Showing posts with label audio interfaces. Show all posts
Showing posts with label audio interfaces. Show all posts

Saturday, January 12, 2013

Steinberg CI1 USB Audio Interface Review

Steinberg CI1 USB Audio Interface
Average Reviews:

(More customer reviews)
I needed a very simple audio interface to get good live DAW output with soft synths. I tried the Numark DJ|iO and its ASIO driver was at an uncontrollably high output level that caused distortion. Couldn't figure out how to fix that without buying a mixer, so I left it. This was a shame because that device's DirectSound output in Windows applications was ABSOLUTELY STELLAR. In fact, I didn't return it...I simply gave it to my brother for the simple purpose of listening to music.
Back to the CI1......This interface has good control. Decent but not wonderful sound. Mine has a problem with the TRS input...only the XLR input works. I'm currently working on getting it replaced through Steinberg/Yamaha. They have GREAT customer service.
No latency issue as described in previous review. I'm using a Turion 64 processor with 3 GB RAM on a laptop. Don't know what the problem is for previous reviewer but I doubt that it is this interface's fault. I recommend this device for low budget consumers. If the sound quality were as good as the DJ|iO, I would give it 5 stars.

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Friday, January 4, 2013

M-Audio MobilePre USB Mobile Preamp and Audio Interface Review

M-Audio MobilePre USB Mobile Preamp and Audio Interface
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The MobilePre USB has been a fantastic performer in my home studio for some months now. No latency issues when recording Mic (XLR or 1/4") or Guitar. Clean output for my Alesis monitors and Sennheiser headphones. I've had no driver issues, no unexpected noise, nor latency setting problems - but...I do have a newer PowerMAC Dual G5.
Whether working in GarageBand, Logic 7, or Reason 3 with Native Instruments' "Guitar Rig", or just using it to play back my collection via iTunes, it's been a joy.
However, I also tested it on an older G4 500 iMac and I witnessed what others are complaining about. So, if you have a dinosaur CPU, you may want to look into a soundcard rather than the MobilePre USB (or other USB sound interface). Or better still, it may be time to update your computer :).

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MobilePre USB is the preamp with a built-in audio interface that's designed for laptop recording such as field recording and sampling expeditions. It's completely bus-powered (of course, you can use it on the desktop as well). A total of three kinds of audio inputs and outputs provide maximum flexibility for any application--including two on-board microphone/instrument preamps and high-impedance instrument inputs ideal for connecting guitars and basses. And unlike many competitors, zero-latency direct monitoring provides you with a streamlined professional recording experience.


Flexible Input Options The MobilePre USB boasts a variety of inputs to suit a variety of applications--two balanced XLR microphone inputs with built-in preamps, complete with a phantom circuit to power your condenser mics; two 1/4-inch instrument/line inputs for guitar, bass, etc.; and even an 1/8-inch stereo microphone input.

Line and Headphone Outs Monitor while recording with the stereo headphone output, conveniently located right on the front of the unit.

Both a stereo 1/8-inch and two mono channel outputs on back let you send to powered monitors, computer speakers, etc.

Hardware Direct Monitoring Thanks to the MobilePre's zero-latency hardware direct monitoring and software level control, you can overdub without lag, and adjust the levels to best suit whatever you're tracking.

Total Mobility Because the MobilePre is USB bus-powered, it's perfect for field recording or other sessions where you want to travel lightly. No need for a "wall wart" power adapter.

Ableton Live Lite Ableton Live Lite delivers much of the functionality of Ableton Live--the revolutionary, multi-award winning music production solution that allows you to spontaneously compose, record, remix, improvise and edit your musical ideas in a seamless audio/MIDI environment. Live brings your acoustic, electronic and virtual instruments--as well as your digital audio recordings and MIDI sequences--together in a single interface with unparalleled ease of use.

What's in the Box MobilePre USB audio interface, One high-quality USB cable, M-Audio Driver CD (includes driver installation software), Additional software installation CDs, This Product Manual.


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Saturday, December 29, 2012

Tascam US-800 8 Input USB 2.0 Computer Audio Interface Review

Tascam US-800 8 Input USB 2.0 Computer Audio Interface
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Posting my experience with this device in case it is useful to anyone else.
I purchased the 800 about a week ago. As far as recording features go, it is great; super-low latency, decent preamps, digital i/o and midi, nothing to complain about and 6 xlr inputs for $200 is way better than any competing product. However, there are problems playing ordinary Windows audio that may make the 800 unsuitable for your needs. At least in Windows 7 x64, I can't speak for any other OS.
Within a day of plugging in the interface, I began having memory usage issues. Task Manager was reporting 3.8gb in use, even with just about every non-essential process killed. I'd try opening something that put me over the 4 gb limit and virtual memory would kick in, rendering my computer so slow as to be unusable; the only way to free resources was to restart. This happened day after day, to a computer that was previously reliable enough that I wouldn't reboot it for weeks at a time.
After a lot of googling, diagnostic programs, and trial and error, I figured out the problem: any non-asio audio played through the 800 would never leave memory (I had the 800 set as the default playback device in the Sound control panel). Every mp3, flash video, dvd, and game would leave their audio buffer in system memory even after closing the program. I confirmed this by setting up Foobar to use asio while Windows Media Player would use Windows' audio; every mp3 I played in Foobar would disappear from RAM after it was done playing, while Windows Media Player grew more and more bloated with every song, and wouldn't relinquish hundreds of megabytes after I closed it. This was also the case with VLC Player being used for flash video and dvds, Firefox and Chrome, and every game I tested. Same result when using Ableton Live vs any non-asio program.
There is a workaround if you have an S/PDIF output on your computer; just set your digital out as the default playback device in the control panel (I disabled the 800 just to be sure) and connect it back to the 800. I've confirmed that this solved the problem, and asio works perfectly alongside ordinary audio this way. Unfortunately many laptops don't have a digital out.
As an audio interface strictly for recording, the 800 has worked flawlessly and is a better value than just about any interface below $300. However, if you're merely a hobbyist like me, who wants both an interface and an upgrade from your motherboard's noisy and cheap converters for everyday use, unless you don't mind (and have the capability of doing) the S/PDIF trick you might want to look elsewhere.

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Tuesday, December 25, 2012

Mackie Onyx 1620i FireWire Recording Mixer Review

Mackie Onyx 1620i FireWire Recording Mixer
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this mixer is amazing. if you have wanted to build a project studio or record your band in your rehearsal space, this is the mixer you need.
the pre's sound great. very quiet (even when jacked).
the eq is really fun to play around with. you can really find the sound you are looking for with a few tweaks.
i'm using Ableton as my recording DAW. it's really snappy and after a few tweaks, very hard to notice any latency.
the Firewire I/O also works with Pro Tools, which is great. the driver is available for purchase on the mackie website.
for this price, you won't find anything even close to the same ball park.


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Saturday, December 15, 2012

M-Audio Firewire Solo US35030 Firewire Audio Interface Review

M-Audio Firewire Solo US35030 Firewire Audio Interface
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I'm using this on an Apple PowerBook G4 with a 1.33 GHz processor and 768 MB RAM. I mainly record through GarageBand, and after about 10 hours of use, it has worked flawlessly so far.
Controls in front are intuitive. The clip LEDs let you know when your input volumes are maxing out.
Note that you can record only two sources at once: either the front two (mic and line in) or the rear two (two line ins). I initially thought you could record 4 simultaneous tracks with this. There is, however, a switch on the front of the unit that allows you to choose front or rear inputs.
There is an extra firewire plug in the rear of the unit, which allows you to daisy-chain several firewire devices. This works perfectly for me on my 12" PowerBook, which only has one firewire input.
Very low latency on this unit. I can play my electric through GarageBand's multi-effects units while listening on my headphones, and I notice almost zero latency. I'm anxious to try it on my amplifier, to see if it would be suitable for live performance.
I would recommend this for anyone who's thinking about getting into home recording. It's very well designed, well built, and should suit me well for years.

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The FireWire Solo is designed from the ground up as an easy-to-use, high-quality interface for songwriters to record guitars, vocals and more on the computer. Compatible with most popular music software, this compact bus-powered unit is small enough to go anywhere you want to take your music. In addition to the 1/4" guitar input right on the front panel, a professional XLR microphone input also lets you record vocals and acoustic instruments. There are also dual line inputs for effects, drum machines and other outboard gear. FireWire connectivity, up to 24-bit/96kHz sample rate support and digital I/O all add up to outstanding sonic performance. As simple to connect and operate as it is powerful, FireWire Solo is the foundation of your computer-based songwriting studio.

Analog and Digital Inputs The FireWire Solo features two front-panel inputs, one XLR for microphones (featuring phantom power, gain control, and a clipping LED); and one guitar input (with gain control and clipping lED).
The rear of the device features 2 unbalanced 1/4-inch line inputs for connecting drum machines or other devices, and a front-panel switch toggles between front/rear inputs.
The rear also features a two-channel S/PDIF digital input and output. Connect another device and get four simultaneous in/out channels.
Headphone Output Use the 1/4-inch stereo headphone output to monitor, or use the two-channel rear 1/4-inch outputs.
The front-panel knob controls both levels.
Mac and Windows Compatible The FireWire Solo will work with both Macs and PCs with FireWire ports. It's powered by the FireWire bus (power supply included for use with 4-pin ports), and features an additional port for easy device chaining.
On either platform, you'll enjoy flexible software-based routing/mixing with near-zero latency monitoring.
Includes Ableton Live Lite Ableton Live Lite delivers much of the functionality of Ableton Live—the revolutionary, multi-award winning music production solution that allows you to spontaneously compose, record, remix, improvise and edit your musical ideas in a seamless audio/MIDI environment. Live brings your acoustic, electronic and virtual instruments—as well as your digital audio recordings and MIDI sequences—together in a single interface with unparalleled ease of use.
What's in the Box FireWire Solo Recording Interface, CD-ROM containing driver software and user manual in PDF form, Printed Quick Start Guide, 6 pin to 6 pin FireWire cable, 6 pin to 4 pin FireWire cable, Power Supply

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Friday, December 7, 2012

PreSonus AudioBox USB 2x2 USB Recording Interface Review

PreSonus AudioBox USB 2x2 USB Recording Interface
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Brand New Review for Nov 2010:
I recommend this only if: 1) you are not recording a guitar with high output pickups through the instrument-in, because it will clip even with the gain turned all the way down on the AudioBox, 2) you are not using an SM57 or some other dynamic mic that requires more than 35dB of gain, otherwise it will be too quiet, and 3) your headphones have an impedance above 100 ohms, otherwise the USB-powered Audiobox can't keep up with the current draw and will have no bass in the headphone monitoring out.
If you meet those conditions, then this is a great, affordable, stable recording interface. On my Mac it's plug-n-play, both on my older G4 powerbook with Tiger and newer 2010 Mac Mini with Snow Leopard. On the Mac, no separate software or drivers are needed. The construction of the AudioBox is very good. All metal box, and metal knobs. The blue metal looks great.
The mic preamps sound pretty darn good, crystal clear if you're using a condenser mic. For recording vocals on condensers, this interface is great. If you're on an old system, however, recording direct guitar and running it through a virtual amp simulation will give you latency problems. Not as much on Core 2 Duo systems and above. Be advised that the zero-latency monitoring is for a clean signal going in, not the processed sound from your software plugin, thus you can't do zero-latency distorted guitar recording that way unless you listen to yourself play clean while recording.
Now officially this does not have line-level recording ability. So you can't take the headphone output from a walkman, guitar amp, or mp3 player into this. But actually that does work as long as you carefully keep the line signal volume low and plug it into the instrument jack on the AudioBox. I've done this and it records just fine. But if the line volume gets turned up too high, you risk burning out the chip inside the AudioBox, since it wasn't engineered with safety mechanisms for that, thus Presonus says it doesn't do line-in.
It gets 4 stars for what it does well, and minus 1 star because of the caveats / exceptions listed at the beginning. As with all gear buying, my honest recommendation is to save up and get something 1.5X the cost of what you thought you could afford. If I could do it all over again, I would get an Echo Audiofire 4, Focusrite Saffire Pro 14, or Apogee Duet and call it a day. But, my Audiobox has served me well for over two years now, made some great clear recordings, right up until I got new headphones with too low impedance and the bass dropped out.

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Wednesday, December 5, 2012

ART USB Dual Pre 2 Channel Preamp Review

ART USB Dual Pre 2 Channel Preamp
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I finally got a chance to use this little beauty for two recent live recording sessions, and I am extremely satisfied with it.
I recorded two live vocalists using Shure SM-58 microphones. The only musical accompaniment was a "harmonium", an Indian classical instrument that's like a keyboard driven by a hand-operated bellows like an accordion.
Both the sessions were unplanned and spontaneous, recorded in a normal living room, and that's exactly the kind of situation I had in mind when I bought this unit. Earlier, I would miss out on recording such sessions because of the hassle and time required for setting up my Peavey PV-10-USB mixer, which is not exactly portable nor light-weight. OK, I do miss out on having a couple of extra mics for a background singer and the harmonium, but the compromise is well worth it in terms of sheer ease of setup, and most important, WITHOUT any compromise in sound quality.
The setup with this unit is extremely simple. here are the steps I followed:
1. Plug the mics into the XLR input jacks on the front
2. Conenct the unit to your PC with the USB cable - if you have Windows Vista or Windows 7 it is recognized immediately as a USB device
3. Select "USB audio codec" as your default recording device in Windows by right-clicking on the speakers icon in the taskbar
4. Choose he recording properties that you want (I picked stereo / 16-bit / 48 kHz) and save this selection by clicking OK
5. Fire up your recording software ( I use Sony Sound Forge)
6. Set the levels of each channel using the hardware gain control knobs on the device
7. You are ready to record
All the above steps took me less than 5 minutes. My PC runs Windows 7 and it worked without a hitch (Windows 7 rocks, by the way!)
Note that I do not monitor the recorded sound from my laptop while recording - I simply use headphones plugged into the socket at the back of this unit for real-time monitoring.
Sound quality:
I essentially purchased this unit to get around the limitations of my PC sound card - I wanted the A-D conversion taking place outside the PC, and that's exactly what this device does very well. It is capable of 16-bit digitization at a maximum sampling rate of 48 kHz, i.e., better than audio CD quality.
Each channel's sound was crystal clear, capturing the highs and lows with zero audible distortion. I had set the gain control knobs about halfway (between 8 and 14 db on the dial) such that the levels on my recording software did not exceed -4 db on average and -1 db at peak. I could NOT tell the difference between the sound quality recorded with this device and the sound I recorded with my Peavey mixer (using the same microphones and the same singers). I don't believe that the unit itself adds any significant distortion to the sound, and you will essentially be limited only by the quality of your microphones.
Caveats:
1. Vocals obviously have a limited frequency range, so I cannot say what the sound quality will be for extreme highs and lows. But in the range I recorded (approx 800 Hz to 3 kHz), it was flawless.
2. All my recording is in casual settings, i.e., NOT in a studio. There is a fair bit of background noise, so again, maybe there are subtle differences which may become noticeable in a studio environment using professional condenser mics.
Dislikes: Just two minor cribs:
1. I cannot control the degree of left-right separation in the recording mix. This is because each channel has its own gain control knobs, instead of a master gain level knob with a left/right balance. So if I have only one singer singing a particular passage, I have almost zero signal in the other channel. A master gain control with L/R balance would have been a nice thoughtful touch. So I've taken off half a star for that.
2. (a) The choice of colours for letters/numbers makes them slightly hard to read - I need to squint hard to read them. (b) USB cable not included. Another half star gone.
Likes:
1. Very compact and yet very solid build quality
2. Needs no external power - draws USB power from the PC
3. Extremely simple and flawless setup - I didn't even need to read the instructions
4. Can handle condenser mics as it has a 48V phantom power supply
5. Universal mic input jacks - XLR and 1/4"
6. Headphone monitoring with its own level control - very helpful
Overall:
A strong "buy" recommendation, if you want to make quick and easy CD-quality live recordings with extreme portability. Absolutely amazing value for money - there is nothing in the market at this quality and price point that I am aware of.


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Sunday, November 25, 2012

PreSonus Inspire 1394 4X4 Firewire Recording Interface Review

PreSonus Inspire 1394 4X4 Firewire Recording Interface
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Now this is the way computer peripherals are supposed to work - 15 minutes or so after opening the box, I was laughing my way through my first home recording effort. No tearing my hair out, no frantic searching on-line for new drivers, no pouring through obscure FAQs looking for solutions... it simply works! Mind you, this is with Mac OSX, 10.4.11.
Audio quality is plenty good to my middle-aged ears, and completed recordings downloaded to my IPod sound just as good as any commercial tune. Sure, crank the gain up full and add the boost and you can hear a little bacon frying in the background, but more sedate settings are very quiet indeed.
The absence of buttons and knobs on the unit is fine as well, the on-screen control panel has proven fast and easy to use.
Bottom line? The Presonus Inspire is simple, inexpensive, and performs well.


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Now compliant with Intel Macs! The INSPIRE 1394 is a revolutionary FireWire Recording System featuring professional quality 24-bit/96k analog to digital conversion rate, four simultaneous inputs, software control panel as well as audio recording and production software giving you the smallest, most flexible, most affordable and all-inspiring computer recording studio ever! What's InsideThe INSPIRE 1394 is loaded with state of the art components and technology enabling the easiest computer recording experience ever. The INSPIRE 1394 installs effortlessly on both Windows XP and Macintosh-based computers and works seamlessly with virtually all popular recording software including Cubase, Nuendo, Sonar, Cakewalk, Logic, Logic Express, Digital Performer and many others. The microphone and instrument preamplifiers loaded in the INSPIRE 1394 are designed to deliver ultra-low noise, high gain preamplification for all types of microphones and instruments needed for professional quality recordings. Ins and OutsThe front panel of the INSPIRE 1394 features two custom-designed PreSonus microphone preamplifiers with +48V phantom power and two instrument Hi-Z inputs. The back of the INSPIRE features selectable line or phono (with RIAA filter) inputs great for all types of keyboards, samplers, drum machines and turntables. Outputs on the INSPIRE 1394 include RCA unbalanced and mini TRS jacks as well as headphone output. Software Control PanelThe INSPIRE 1394 is comp...

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Tuesday, October 16, 2012

Monster Cable AI STUDIOLINK Monster iStudioLink 1/4 to 1/8 adapter Review

Monster Cable AI STUDIOLINK Monster iStudioLink 1/4 to 1/8 adapter
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works fine for me, it records pretty quiet without a pre-amp, but thats only on my computer. the problem with recording is that computers have a limit to how much they can amplify sound (based on strict regulations), so whenever you want to record straight from a guitar, you need to turn everything up all the way. But that doesn't have anything to do with this product.
This is very high quality, and if you are a person you can appreciate that, then this is perfect for you.

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Saturday, October 6, 2012

Behringer FCA202 Review

Behringer FCA202
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In August 2006 I purchased this small audio interface (1.10" x 6.10" x 4.53") to connect my notebook with my mixer.
Until today I am very satisfied with the device. Being a user of Apple's LOGIC I found no trouble in setting the interface up. No installation of any software was necessary (the same applies for Garage Band). In Mac OS X it allows you an easy configuration via the audio application.
Attention PC users: Windows requires you to install drivers before you connect the unit to the computer. Unless an ASIO driver is used, the set-up might be tricky, too.
Additionally everybody should consider the following system requirements:
PC
Intel or AMD CPU, 1 GHz or higher
min. 512 MB RAM
6-pin or 4-pin FireWire interface
Windows XP SP2
MAC
G4/G5 or Intel Core Duo, 800 MHz or higher
min. 512 MB RAM
6-pin or 4-pin FireWire interface
MAC OS X 10.3.9 (Panther) or higher
The connection via FireWire works flawlessly and supplies the interface with power, too. Therefore the included external power adaptor has not seen much use so far.
From my point of view this interface serves any home-recording musician (especially if you use a Mac) and the artist on stage who wants to hook up his notebook to other devices. Needless to say, it is not suited for more complex tasks or even studio use due to its limited inputs and outputs. But this is not the purpose of it anyway, which allows me to recommend it for the mentioned tasks.

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Friday, September 28, 2012

Pro Tools Mbox Mini (3rd gen) Review

Pro Tools Mbox  Mini (3rd gen)
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First let me say, I have no idea what the other guy is talking about. I just got my Mbox Mini the other day and had zero issues installing the program.
As for using the Pro Tools, it can do everything and sets the standard. I wish it came with more plug-ins, but those that are included cover all aspects of sound production. I was surprised to see a trimmed-down Guitar Rig 4 plug-in included.
While the learning curve for Pro Tools is steep, once you get the hang of it, there isn't anything it - and you, can't do!

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Thursday, September 20, 2012

M-Audio Ozonic Firewire Audio / MIDI Controller Review

M-Audio Ozonic Firewire Audio / MIDI Controller
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Even though this product has been discontinued, I think they did a great job on the design, I still use it. The reason I gave it 4 stars is because it only has one firewire port and M-Audio does a horrible job with technical support. It would be great if it had a second firewire port to hook up an external hard drive.
They don't make them like this anymore, now M-Audio only makes usb midi controler/audio interfaces. Too bad! Even though M-audio hasn't yet come out with the driver for the new OSX Snow Leopard, I still managed to make it work with the old driver but only after I reinstalled it a second time. The the first time there was an error message telling me to uninstall and reinstall the driver. I have the new 13-inch unibody Macbook Pro and it works perfectly with Ozonic. It works great with Propellerhead Reason, Garage Band, etc.

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Saturday, September 8, 2012

Tascam FIREONE Firewire Audio Interface Review

Tascam FIREONE Firewire Audio Interface
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I recently upgraded to a MacBookPro with Logic 7 on it. I needed a control surface that was Firewire based and would allow good functionality and portability. This audio interface/control surface provides a nice touch. I went from an Ozone Midi controller to this because this one was Firewire-based AND I never was into using the keyboard. For my purposes, plugging a mic, guitar, bass and electronic drums this was a great option. It took a little bit of fiddling to work with a MacBookPro (with Tiger and Leopard) and involved a rollback of Firewire drivers/firmware which is available on the Tascam website.
Without the rollback, the control surface will not work (or will work unpredictably). This is a Mac/Logic 7 issue. Anyway, I'm pleased. It looks great, works great (after Fix for Mac OS X 10.4.10 FireWire) and seems very durable.
Time will tell.

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Monday, July 30, 2012

Tascam US-100 USB 2.0 Audio Interface Review

Tascam US-100 USB 2.0 Audio Interface
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Tascam advertises this as "class compliant" USB 2.0, and it is. I plugged it into my Ubuntu Linux machine and was ready to go. No messing with drivers, no clunky setup. The US-100 works and works well. The case is nice and sturdy, making it idea for mobile use. And it sounds good too. If you want to just plug and play, this is a great buy.

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Tascam's US-100 breaks the price barrier for great-quality recording into your computer. The microphone input captures great-sounding performances, or you can plug in your guitar or bass directly into the instrument-level input. Stereo line inputs can be switched to RIAA phono level for digitizing your vinyl collection from your favorite turntable. The USB 2.0 connection guarantees playback without hiccups on your Mac or Windows computer, and the compact aluminum construction withstands the hazards of the road, studio or dorm room.
Click here for a larger image.

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Wednesday, July 18, 2012

TASCAM US122MKII USB Audio/Midi Interface Review

TASCAM US122MKII USB Audio/Midi Interface
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In September, Tascam "officially" certified all of its audio interfaces for use in Snow Leopard, saying the devices were "fully functional" in the operating system. They lied. Neither the Tascam US-122l nor the Tascam US-122MKII is fully functional in Snow Leopard.
I bought the Tascam US-122l based on Tascam's "certification." I have a mid-2009 iMac (not the brand new version) and am running Snow Leopard. After receiving the interface I downloaded the most up-to-date drivers and firmware. However, the interface was not recognized as a in/out sound device in either Snow Leopard's "system preferences" or its "Audio MIDI Setup." I called Tascam customer support and talked to a very friendly and informative representative who basically told me that there was nothing that I could do about it, and that a driver might (eventually) be released that offers full support. I asked if the US-122MKII was fully functional in Snow Leopard (it had been released right after I bought the US-122l), and he said that on his computer it showed up in both system preferences and audio midi setup. Based on this information, I bought the US-122MKII, only to come across the same exact problem.
IMPORTANT: Both audio interfaces are fully functional in the audio programs I have (Ableton Live, GarageBand, Audacity). If all you want to use the interface for is audio in-out for such programs, you won't have any problems. However, if you want to be able to use the interface as your computer's main soundcard (ie:, to output all sound through the interface) you should not buy either interface for use in Snow Leopard. This ability is a big plus: for example, your iTunes music will likely sound much better coming through an audio interface than straight from your onboard sound card. Additionally, the ability to output all your sound through your interface means that you can keep your speaker cables connected to your interface at all times, without having to switch back to your computer after you've finished recording.
I don't know if there are any audio interfaces out there that are fully functional with Snow Leopard yet, but Tascam's are NOT and the company should not be claiming that they are.***********UPDATE***************
Tascam has finally released a driver that makes the US-122mkii fully functional in Snow Leopard. The delay was frustrating, but now the interface is a great value for Mac users. I've changed my rating accordingly, but Tascam needs to be more honest about compatibility in the future if they want to maintain their customers' trust.

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Whether you're getting started with computer recording or adding a portable interface to your road rig, the Tascam US-122mkII USB audio interface is the affordable choice for professional results. Refreshed with improved audio specs and a fresh new look, the US-122mkII starts with two great-quality XLR microphone preamps with phantom power for condenser microphones. There's also a pair of balanced line inputs and a guitar-level in for direct recording of electric guitar or bass. The stereo signal is sent to your computer at up to 96kHz/24-bit audio quality.


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Thursday, June 28, 2012

Amplitube Live Review

Amplitube Live
Average Reviews:

(More customer reviews)
To my ears, the software is quite good. It does take the raw signal from an electric guitar and process it in such a way that it sounds like it is coming out of a selection of real amplifiers. This way you get some classic sounds without having to go out and buy a half dozen amplifiers--and you don't have to lug them around! The software also includes noise gate, reverb, delay, distortion pedal, etc.
To correct a few erroneous comments in other reviews . . .
Even if you have a fast computer, you can still have unacceptable delays between when you strum your guitar and when the processed sound comes out of your computer. This is not Amplitube's fault. You also need a high quality sound card and low latency drivers such as ASIO or WDM, and you need to know how to optimize the latency settings. If you are using a laptop with a generic sound card and MME drivers, your delay will be long regardless how good your computer is.
You can use Amplitube LE for recording, but you will need a host software such as Cakewalk, or Cubase. You can't record if Amplitube is all you have, and I don't think they made that claim.
As I said, Amplitube sounds pretty good and realistic to my ears, but of course, that is a matter of taste.

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AmpliTube Live includes the AmpliTube LE plug-in for most major formats (VST, Audio Units, DX, and RTAS), so you get a standalone app and plug-in in one box! Combine 3 different preamp models and related EQs with 3 accurately emulated cabinets to precisely craft a wide palette of guitar sounds ranging from clean to crunch to lead. A set of 4 classic effects, including a spacious spring reverb and 3 stomp-like effects wah-wah, delay, and overdrive are all modeled on acclaimed classic guitar effects. In addition, there's a chromatic tuner so you always know you're in pitch. AmpliTube takes full advantage of ASIO, DirectX, and Mac OS X Core Audio drivers so it plays without any perceptible latency. Extremely easy to use, and works with built-in Mac and PC audio cards. AmpliTube LE is designed to work in all major audio sequencers, including Cubase, Pro Tools, Logic, Sonar, Digital Performer, GarageBand, or any Audio Unit, VST, DX, or RTAS-compatible host application. Record guitar tracks, fully integrating AmpliTube LE in your DAW. Both AmpliTube Live and LE come packed with killer presets that can be changed with a MIDI footcontroller.

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Sunday, June 24, 2012

Tascam US122 Audio/MIDI Interface with Free Software Review

Tascam US122 Audio/MIDI Interface with Free Software
Average Reviews:

(More customer reviews)
I finally got the unit. It got derailed and took a while but i need it and am satisfied with price and fact it was delivered to me.

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