Showing posts with label audio. Show all posts
Showing posts with label audio. Show all posts

Friday, September 28, 2012

Pro Tools Mbox Mini (3rd gen) Review

Pro Tools Mbox  Mini (3rd gen)
Average Reviews:

(More customer reviews)
First let me say, I have no idea what the other guy is talking about. I just got my Mbox Mini the other day and had zero issues installing the program.
As for using the Pro Tools, it can do everything and sets the standard. I wish it came with more plug-ins, but those that are included cover all aspects of sound production. I was surprised to see a trimmed-down Guitar Rig 4 plug-in included.
While the learning curve for Pro Tools is steep, once you get the hang of it, there isn't anything it - and you, can't do!

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Monday, August 13, 2012

M-Audio Session Music Producer with USB microphone Review

M-Audio Session Music Producer with USB microphone
Average Reviews:

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I used this microphone with the free download software called Audacity, and it worked WONDERFULLY. I especially like the USB plug and the stand. It had great sound. I recorded an accompaniment CD with it, and it worked wonderfully. The recording was clear enough for performance, and I actually did use it for that.
But the previous poster is correct - unless you have the heftiest system on the planet, their software doesn't really cut it. I just ignored it and used what I already knew and it worked just fine.


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Wednesday, August 1, 2012

1 Samson G-Track USB Microphone Bundle Review

1 Samson G-Track USB Microphone Bundle
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I'm sure the microphone itself is just fine, but I have to wonder what Unique Squared is doing. I ordered this a couple weeks ago and NEVER got any confirmation from Unique Squared about the order. Amazon emailed me and they never received any confirmation either. After waiting for over a week with no response whatsoever, Amazon cancelled the order. And, it's not even like it's on backorder. Today I did another search for it and Unique Squared is still showing 3 available. I just don't get the point of establishing a web presence if you are just going to ignore actually processing the sales.

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Wednesday, July 18, 2012

TASCAM US122MKII USB Audio/Midi Interface Review

TASCAM US122MKII USB Audio/Midi Interface
Average Reviews:

(More customer reviews)
In September, Tascam "officially" certified all of its audio interfaces for use in Snow Leopard, saying the devices were "fully functional" in the operating system. They lied. Neither the Tascam US-122l nor the Tascam US-122MKII is fully functional in Snow Leopard.
I bought the Tascam US-122l based on Tascam's "certification." I have a mid-2009 iMac (not the brand new version) and am running Snow Leopard. After receiving the interface I downloaded the most up-to-date drivers and firmware. However, the interface was not recognized as a in/out sound device in either Snow Leopard's "system preferences" or its "Audio MIDI Setup." I called Tascam customer support and talked to a very friendly and informative representative who basically told me that there was nothing that I could do about it, and that a driver might (eventually) be released that offers full support. I asked if the US-122MKII was fully functional in Snow Leopard (it had been released right after I bought the US-122l), and he said that on his computer it showed up in both system preferences and audio midi setup. Based on this information, I bought the US-122MKII, only to come across the same exact problem.
IMPORTANT: Both audio interfaces are fully functional in the audio programs I have (Ableton Live, GarageBand, Audacity). If all you want to use the interface for is audio in-out for such programs, you won't have any problems. However, if you want to be able to use the interface as your computer's main soundcard (ie:, to output all sound through the interface) you should not buy either interface for use in Snow Leopard. This ability is a big plus: for example, your iTunes music will likely sound much better coming through an audio interface than straight from your onboard sound card. Additionally, the ability to output all your sound through your interface means that you can keep your speaker cables connected to your interface at all times, without having to switch back to your computer after you've finished recording.
I don't know if there are any audio interfaces out there that are fully functional with Snow Leopard yet, but Tascam's are NOT and the company should not be claiming that they are.***********UPDATE***************
Tascam has finally released a driver that makes the US-122mkii fully functional in Snow Leopard. The delay was frustrating, but now the interface is a great value for Mac users. I've changed my rating accordingly, but Tascam needs to be more honest about compatibility in the future if they want to maintain their customers' trust.

Click Here to see more reviews about: TASCAM US122MKII USB Audio/Midi Interface

Whether you're getting started with computer recording or adding a portable interface to your road rig, the Tascam US-122mkII USB audio interface is the affordable choice for professional results. Refreshed with improved audio specs and a fresh new look, the US-122mkII starts with two great-quality XLR microphone preamps with phantom power for condenser microphones. There's also a pair of balanced line inputs and a guitar-level in for direct recording of electric guitar or bass. The stereo signal is sent to your computer at up to 96kHz/24-bit audio quality.


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Sunday, May 13, 2012

Alesis MultiMix 8 USB 2.0 Mixer Review

Alesis MultiMix 8 USB 2.0 Mixer
Average Reviews:

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I was a little nervous to buy this without reading someone's assurance that it would do specifically what I wanted: record our band multi-tracked into a MacBook.
But it works great. No hiccups while streaming 6 channels at once into Garageband. Amazing at the price.

Click Here to see more reviews about: Alesis MultiMix 8 USB 2.0 Mixer

Designed with low-noise analog electronics, the MultiMix 8 USB 2.0 mixer lets you take advantage of 100 studio-grade 28-bit digital effects. Whether used for mobile or studio recording, the MultiMix 8 USB 2.0 mixer makes recording high-quality audio to your computer fast and easy. The MultiMix 8 USB 2.0 mixer is also bundled with award-winning Cubase LE software for instant creativity right out of the box.
Key Features
10-direct outputs to your computer for recording and 2 return inputs for monitoring
High-gain mic/line (XLR and 1/4-inch balanced) inputs with phantom power, 2 stereo balanced 1/4-inch
Line inputs, aux send (to onboard or external effects), stereo aux return
Switchable 75Hz high pass filters
100 onboard 28-bit preset effects including reverbs, delays, chorus, flanging, pitch and multi-effects
3-band EQ per channel with high/low shelving and mid band pass/reject
Separate 1/4-inch balanced main and monitor outs, headphone out
24-bit, 44.1 to 96 kHz operation with high-end A/D and D/A conversion through an integrated USB 2.0 Audio interface
Steinberg Cubase LE included

Specifications
Input Channels
Mic In Sensitivity Range: -60dBu to -10dBu nominal, +5dBu maximum
Line In Sensitivity Range: -40dBu to -+10dBu nominal, +25dBu maximum
Mic/Line Gain Range: +10 to +60dB

Equalization
High-Pass Filter: 75Hz, 18dB/octave
High Shelving: 12kHz, +/- 15dB
Mid Bandpass/Band Reject: 2.5 kHz, +/- 15dB
Low Shelving: 80Hz, +/- 15dB

Aux Sends
Aux Send A & B Gain Range: -∞ to +10dB

Aux Returns
Aux Return A Gain Range: -∞ to +15dB
Effects Level/Aux Return B Gain Range: -∞ to +15dB

Channel Levels
Channel Level Gain Range: -∞ to +10dB

Master Levels
Main Mix, Ctrl Room Gain Range: -∞ to +10dB

1/4-inch Inputs
Stereo Aux Return Level: +4dBu nominal, +20dBu maximum

RCA Inputs
2-TRACK IN Level: -10dBV nominal, +5dBV maximum

1/4-inch Outputs
Main Mix, Ctrl Room, Ext Aux Send Level: +4dBu nominal, +20dBu maximum
Headphone Output: 75 ohm output impedance >105mW into 75 ohms, >40mW
into 600ohms

RCA Outputs
2-TRACK OUT Level: -10dBV nominal, +5dBV maximum

Dimensions and Weight
14.5 x 10.75 x 5 inches
7 pounds



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Thursday, May 3, 2012

AKG PERCEPTION 120 Professional Studio Microphone for general purpose. Review

AKG PERCEPTION 120 Professional Studio Microphone for general purpose.
Average Reviews:

(More customer reviews)
I use this microphone to record acoustic guitar and vocals in Garageband. It's plugged into an ART Tube MP phantom power/preamp which feeds into an M-Audio Fasttrack USB. It's an affordable setup and sounds great to me.
If you are looking to record yourself in any capacity, I think this mic would do well for you. The mic picks up every overtone and nuance of the acoustic guitar and sounds MUCH better than plugging the guitar's pickup directly into the M-Audio box.
Vocal recording with this mic is shockingly accurate (to me anyway). My previous mic was an off-brand dynamic which sounded dull in comparison to the AKG. For better or worse, this mic will record you EXACTLY the way you are.
The mic is well built and feels robust. Build quality is absolutely no concern with this mic, and that is primarily what steered me away from the MXL 990.
Some considerations on buying this (or any condenser) mic:
You must have a solid stand. It's a pretty heavy mic and you don't want to test the build quality by watching it crash to the floor.
You will need a phantom power & preamp source. Phantom power alone will not do the job.
These mics pick up EVERYTHING. If you breathe funny while playing guitar you'll hear it on the recording. If you hit pickguard while strumming, this mic picks that up quite loudly. If you leave your cellphone on vibrate on the other side of the room, it'll pick that up too. SO, if you can't record in a relatively quiet room you'll be amazed/frustrated with all that you hear in the recording.
You will want to buy a pop screen if you plan record vocals at all. These mics sound best if you speak/sing directly into them (as I understand) and doing so will produce a loud "puh" sound frequently. The answer is a $20 pop screen.
Downsides to this mic are primarily in the value department. The MXL 990 includes a shock mount and carrying case at the same price. The Perception 220 has a larger diaphragm, comes with the shock mount and carrying case, looks a bit cooler and costs about $80 more. A decent shock mount will cost $40 and I have yet to find the AKG-branded case for sale by its self online, so the price difference is well made up just by the included accessories. Realistically, I don't see much of a need for the shock mount in my setup, and in the unlikely event that I carry the thing elsewhere I can just use the box/foam it came in.
Overall I'm quite pleased with this microphone. I'd give it 4.5 stars for the lack of a spider mount and case, but to me those are non-issues. This is a great mic from a great brand and I'm confident that if you buy it (and have no need for the shock mount/case) you'll be just as happy as I am with your purchase.

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Wednesday, February 15, 2012

Blue Microphones Yeti USB Microphone Review

Blue Microphones Yeti USB Microphone
Average Reviews:

(More customer reviews)
NOTE: I used the Blue Yeti Microphone to record this Video Review
Blue Yeti Review Summary
The Blue Yeti is an excellent plug and record USB microphone that has dramatically increased the quality of my voice recordings. It has a solid & sleek build, is easy to use, and most importantly clearly records my voice.
Introduction - Who I am and how do I use this product
My name is Antonio and I own and operate ATailoredSuit.com; I have been using the Blue Yeti since February to speak with clients on Skype and to record podcasts and videos about men's style and custom clothing. Prior to owning the Blue Yeti I used the Blue Snowflake for one year; before that I used the built in microphone on my computer and headsets. For the last 6 months I have been looking at purchasing the Blue Snowball; when this microphone came out I decided to make this purchase instead.
Pros - Things I Love
1.Sound Recording Quality - The most important quality in a microphone; from my limited 30 day use and when compared to the past types of microphones I am used to (Blue Snowflake, Logitech Webcam 9000 Microphone, Various Headset microphones, Built in Computer Microphones) this Microphone beat them all.
2.Plug and Play - I have seamlessly used this microphone on 3 separate computers, one running XP, the other Vista, and on a Windows 7 machine. In each case it was immediately recognized and clearly marked as the Blue Yeti
3.Simple Knobs and Design - Mute, Mode, Headphone Volume and MIC Gain Control. Stand can be tightened and microphone removed.
4.Solid Build - Overall, Solid (One small complaint below). The 10 foot USB cord was a nice touch.
5.Playful Approach - Blue has decided to present the Yeti in a playful manner. They appeal to the creative and make the manual much more approachable for those of us not technically inclined.
Cons - Things I am not happy with
1.Size - It weight 3.5 pounds and stands 1 foot high - I am used to this now, but be prepared for a big footprint!
2.Looseness of Volume & Gain Controls - A small complaint, but for an overall solid device these feel like they will be the first things to break.
Final Recommendation
The Blue Yeti is an amazing microphone that was well worth the investment. It has already dramatically increased the quality of my voice recordings and I recommend it to any podcaster. I give this product 9 out of 10 stars (5 out of 5 for Amazon!), my only knock that the price maybe too high for some.


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Combining three capsules and four different pattern settings, the Yeti is the ultimate tool for creating amazing recordings, directly to your computer. THX Certified for exceptional sound and performance, the Yeti can capture anything with a clarity & ease unheard of in a USB microphone.

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Wednesday, February 1, 2012

Edirol FA-66 6 x 6 FireWire Audio Interface Review

Edirol FA-66 6 x 6 FireWire Audio Interface
Average Reviews:

(More customer reviews)
I've been using this product for about a year now and it has some real strengths in terms of audio fidelity and everything being in the one unit. I shared some of the difficulties of the last user initially, using a Dell Inspiron 8600, but was able to resolve them. The FA-66 can be resource fussy - not much extra needs to be going on with the computer before there is skipping. Maxing out the buffer fixes this, but this is devastating in terms of latency. The Windows that ships with Dells is less customisable than plain-vanilla Windows, and does have lots of things running in the background. I eventually identified that the anti-virus software was launching a separate app to check for updates (every 10 minutes!) and that this was causing skipping. Audio programs themselves - despite being resource intensive - don't seem to cause the problem. Once I disabled this app everything was good and I could operate at latencies of about 4ms without any problems.
There are a lot of good external units out there of which this is one. It really comes down to what you want and what software is packaged with the unit. 192KHz is overkill since consumer products like these have too much DAC jitter for this to be relevant. 96KHz is probably pushing it. But for straight-forward home or field recording where you don't want to bother with a mixer or a separate midi box, this is hard to look past. The inclusion of an analogue limiter sets it apart from offerings from M-Audio and the like, it is solidly built and having phantom power is very handy.
November 2007 Update - I've been using this with a MacBook Pro for a year now and its a dream. My recent purchase of Apple Logic Studio completes a really solid set up, exposing me to the harsh reality that any remaining limitations are user-based.

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6 x 6 FireWire Audio Interface

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Tuesday, November 15, 2011

Lexicon Omega Desktop Recording Studio Review

Lexicon Omega Desktop Recording Studio
Average Reviews:

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You will see basically two kinds of reviews for the Lexicon Omega: Reviews from people who love the features and reviews from people who have had problems with the unit. This is because the Omega has some very serious quality control issues with their overseas manufacturing.
I have read many user reviews and have found that as many as 1 out of 4 people have had problems that make this device unusable. If you happen to get a good unit it will be great for a home studio or even a portable system that you can take on the road. Unfortunately many, many units have hardware defects. These cause the unit to disconnect, corrupt the host computer, and add digital noise to the mix.
Some people mistakenly believe that this is a driver issue or a configuration issue. Lexicon tech support will try to lead you down this path before they admit the quality problems. Don't believe it. I have done software and hardware engineering for almost 25 years and I can assure you that if your Omega unit acts erratically, it is most likely a hardware failure. Send it back and insist that they fix it while it is still under warranty.

Click Here to see more reviews about: Lexicon Omega Desktop Recording Studio

Omega Studio is a completely integrated computer recording system that includes the Omega 8x4x2 USB I/O Mixer, Steinberg's Cubase LE4 audio and MIDI recording software, and Lexicon's world-class Pantheon VST Reverb plug-in. The Omega Desktop Recording Studio quite literally contains all the necessary components to transform your PC or Mac computer into a professional 24-bit/48 kHz recording studio.Omega is an extremely flexible USB audio interface solution. With two microphone preamps, it's a great choice for singer/songwriters, duets, or you can record you and a friend playing guitar. There are also two stereo pairs of line inputs, which can accommodate your keyboard or synthesizer. And, on the front panel, there's a hi-Z instrument input, so you can directly plug in your guitar or bass.Omega provides a total of eight inputs featuring ultra-transparent A-to-D converters to capture your performance with pristine 24-bit quality. Two of the inputs feature extremely low-noise dbx mic preamps with +48V phantom power and TRS inserts. Four TRS active balanced line inputs accept up to +22dBu signals. Included is an S/PDIF input combined with an additional DAC for zero-latency, direct monitoring of the S/PDIF source for simultaneous tracking of analog and digital sources. Rounding out the full compliment of connectivity, Omega includes 2 TRS balanced line outputs, a 1/4" high-power headphone output, a hi-Z instrument input, and MIDI I/O. Users can record 4 tracks at once from the 8 input sources. The unique mini-tower design offers individual level controls and peak meters for each microphone and line input.Cubase LE4 integrates seamlessly with Omega to achieve an easy-to-use, 48-track complete recording solution that includes all of the modules that you need to track, edit and mix your masterpiece. Then, to complete your mix with that legendary "Lexicon Sound", Omega includes the Lexicon Pantheon VST Reverb plug-in which offers 35 factory presets and 6 reverb types.

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Sunday, November 13, 2011

M-Audio Fast Track Pro 4x4 Mobile USB Audio/MIDI Interface with Preamps Review

M-Audio Fast Track Pro 4x4 Mobile USB Audio/MIDI Interface with Preamps
Average Reviews:

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1.- This is primarily an USB External Soundcard, so don't ask more than a simple soundcard can deliver for you. If you want a multitrack recorder, or a high-end amplifier, or a 256 mixing console, then buy them, but not this one.
2.- The installation is the simplest. Don't use the CD. C'mon! This machine has been in the market since (I think) 2005, so don't expect 2010 drivers in the box. Forget about the CD and go directly to the M-Audio website and download the drivers that you need.
Don't forget to uninstall all previous drivers associated with older soundcards and physically extract your old soundcard from your computer.
And, beware: first of all install the M-Audio drivers, reboot your machine and just then, you can turn in your Fast Track Pro, never ever before (!).
3.- Maybe the interface it's a little enigmatic to understand - because the manual isn't that explicit - but not impossible to master. An advice... You`re surely gonna need some Y adapters because the only cable that comes in the box is the USB connector. In my case - only my case - I needed one Y adapter to connect my speakers (crappy ones) that have a 1/8 male connector (just enough for my old soundcard), so I needed a 1 stereo TRS 1/8 female to 2 mono RCA male Y adapter (lot of letters, uh?). Besides, I use an old second hand V-AMP with my guitar, so I needed a 1 stereo TRS female to 2 mono TRS male Y adapter, to connect my V-AMP in stereo and not mono. If you don't do this your instrument signal will be in mono and at one side.
4.- Some people complain that the sound is not that loud, but it depends of the kind of speakers and headphones you use. Bad ones, weak output - Good ones, strong output. With this dude, the bad stuff really sounds bad! So don't blame the Fast Track Pro for any weak sound.
5.- Some people - believe me - gets confused with the front, with all the knobs and buttons, but it's not that hard. The "signal" knobs at the side of the XLR/TRS inputs are exactly for that, for them only. The fun it's in the right side... The "mix" knob has two functions:
- When your're using the XLR/TRS inputs, for guitars, basses or microphones, just to mix them left and right. The upper bottom (inst/line) it's to select between a guitar signal or a synthesizer signal. The lower bottom (pad) is to cushion your soundcard from a too strong signal (maybe an amplified one). I use it to connect stuff I don't know how powerful could be.
- When you're not using those XLR/TRS inputs, and you just want to hear music (because, after all, it's a soundcard), then turn the "mix" knob all the way to the right, so then you can use the other two knobs, the "output" knob and the "level" knob.
The "output" knob is for turning up or down your speakers level or anything you have connected to the RCA outputs in the back. The "level" knob is for the same function, but only if you connect a pair of headphones to the TRS input in the front, exactly below the "level" knob.
6.- By the way, I haven't used the two TRS output, nor the TRS inputs, nor the secondary RCA outputs, nor the S/PIDF RCA connectors, nor the MIDI in/out connectors either. I don't have that many necessities, but they may come in handy for somebody else. And the MIDI connectors really come in handy when you need to plug a synthesizer or sampler that needs dedicated midi in/midi out messages; so there's no need to connect via USB first to your computer, then again via USB to your Fast Track Pro, and then again via USB to your PC to hear the results (!). So it's kind of common sense, to connect MIDI directly to the MIDI in the Fast Track Pro, isn't it?
Other thing, this device doesn't have an synthesizer chip inside, so don't expect to hear any MIDI sound if you connect your controller keyboard to it. You'll have to use softsynths for that, be it standalone or plugins (VST, DX, RTAS) in your Sequencer.
7.- This soundcard doesn't have a software interface as a Soundblaster or the likes, your equalization and volume depends only of the player or program you use, so don't look for a virtual mixer, equalizer or F/X board to modify the sound. I use Winamp or Windows Media Player, so I modify the sound in those programs.
8.- To configure it with your favorite software, you'll need to look on internet to find the right way, because it's not in the manual (the manual is basic hardware description and some instructions to configure it in your OS). I highly recommend The M-Audio forums to find your way in the different configurations, but usually - in any software - it's inside the "properties" or "audio hardware" menu, where you can assign the M-Audio hardware and drivers to make a software work.
In my case, I use Sonar 8 Producer Edition - a monster that I spent weeks trying to make it emit a sound in a humble Soundblaster - and Adobe Audition 3.0 (far easier to configure). And I had to read a lot in internet to make them work with Fast Track Pro, because the experience - without that valuable information - was really disheartening, something that made me understand absolutely all the people that put 1 star on this product. This dude is not for people with little or any patience, or for people that is not PC or Internet savvy, or for people that is not familiarized with Music Software.
9.- Finally, the hardware is really simple to master, just some knobs and buttons with double functions, some different connectors, inputs and outputs (believe me, you will need some Y adapters), and that's it. But on the software side, the one that makes your Fast Track Pro interplay with your Sequencer, your Softsynth, or your Audio Editor... You'll need some time to learn.
In my case, I had to navigate a lot in the M-Audio forums, the Cakewalk Sonar forums and the Adobe Audition forums, to get the information I needed.
PS: Remember that this soundcard (never forget this is a soundcard) doesn't have a CPU or RAM of its own (technically, a DSP), so you'd better have a new and powerful machine (not less than an Intel Core i3), because all the weight of dealing with audio, softsynths and special effects is gonna be on your CPU and RAM... That's why a lot of people with old and weak computers complain about the latency and cracking supposedly "caused" by this soundcard.

Click Here to see more reviews about: M-Audio Fast Track Pro 4x4 Mobile USB Audio/MIDI Interface with Preamps

The M Audio Fast Track Pro delivers all the mobile recording flexibility of the Fast Track USB, plus evenmore professional features. You get 2 front-panel mic/line inputs complete with phantom power for condenser microphones, inserts for outboard effects, balanced and unbalanced analog outputs, S/PDIF digital I/O, MIDI I/O, and more. Fast Track Pro also features near zero latency direct hardware monitoring and low-latency ASIO software monitoring, plus an A/B source switch and dual output pairs for DJ-style cueing. Fast Track Pro is compatible with most popular PC and Mac music software. USB connection and bus power along with class-compliancy for Mac OS X make it a breeze to set up. M Audio Fast Track Pro Features 4 x 4 24-bit/44.1kHz audio interface 2 front panel mic/instrument preamp inputs (Neutrik XLR/ 1/4-inch TRS) with: Gain controls Signal/peak lights Pads for each input Insert jack (1/4-inch TRS) for outboard processors 2 balanced outputs (1/4-inch TRS) 4 unbalanced outputs (RCA) SPDIF digital I/O with 2-channel PCM SPDIF out also supports pass-through of AC-3/DTS surround-encoded content 1 x 1 MIDI I/O with activity LEDs Headphone output (1/4-inch TRS) with level control> headphone A/B source switch for DJ-style cueingLI>Input/playback mix control for hardware direct monitoringLI>Mono switch for input/playback direct monitoringLI>Master output level controlLI>Near zero-latency hardware direct monitoringLow-latency ASIO software monitoringLI>USB connection to computerLI>Powered via USB or optional AC power adapterLI>Kensington lock portLI>Mac and PC compatible; class compliant with Mac OS X 10.3.9 and higher/UL>

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Thursday, November 3, 2011

Alesis IO2 Audio/Midi Interface Review

Alesis IO2 Audio/Midi Interface
Average Reviews:

(More customer reviews)
I couldn't disagree more with the other reviewer. Using my alesis io2 with my macbook couldn't be any easier. Garageband sees the interface immediately and asks if you'd like to change to that device....then you just add a track, plug in your instrument and hit record. The fact that the alesis is USB powered makes it more attractive because it allows you to record anywhere! This is a solidly constructed device, sturdy and very sleek. I HIGHLY recommend it...it did even work on MY old windows machine before I got my macbook....if the Alesis doesn't work for you, then you're doing something wrong.

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