about: M-Audio Keyrig 25 25-note Synth-Action Keyboard and Midi Controller

The M-Audio KeyRig 25 turns your Mac or PC into a mobile keyboard workstation. Featuring a compact 25-note USB MIDI keyboard and the award-winning Key Rig software for the PC, KeyRig 25 makes it easy to compose and perform computer-based music anywhere you want. Play Key Rig's virtual instrument sounds, or audition loops and compose songs with Pro Tools M-Powered, Ableton Live Lite (included) or other music-creation programs. The keyboard also provides an easy way to harness the power of Apple GarageBand's virtual instrument collection on your Mac. It connects via a single USB cable and works instantly with computers running Windows XP or Mac OS X.

It's All There In Black and White The SP-1 Stage Piano module serves up grand pianos, Wurlitzer, classic electric pianos, FM, clavinet and more. Each preset can hold a combination of two instruments with individual settings for Mix, Octave, Detune, Velocity and Tone. Owing to a dual effects section, each preset also has its own effect settings including delay, chorus, phaser and more.
Brave New Synth The MS-2 Polyphonic Synthesizer delivers a new, easy way to call up and edit great synth sounds. Each preset consists of sub-presets for each major section: filter, amp, mod and FX. Creating new sounds is as simple as combining these sub-presets in different ways and tweaking any associated parameters from there as desired.
Get Organized The MB-3 Tone Wheel Organ authentically emulates the classic Hammond sound complete with rotary speaker. Standard features include nine drawbars that are pre-mapped to M-Audio brand USB MIDI controllers, percussion and variable key click, three chorus and three vibrato settings. Rotary speaker emulation includes tube overdrive, speed and tone controls to yield everything from glassy jazz chords to smoking rock leads.
Bring In The Band The GM-4 General MIDI Module delivers 128 GM instruments plus a great GM drum kit. It instantly plays GM-compatible standard MIDI files from host applications and provides an extremely easy way of sequencing additional backing tracks.
Multiple Effects Key Rig modules each feature their own dual effects processors for delay, chorus, phaser and more.There's also a master effects section that further processes the combined output of all modules.
Flexible Mixing and Assignment You get an internal mixer and assignment controls that allow you configure independent MIDI channels for each module. But that's not all... you can easily create splits and layers for things like left-hand bass with right-hand keys, piano/string layers and any other combination you can think of.
Use It Your Way M-Audio's virtual racks let you use them as stand-alone instruments or with most host sequencers. Lots of people, for example, are just taking their keyboard and laptop to live performances. Compatibility with AU, VST and RTAS also means that you can use it as sound sources for your tracks in Pro Tools, Logic, Cubase, Ableton Live, and, well, pretty much any popular music software.
What's in the Box KeyRig 25 Controller Keyboard, USB Cable, KeyRig Software, Ableton Live Lite Software

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Sunday, November 13, 2011

M-Audio Fast Track Pro 4x4 Mobile USB Audio/MIDI Interface with Preamps Review

M-Audio Fast Track Pro 4x4 Mobile USB Audio/MIDI Interface with Preamps
Average Reviews:

(More customer reviews)
1.- This is primarily an USB External Soundcard, so don't ask more than a simple soundcard can deliver for you. If you want a multitrack recorder, or a high-end amplifier, or a 256 mixing console, then buy them, but not this one.
2.- The installation is the simplest. Don't use the CD. C'mon! This machine has been in the market since (I think) 2005, so don't expect 2010 drivers in the box. Forget about the CD and go directly to the M-Audio website and download the drivers that you need.
Don't forget to uninstall all previous drivers associated with older soundcards and physically extract your old soundcard from your computer.
And, beware: first of all install the M-Audio drivers, reboot your machine and just then, you can turn in your Fast Track Pro, never ever before (!).
3.- Maybe the interface it's a little enigmatic to understand - because the manual isn't that explicit - but not impossible to master. An advice... You`re surely gonna need some Y adapters because the only cable that comes in the box is the USB connector. In my case - only my case - I needed one Y adapter to connect my speakers (crappy ones) that have a 1/8 male connector (just enough for my old soundcard), so I needed a 1 stereo TRS 1/8 female to 2 mono RCA male Y adapter (lot of letters, uh?). Besides, I use an old second hand V-AMP with my guitar, so I needed a 1 stereo TRS female to 2 mono TRS male Y adapter, to connect my V-AMP in stereo and not mono. If you don't do this your instrument signal will be in mono and at one side.
4.- Some people complain that the sound is not that loud, but it depends of the kind of speakers and headphones you use. Bad ones, weak output - Good ones, strong output. With this dude, the bad stuff really sounds bad! So don't blame the Fast Track Pro for any weak sound.
5.- Some people - believe me - gets confused with the front, with all the knobs and buttons, but it's not that hard. The "signal" knobs at the side of the XLR/TRS inputs are exactly for that, for them only. The fun it's in the right side... The "mix" knob has two functions:
- When your're using the XLR/TRS inputs, for guitars, basses or microphones, just to mix them left and right. The upper bottom (inst/line) it's to select between a guitar signal or a synthesizer signal. The lower bottom (pad) is to cushion your soundcard from a too strong signal (maybe an amplified one). I use it to connect stuff I don't know how powerful could be.
- When you're not using those XLR/TRS inputs, and you just want to hear music (because, after all, it's a soundcard), then turn the "mix" knob all the way to the right, so then you can use the other two knobs, the "output" knob and the "level" knob.
The "output" knob is for turning up or down your speakers level or anything you have connected to the RCA outputs in the back. The "level" knob is for the same function, but only if you connect a pair of headphones to the TRS input in the front, exactly below the "level" knob.
6.- By the way, I haven't used the two TRS output, nor the TRS inputs, nor the secondary RCA outputs, nor the S/PIDF RCA connectors, nor the MIDI in/out connectors either. I don't have that many necessities, but they may come in handy for somebody else. And the MIDI connectors really come in handy when you need to plug a synthesizer or sampler that needs dedicated midi in/midi out messages; so there's no need to connect via USB first to your computer, then again via USB to your Fast Track Pro, and then again via USB to your PC to hear the results (!). So it's kind of common sense, to connect MIDI directly to the MIDI in the Fast Track Pro, isn't it?
Other thing, this device doesn't have an synthesizer chip inside, so don't expect to hear any MIDI sound if you connect your controller keyboard to it. You'll have to use softsynths for that, be it standalone or plugins (VST, DX, RTAS) in your Sequencer.
7.- This soundcard doesn't have a software interface as a Soundblaster or the likes, your equalization and volume depends only of the player or program you use, so don't look for a virtual mixer, equalizer or F/X board to modify the sound. I use Winamp or Windows Media Player, so I modify the sound in those programs.
8.- To configure it with your favorite software, you'll need to look on internet to find the right way, because it's not in the manual (the manual is basic hardware description and some instructions to configure it in your OS). I highly recommend The M-Audio forums to find your way in the different configurations, but usually - in any software - it's inside the "properties" or "audio hardware" menu, where you can assign the M-Audio hardware and drivers to make a software work.
In my case, I use Sonar 8 Producer Edition - a monster that I spent weeks trying to make it emit a sound in a humble Soundblaster - and Adobe Audition 3.0 (far easier to configure). And I had to read a lot in internet to make them work with Fast Track Pro, because the experience - without that valuable information - was really disheartening, something that made me understand absolutely all the people that put 1 star on this product. This dude is not for people with little or any patience, or for people that is not PC or Internet savvy, or for people that is not familiarized with Music Software.
9.- Finally, the hardware is really simple to master, just some knobs and buttons with double functions, some different connectors, inputs and outputs (believe me, you will need some Y adapters), and that's it. But on the software side, the one that makes your Fast Track Pro interplay with your Sequencer, your Softsynth, or your Audio Editor... You'll need some time to learn.
In my case, I had to navigate a lot in the M-Audio forums, the Cakewalk Sonar forums and the Adobe Audition forums, to get the information I needed.
PS: Remember that this soundcard (never forget this is a soundcard) doesn't have a CPU or RAM of its own (technically, a DSP), so you'd better have a new and powerful machine (not less than an Intel Core i3), because all the weight of dealing with audio, softsynths and special effects is gonna be on your CPU and RAM... That's why a lot of people with old and weak computers complain about the latency and cracking supposedly "caused" by this soundcard.

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The M Audio Fast Track Pro delivers all the mobile recording flexibility of the Fast Track USB, plus evenmore professional features. You get 2 front-panel mic/line inputs complete with phantom power for condenser microphones, inserts for outboard effects, balanced and unbalanced analog outputs, S/PDIF digital I/O, MIDI I/O, and more. Fast Track Pro also features near zero latency direct hardware monitoring and low-latency ASIO software monitoring, plus an A/B source switch and dual output pairs for DJ-style cueing. Fast Track Pro is compatible with most popular PC and Mac music software. USB connection and bus power along with class-compliancy for Mac OS X make it a breeze to set up. M Audio Fast Track Pro Features 4 x 4 24-bit/44.1kHz audio interface 2 front panel mic/instrument preamp inputs (Neutrik XLR/ 1/4-inch TRS) with: Gain controls Signal/peak lights Pads for each input Insert jack (1/4-inch TRS) for outboard processors 2 balanced outputs (1/4-inch TRS) 4 unbalanced outputs (RCA) SPDIF digital I/O with 2-channel PCM SPDIF out also supports pass-through of AC-3/DTS surround-encoded content 1 x 1 MIDI I/O with activity LEDs Headphone output (1/4-inch TRS) with level control> headphone A/B source switch for DJ-style cueingLI>Input/playback mix control for hardware direct monitoringLI>Mono switch for input/playback direct monitoringLI>Master output level controlLI>Near zero-latency hardware direct monitoringLow-latency ASIO software monitoringLI>USB connection to computerLI>Powered via USB or optional AC power adapterLI>Kensington lock portLI>Mac and PC compatible; class compliant with Mac OS X 10.3.9 and higher/UL>

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