Showing posts with label midi controller. Show all posts
Showing posts with label midi controller. Show all posts

Thursday, January 10, 2013

M-Audio Oxygen 61 61-Key USB MIDI Controller Review

M-Audio Oxygen 61 61-Key USB MIDI Controller
Average Reviews:

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It's really unfortunate the other reviews aren't more universal and fair when it comes to this MIDI Controller.
I bought it a few weeks ago, and it does EXACTLY what I expected it to (and more) ~ The materials it's made out of are perfect. On my computer it functions perfectly (my computer recognized it no problem using Vista) ~
Regardless, this keyboard fits perfectly on my desk, is solid, feels just like all my regular keyboards as far as quality goes... and well... gosh... I don't have a single complaint.
If you don't look at the system requirements before buying this keyboard --- please don't leave a negative review on it just because you failed to do your part.
It's time to upgrade your computer from Windows 3.1 folks --- and stop slamming technology around like a big angry monkey :) ~
Pardon my humor, I just love this MIDI Controller & feel sorry for the company that made it as they have to suffer unfair reviews like the ones I've seen.
"MY CAR DOESN'T WORK!!! YOUR DEALERSHIP IS HORRIBLE!!!!" --- "Did you fill it with gas sir?" --- "FILL IT WITH WHAT!?!?!" --- "Gas..." --- "STOP TALKING DOWN TO ME!!! YOU'RE ALL HORRIBLE!!!!" [stomps out of the room and walks down the street with his clothes inside out wearing his glasses upside down]
Yes, those are the kinds of people that are leaving reviews on this product :D!!!
Just to answer a quick concern I had --- YES! It does work with FL Studio 9.

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Tuesday, January 8, 2013

M-Audio Keystation 49e 49-Note USB MIDI Controller Keyboard Review

M-Audio Keystation 49e 49-Note USB MIDI Controller Keyboard
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As somebody who does all of my music recording and editing using software, I was looking for something with the right features for what I do. If you're familiar enough with your software, this keyboard will do the job. However, it has several short-comings.
First, the keys are very "springy". They actually resist depression more than one would expect. Although the keyboard is velocity-sensitive, the "springiness" actually makes it difficult to control the sensitivity. If you've played on better keyboards, or have never played on a velocity-sensitive keyboard, it will require some "re-learning". Also, 49 keys has a disadvantage in that an entire octave is missing as compared to larger keyboards. Having moved from a 61 key to a 49 key keyboard, you realize how important the additional octave is. However, you can shift the pitch an entire octave using the dedicated keys.
This controller lacks a display. Higher-functions (such as changing MIDI channels or programs) are accessed by pressing an advanced button and one of the keyboard's keys. This requires consulting the manual, especially when you need to do something you don't do on a regular basis. On a positive note, you can assign the volume slider and modulation wheel to any controller you choose, which is helpful for controlling pan, portamento, breath, or any other effect. You can also change the functionality of the "octave" keys, so that you can change the selected program(sound) incrementally. This can be extremely confusing at times -- I plan on cutting and pasting sections of the manual directly onto the unit's body for easy reference.
If using USB, the keyboard requires no power supply. There is a small power switch located on the back of the unit, however, which must be turned on in order for the PC to recognize the USB device. I often find myself forgetting to turn it on. The dedicated MIDI out jack is handy for connecting to legacy MIDI equipment, but since no power supply is included, you'll need to find your own universal adapter. However, using USB means I have one less thing to plug into the power strip.
The unit has significant weight, more than I thought it would have. It's definitely a sturdy unit. But this definitely isn't the best of the lot; it will do the job of a "controller" for under $100. Recommended -- "yes" -- but only if you have a little patience and prior knowledge of MIDI, MIDI controllers, and keyboards.

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Wednesday, January 2, 2013

Akai SYNTHSTATION25 25-Key Keyboard Controller For Iphone And Ipod Touch Review

Akai SYNTHSTATION25 25-Key Keyboard Controller For Iphone And Ipod Touch
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I had been eyeballing this thing for a while, but I didn't have an iphone. I recently got an ipod touch 4g for an unrelated reason, and within a few hours of that purchase it occurred to me that I should get this thing too. I'm glad I did.
The controller is well built for a powerless piece of plastic (i say powerless because it is not a pre-amp or anything, it does require batteries). I own the LPK25 and the LPD8, and the SS25 is pretty similar in design with the exception of the pitch and mod wheels (drum pads are controlled via the touch screen). There is no on board speaker, and keys played don't play through the ipod's speaker, so you NEED headphones or to use the line out. Get an RCA to 1/8" adapter and you are set. I really like this because I make the noise in my band and it is difficult to do what I do without a computer. This essentially puts Garage Band in my pocket and I've spent many a night on the couch completely oblivious to my wife and kids while I amuse myself and actually get some work done at the same time; the portability is just awesome.
Software:
AKAI SS25 Software: 1/5 stars. It turns on when the ipod is plugged into controller unless another app is running which I find completely annoying. Also. I have yet to figure out how to record a freaking song with this software. UI just plain sucks and is not at all intuitive. If this were the only software available for the controller nothing could have redeemed it and i would have given the keyboard a 1/5 also. BUT luckily...
Nano Studio: 4/5 This software has everything the SS25 app lacks: friendly interface, decent library of sounds, and modeled after your typical track by track software. My only complaint is the drum and synth selectors on the keyboard behave a little strangely and don't necessarily correspond to tracks in an obvious way. Still, after a week I've produced some very pretty sounding tracks that are unique from one another. The best part of NS for me is that it can connect directly to and upload to Soundcloud.com, which I was already using for my regular band. You can also connect via Nanosync and transfer wirelessly to a computer. VERY HANDY.
Music Studio (full version): 4/5. Essentially the same as Nano Studio, but with more of a Garage Band sort of quality to it. The sound library is decent and expandable and laying track by track is easy. Exporting is also simple with MS, you can connect to a computer via your phones IP address and transfer files to a computer. I like Nano Studio just a tad more than MS, but only because I had been using NS for a day or so before getting MS and I'm a brand loyalist. However, I AM actively using both NS and MS apps.
Long story short: Get the controller, don't waste 99 cents on the Akai app, DO invest $15 in Nano or Music Studio, and go to town.

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Monday, December 17, 2012

M-Audio Keystudio 49-NOTE USB Keyboard Review

M-Audio Keystudio 49-NOTE USB Keyboard
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Okay Look a couple disgruntled customers gave bad reviews about a product that does exactly what it's advertisements claim. 49 keys check, non-weighted keys;check, play 4 octives whithout using octive shift;check, pitch bend;check, modulation;check, assignable midi;check. Plug and Play, no driver installation needed with most every DAW not just Garage Band or Mac Products.Those people don't know what they are talkin about or what kind of equipment they are looking for frankly. I use a Sony Vaio with Windows Vista 64 bit, my DAW is FL Studio. It works fine. No, it doesn't make any sounds unless you have a program that it can communicate with, then there is no sound that is known to man that it want make for you, if only you now how to instruct it. It's not the keyboard's fault if you don't know how to use it. This keyboard is more for people who are into music production and have not progressed far enough or have not decided that they want to invest a couple of grand in a more serious keyboard, it's absolutely worth a [...] bucks. My advise to the lady is that if hubby doesn't know how to make his own melodies and background music, then just get him a toy Casio keyboard he'll love that. The only thing I would complain about is that the keys are not weighted, but I know that when I bought, it's a work around though. You just have to get used to the sensitivity, it would be nice if you could manually adjust the sensitivity setting to your personal touch. Good Keyboard not Great. There are no great keyboards @ [...] bucks!

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Harness the power of your Mac music software with M-Audio's KeyStudio USB keyboard controller. KeyStudio makes it easy to command a library of virtual instruments, audition loops and compose songs in GarageBand, Logic and other Mac-compatible applications. The sleek controller features 49 synth-action keys plus pitch bend and modulation wheels, sustain pedal input and more. Simply connect it to your Mac OS X computer with a single USB cable and start playing.

49-Note, Synth-Action Keyboard The KeyStudio keeps things simple with a 49-note keyboard and basic controls. Use the octave up and down buttons to hit higher and lower notes, and the pitch bend and modulation wheels for added expression.
Get Started Instantly The Keystudio will install instantly on Mac OS X computers--just plug and play. Of course, it works great on Windows machines too.
Powered by the USB port on your computer, the Keystudio makes a perfect controller for GarageBand, Logic or other music applications.
Assignable Functions You can easily set up the KeyStudio to work the way you want. You can assign the modulation wheel and volume slider for convenient control of functions like volume, pan or portamento (for just a few examples).
The assignable octave +/- buttons can be set to adjust octave shift, program change, bank MSB, transpose, Bank LSB, or MIDI channel change settings.
The "edit mode" button allows you to control advanced functions via the keys themselves, changing anything from octave to bank or program info.
Easy Connections Because the Keystudio is powered by your computer's USB bus, all you need for connection and power is the included USB cable.
You can also add a standard sustain pedal for more piano-like expression, using the quarter-inch input on the back of the keyboard.
What's in the Box M-Audio KeyStudio USB keyboard, USB cable, Printed KeyStudio Quick Start Guide

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Tuesday, December 11, 2012

M-Audio Oxygen 25 25-Key USB MIDI Controller Review

M-Audio Oxygen 25 25-Key USB MIDI Controller
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Works great.The keys feel great and the keyboard is easy to set up.I just plugg it into my mac,push the power button on and start up garageband and it work great.No hassel!I recommend this product!

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Thursday, September 20, 2012

M-Audio Ozonic Firewire Audio / MIDI Controller Review

M-Audio Ozonic Firewire Audio / MIDI Controller
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Even though this product has been discontinued, I think they did a great job on the design, I still use it. The reason I gave it 4 stars is because it only has one firewire port and M-Audio does a horrible job with technical support. It would be great if it had a second firewire port to hook up an external hard drive.
They don't make them like this anymore, now M-Audio only makes usb midi controler/audio interfaces. Too bad! Even though M-audio hasn't yet come out with the driver for the new OSX Snow Leopard, I still managed to make it work with the old driver but only after I reinstalled it a second time. The the first time there was an error message telling me to uninstall and reinstall the driver. I have the new 13-inch unibody Macbook Pro and it works perfectly with Ozonic. It works great with Propellerhead Reason, Garage Band, etc.

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Saturday, August 25, 2012

M Audio KeyRig 49 49 Key USB Keyboard Controller Review

M Audio KeyRig 49 49 Key USB Keyboard Controller
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This is exactly the keyboard you need if have a computer that does it all. This keyboad is compact, well made, and has all the features you need for simple MIDI entry. I don't recommend it for performance, though - not at all rugged. Great for Apple-based studio (or Wintel).

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Thursday, August 23, 2012

M-Audio AXIOM 25-Key Semi-Weighted Keyboard USB MIDI Controller Review

M-Audio AXIOM 25-Key Semi-Weighted Keyboard USB MIDI Controller
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I just bought this keyboard yesterday. I played around with for about 3 hours last night. So far it's everything I wanted it to be and more. It's one of the few midi keyboards that has trigger pads on it I've seen. The Enigma software from M-Audio is very easy to use. I mainly use Fruity Loops 5 so I have to spend some time to get the settings right. All the keys are very accurate to pressure you hit the keys with. It's very lightweight, maybe about 5 or 6 pounds. A very good buy for the price.

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Sunday, August 5, 2012

Korg MICROKEY 37-Key Portable Keyboard Review

Korg MICROKEY 37-Key Portable Keyboard
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The Microkey demonstrates that Korg learns from its failures and its successes. The Microkey's predecessor, the Nanokey, had some advantages: it was cheap and you could throw it in a laptop bag. Users soon found out that the Nanokey was too cheap. It wasn't sturdy, and the button keyboard did not win awards for usability. On the other hand, The Microkorg and Microkorg XL synthesizers have been hits with their mini-sized keys. Korg basically took the keyboard fromt eh Microkorg, put it in a no-frills controller case, and gave it a reasonable, [...] price tag. In short, the formula works.
With 37 mini-keys (3 octaves C-C), the Microkey is too big for a laptop bag, but it fits nicely in your lap or on a table. It plugs directly into your computer via USB. In my case, it was plug-and-play with Windows-7, with the computer automatically loading the driver; however I had to download a driver (no problem) for Mac OS-X. The small keys are easy to get used to, have a good feel and good velocity response. The Microkey does not transmit aftertouch. Other than the keys, the only controls are lighted octave shift + and - buttons (shifting up to 3 octaves in each direction), a spring-loaded pitchbend wheel, and an un-sprung modulation wheel. I knocked off a star for failure to include a jack for a sustain pedal, much less an additional jack for a volume pedal or continuous controller.
KORG LEGACY COLLECTION SPECIAL EDITION - This is what I really want to talk about. The Microkey is bundled with light versions of several software packages, the most notable being Korg's own M1LE. M1LE contains most of the sounds of Korg's bestselling hardware synthesizer/workstation of 1988, the Korg M1. Approximately 100,000 M1 synthesizers were sold for almost at almost [...]. In other words, the M1LE is pretty worthwhile on its own, but it really becomes worthwhile after you register your copy of M1LE online at [...], because registered M1LE owners qualify to buy a special edition of Korg's Legacy Collection software synthesizers for $99.00. The Legacy Collection Special Edition includes BOTH the analog edition and the digital editions of the Legacy collection. It includes the MS20, Polysix, Mono/Poly, Legacy Cell, Wavestation, and M1 (expanded). Recently Korg unbundled these software synths and started selling them individually for $49.99 each. So with the Legacy Collection Special Edition, you're basically buying all of these synths plus the hardware controller for $50.00 less than what you'd pay for just the software synths. Buying the Legacy Collection changes the Microkey from a good buy to a great buy. You have to download the synths one at a time from korguser.net, and the registration procedure is a bit of a pain. The license allows you to download the software on more than one computer that you own, but you can only use one at a time. Each computer that you install the software on must be individually registered. http://www.amazon.com/review/create-review There is no dongle or USB key needed for this version of the Legacy synths.
THE COMPETITION: For my money, the closest competition is Arturia Analog Experience - The Factory Hybrid Synthesizer, which, like the Microkorg plus Legacy Collection, gives you a compact controller plus thousands of sounds. Arturia's product, for just a little bit more than the Korg, Arturia gives you a more full featured controller (with aftertouch). It's a viable option that I almost bought (and might buy yet.) Another option (especially for Windows users) would be M-Audio's M-Audio Keyrig 25 25-note Synth-Action Keyboard and Midi Controller or M Audio KeyRig 49 49 Key USB Keyboard Controller I bought the Key Rig software separately several years ago. Here's a link to my review of the Key Rig Software, http://www.amazon.com/review/R1ZNFX9NE271ES. If your needs are simple, Key Rig may be all the software you need.

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Saturday, June 2, 2012

M-Audio Keystation 88ES Midi Controller Review

M-Audio Keystation 88ES Midi Controller
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I'm an amateur musician, and I always wanted a big keyboard, something close enough to a piano, but the big keyboards were always so expensive. In top of that, they always come with lots of knobs and features that I never wanted to learn or try. I just wanted a piano-like keyboard to play.
When I saw this keyboard for first time, I loved its 'minimalistic' style: no knobs, no screens, no buttons. Just the 88 keys and the minimum necessary controllers (3 buttons, 2 wheels and 1 slider), all in a beautiful and solid silver case. When I checked its price, I suspected maybe its quality was poor, but I had good references for the M-audio brand. So I decided to give it a chance and I'm still very proud of my purchase: just plugged it into the usb port of my PC and it was inmediately recognized. I was using FL Studio, but right now I'm trying Sonar and it works flawlessly. The keys offer some resistance to pressure, so it almost feel like piano keys.
If you're interested on this keyboard, I strongly recommend it. But if you don't to know that much of keyboards (and you don't want to, anyway), you have to know this keyboard is not a exactly a toy, nor is the kind that comes with lots of sounds and rythms. It is a controller, which means you have to use some kind of software or synth device for it to produce any sound. If you know exactly what you're buying, I don't think you will ever regret of buying this keyboard. It's great!

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If you appreciate the full range of a piano keyboard in a lightweight package, the 88-note Keystation 88es is for you. You get great-feeling, semi-weighted action that's velocity-sensitive, to convey all the nuances of your playing to your computer and most popular music education and studio software. The pitch and modulation wheels plus slider and buttons make it a great controller for playing and programming synths, samplers, drum sounds and more. At just 22 lbs., the Keystation 88es is equally at home on stage and in the studio. Class compliancy with Windows XP, Vista (32 bit), and Mac OS X ensures easy plug-and-play setup. It's even bus-powered, so one simple USB cable is the only connection you need.


88-Key Semi-Weighted USB MIDI Controller

88-note velocity-sensitive, semi-weighted action 88 keys means no constant hitting of an octave switch, an annoyance with smaller controllers. The semi-weighted action gives you a piano feel, and since it's velocity sensitive, your dynamic playing is accurately sent as data.
Pitch bend and modulation wheels These are ideal for controlling synths, samplers, etc.
Volume/assignable control slider Easily assign the control slider to different parameters of sound modules or software, for further control over your sound.
Advanced function button for programming When the Advanced Functions button is pressed, the keyboard goes into "Edit Mode." In Edit Mode, the keys on the keyboard are used for selecting functions and entering data. Black keys are used for selecting functions, while the white keys are used for data entry and channel selection.
Sustain pedal input (pedal sold separately) Add a sustain pedal, such as the M-Audio SP-1, for piano-like pedal control of your notes' duration.
Built-in USB MIDI interface Easily interface with most MIDI software using the built-in USB MIDI interface. The standard MIDI "out" jack routes MIDI signals from the keyboard or computer to your external devices.
USB Powered The 88es grabs power from the USB port on your computer. You can also purchase a 9VDC power adapter.
Mac OS X and Windows XP class compliant Enjoy plug-and-play operation with both Mac OS X and Windows XP. Ableton Live Lite music production software is included, so you can make music right away on either platform.
What's in the Box M-Audio Keystation 88es USB Keyboard, USB Cable, User's Manual

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Wednesday, May 23, 2012

Behringer U-Control UMX610 61-Key USB/MIDI Controller Keyboard with USB/Audio Interface Review

Behringer U-Control UMX610 61-Key USB/MIDI Controller Keyboard with USB/Audio Interface
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MIDI keyboard controllers in general fall into a gray area between computer controller and musical instrument. Most seem to focus on the integration between device and DAW and fall very short on playability. I am a piano and guitar player and have reasonably good quality equipment in my recording studio. I wanted a keyboard that I could use in a different location, primarily for polishing up previously recorded tracks during the editing process. I settled on this 61 key unit because it has a sufficient number of scales to play a composition but is not so large to make it non-portable.
Here are the things I like about the keyboard:
1. It's light (about 10 lbs), so is easy to move about
2. Because it has limited MIDI controls, it is also thin, allowing it to be placed on a desk easily, then removed. In contrast, most other MIDI keyboards are twice as deep and require a permanent stand or position.
3. With Logic 9, the keyboard is plug and play. Logic recognizes it easily (an additional scan seemed to help the volume level). I haven't spent any time trying to assign controls, but the basic stuff seems to work nicely with Logic.
4. Full size keys. These keys are full size, or very close. They are not as large as the ones on the Roland stage piano I have, and not weighted, but they are large enough so that fingers are not tripping over each other.
Here are the most significant shortcomings of the keyboard.
1. It's light. Not titanium light, but cheap plastic light. This makes it portable but also quite fragile. I have the feeling that it will break. Soon.
2. Build quality. The rotary knobs are actually quite sturdy, but the little black plastic buttons make a loud and cheap clicking noise when depressed, as if I am doing something that they weren't designed for. The red color may be eye catching (or gaudy depending on your perspective), but it's already scratched in a few places even with delicate handling.
3. The keys, though full size, have very little feel or weighting, despite the company's claim that they are semi-weighted. I imagine that there are boards with even less feel, but this one offers next to no resistance to the touch. It's not a problem if you're entering a two finger bass line, but definitely is if you're used to the normal piano weighting of an acoustic or a good stage piano. I also realize that the lack of weighting keeps the unit light and portable, so I can accept this inherent limitiation.
4. Key sensitivity is also weak. There are three settings only-light, medium and heavy, where the keyboard responds with more or less sound. On the heavy setting, I have to literally smash the keys to get much sound, and on the light setting, everything played registers as the same volume. These are not keys that one can modulate at all.
5. As a MIDI controller, it's acceptable, but for someone using a full featured DAW, the eight knobs and a few buttons will be woefully inadequate to control complex parameters. I have a separate MIDI controller, so this is not an issue.
6. There is little documentation with the unit. I had to go online and dig about to locate a pretty sketchy manual on the product. I have not tried the included software, and do not intend to.
For what is available right now, this unit is not bad. It has no sounds of its own, but plays everything that Logic has in its audio library. Just plug in the USB connection and it is ready to go. In order to get a good keybed, such as one made by Fatar or Roland, one has to not only spend significantly more money (probably well worth it) but also has to put up with a footprint that is much bigger. It is this last part that really is the Behringer's strong suit. It's pretty svelte, while the rest of the bunch are enormous. Yet, in the final reckoning, I will not keep this unit. It just doesn't seem to be that well built, and I am not optimistic about it lasting. Moreover, while the size of the keys are nice, the playability leaves a lot to be desired, at least if one is used to real pianos.


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Monday, May 21, 2012

Korg nanoPAD USB Drum Controller, White Review

Korg nanoPAD USB Drum Controller, White
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I had really looked into the other reviews before buying this. I use Toontrack EZDrummer with various EZX's in Cubase and FruityLoops.
First off, the design is fantastic. The size is great not only for little studio spaces but also stages but also just makes it fun and inviting to play with. The touch pad is a great idea too and with all the midi mapping possibilities you can't really feel limited by having "only 12" pads.
The pads, as other reviews should note, are responsive all around and offer pretty good velocity detection, plus they have customizable velocity curves. The problem is that they are not made to last, not in the slightest! I ignored this when other reviews noted dead pads, and even getting dead pads after exchanging their unit for new ones. Don't make my mistake. I have two absolutely unforgivably sticky pads on mine that refuse to play two notes in a row. Dreadful. While I'm glad mine aren't dead per se, try playing for more than a minute without being able to play two kicks or high hats in a row. They may as well be.
I would recommend this to anyone willing to take a chance on it because it's a Korg. (I did... oh well.) If yours is flawless, sell it to me! This thing is really fun and the Korg Kontrol software is great too. If you have trouble with installation/detection you may need to run midifix which erases bogus midi connections from your registry. Hope this helps someone.

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Saturday, May 19, 2012

Akai Pro LPD8 Laptop Pad Controller Review

Akai Pro LPD8 Laptop Pad Controller
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I bought the Korg nanoPAD and just recently returned it because a few of the pads would stick down. This is really annoying when you're trying to play quick notes. I bought this midi controller as a replacement, and for the most part, I'm happy with it. I'll definitely be keeping this one.
Pros:
*Back-lit keys when you hit the pad are REALLY nice to have (this comes in handy later too).
*Control knobs! You don't get those on the nanoPAD. They are handy to have, and you can assign them to anything you want in Ableton Live (which like the other reviewer, I use also).
*In Ableton Live, the drum kits are in a 4x4 grid arrangement. With the nanoPAD, since it was 6 wide, the pads didn't line up with the on-screen grid. They do to a greater degree with this pad, so it's easier to see what you're hitting.
Cons:
*This pad is NOT as sensitive as the nanoPAD, so I find myself hitting it significantly harder than I had to on the Korg model. This is made better by the fact that they light up when it registers a hit, but I still wish it was a little more sensitive.
Summary:
This is a great pad for the money, and for me, the back-lighting and control knobs really make it worth the money.


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No matter where you are when an idea pops into your head, you can turn it into a beat by simply plugging the Akai Pro LPD8 Laptop Pad Controller into your Mac or PC. A great choice for musicians, producers, DJs and other music creators on the go, this compact controller easily fits in your laptop bag or backpack so you can always have it on hand.


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Thursday, May 17, 2012

Cakewalk A-300PRO USB/MIDI Keyboard Controller Review

Cakewalk A-300PRO USB/MIDI Keyboard Controller
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This review is actually for the A-500 Pro, but Amazon can't seem to find that particular one. There is no difference between the 300 and 500 except for the number of keys. Keys feel good, even though they are a little springy and they are a little small, but not too bad. With Macintosh's utility "Audio MIDI Settings" it's easy to map out and the driver installed without a hitch. Construction is solid and this thing is very lightweight. Display is easy to read and the controls are well designed, although just a bit complex. For me, here's the huge problem. I use Logic and often Camel Audio's Alchemy soft-synth, and the mod wheel is very important because for many of the patches it drastically alters the parms to the point of getting a new sound. The A500Pro has a mod stick that is spring loaded. Therefore, if you find a setting that you really like, you have to hold the mod stick because when released it springs back to "zero" position. This is a critical, deal-killing design flaw, in my opinion. You can never play a mod setting with two hands. I'm returning the A500 that I just bought and sticking with my M-Audio Axiom Pro for my laptop controller.

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Saturday, March 10, 2012

M-Audio ProKeys Premium Stage Piano Review

M-Audio ProKeys Premium Stage Piano
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The Piano sound is truly the best sound you can find for even under $1000, and this is only $500.
Thats the good news.
The other sounds are ok, the organ sounds being the worst, and the electric piano being the best non-piano sounds. The worst part (and the reason i wouldnt buy it again) is the touch. If you plan on just pounding out chords, itll be fine, but if you play classical, jazz, or even most pop-styles that require a bit of touch, you will hate this piano. They say it is "Hammer-Action" but really they should be called "way-over-weighted". These are the heaviest keys i have ever played, and I wish i would have played it before i bought it online.

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The ProKeys 88 is the premium digital stage piano that doubles as a great MIDI controller. It's loaded with large, realistic samples 14 world-class instruments in all, including split/layer capabilities. We paired those great sounds with an 88-key hammer-action keyboard, delivering a realistic feel to satisfy the most demanding pro. The ProKeys 88 is also a great master controller keyboard, including a built-in USB MIDI interface for easy direct connection to your PC or Mac, MIDI In and Out jacks to communicate with other MIDI gear, pitch and modulation wheels, sequencer controls and more. ProKeys 88 pulls out all the stops in creating the ultimate playing experience in an affordable digital stage piano.


Ultra-Realistic Piano Our goal in designing the ProKeys 88 was to create an extremely musical and realistic piano experience. The caliber of a digital piano is greatly influenced by the quality and the size of the samples, so we started by giving the ProKeys 88 a generous amount of memory. Then, rather than dividing it up amongst a bunch of sounds you're not likely to use, we focused on the 14 sounds that are the bread and butter for many keyboardists--paying special attention to the stereo grand piano.

More Than a Stage Piano The ProKeys 88 delivers all the staple keyboard sounds needed by many musicians. Its flagship stereo grand is supplemented by an alternate grand designed to really cut through in popular music. The ProKeys 88 has electric pianos covered too. And the Clavinet brings one word to mind: "funky." Acoustic and electric basses give you the option of layering a ride cymbal for jazz tunes. Vibes, ensemble strings and an inspiring warm, lush synth pad round out a great sonic palette for the gigging keyboardist.
88-Key Hammer Action Of course, a realistic digital stage piano must have a full 88 keys that are properly weighted. The ProKeys 88's full-range clavier features hammer action that feels just like the real thing. It features three velocity curves tailored to different touches, as well as a fixed velocity for synth work.
Splits and Layers The ProKeys 88 keyboard also features split and layer capabilities. Put a bass in your left hand and keys in your right. Chord with an organ while playing a piano lead. Layer lush strings over a piano. You can even have a split and layer simultaneously for a total of three sounds at once.
Control Your DAW When it comes to communicating with the outside world, most digital stage pianos offer little more than a MIDI jack. In sharp contrast, the ProKeys 88 inherits much from M-Audio's years of experience pioneering mobile MIDI controllers. It incorporates a full USB MIDI interface that communicates with your PC or Mac via a single, simple USB connection--perfect for recording with virtually all MIDI sequencer software on the market. (The instrument features class compliancy with Windows XP and Mac OS X without installation of additional drivers.) You can even control your sequencer remotely via front-panel Start, Stop and Tempo buttons.
MIDI In and Out jacks allow full communication with all standard MIDI gear as well. The ProKeys 88 also features performance controls that are rare on digital stage pianos, including pitch wheel, modulation wheel, two footswitch inputs, and expression pedal input. The three different ranges available via the ProKeys 88's combined split and layer functions can each transmit on a separate MIDI channel as well. You also get dedicated front-panel buttons for program change, channel, bank MSB, bank LSB and local on/off.
Built-in Effects There's no need to mess around with additional gear to add basic effects to your ProKeys 88. On-board EQ lets you easily tweak the tone on the fly. You also get three different built-in reverb spaces that simulate different acoustic environments. Chorus fattens up sounds like the electric pianos and basses. And what's a vintage Wurlitzer electric piano without tremolo? Experiment with different effects on the ProKeys 88 to create signature sounds of your own.
Full Pedal Complement Every digital piano has a sustain pedal jack. But what about the sostenuto pedal (the middle pedal on an acoustic piano)? ProKeys 88 has it. There's also an expression pedal for foot-control of volume. And all three of these pedals serve as MIDI controllers for outboard gear as well.
Headphones and Pro Audio Outputs Ever need to practice privately? ProKeys 88 includes a 1/4-inch stereo headphone jack so you can play without anyone else hearing you--at home or at a sound check. Of course, it wouldn't be an M-Audio product without high-fidelity 1/4-inch unbalanced audio output with specs like 20Hz-20kHz frequency response and 108dB dynamic range.
What's in the Box ProKeys 88, Software Driver CD (drivers and applications), USB cable, Printed User Manual, Power supply (12V DC), Sustain Pedal

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Tuesday, February 21, 2012

M-Audio Keyrig 25 25-note Synth-Action Keyboard and Midi Controller Review

M-Audio Keyrig 25 25-note  Synth-Action Keyboard and Midi Controller
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I had the item for a couple of months and never tried out the program Ableton Live Lite, because I heard the keyboard was the perfect companion for GarageBand. Even though that is true, it will work with just about any music production software, including the Ableton Live, which I started using, and so far it looks really promising. This is so much better than using the keyboard, I have to say. And the size and weight of it make it very convenient to use. You also can't beat the price. Sometime in the future, I hope to get an APC40 to go along with an upgraded version of Live 8 for my music production needs. Hope this helps.

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The M-Audio KeyRig 25 turns your Mac or PC into a mobile keyboard workstation. Featuring a compact 25-note USB MIDI keyboard and the award-winning Key Rig software for the PC, KeyRig 25 makes it easy to compose and perform computer-based music anywhere you want. Play Key Rig's virtual instrument sounds, or audition loops and compose songs with Pro Tools M-Powered, Ableton Live Lite (included) or other music-creation programs. The keyboard also provides an easy way to harness the power of Apple GarageBand's virtual instrument collection on your Mac. It connects via a single USB cable and works instantly with computers running Windows XP or Mac OS X.

It's All There In Black and White The SP-1 Stage Piano module serves up grand pianos, Wurlitzer, classic electric pianos, FM, clavinet and more. Each preset can hold a combination of two instruments with individual settings for Mix, Octave, Detune, Velocity and Tone. Owing to a dual effects section, each preset also has its own effect settings including delay, chorus, phaser and more.
Brave New Synth The MS-2 Polyphonic Synthesizer delivers a new, easy way to call up and edit great synth sounds. Each preset consists of sub-presets for each major section: filter, amp, mod and FX. Creating new sounds is as simple as combining these sub-presets in different ways and tweaking any associated parameters from there as desired.
Get Organized The MB-3 Tone Wheel Organ authentically emulates the classic Hammond sound complete with rotary speaker. Standard features include nine drawbars that are pre-mapped to M-Audio brand USB MIDI controllers, percussion and variable key click, three chorus and three vibrato settings. Rotary speaker emulation includes tube overdrive, speed and tone controls to yield everything from glassy jazz chords to smoking rock leads.
Bring In The Band The GM-4 General MIDI Module delivers 128 GM instruments plus a great GM drum kit. It instantly plays GM-compatible standard MIDI files from host applications and provides an extremely easy way of sequencing additional backing tracks.
Multiple Effects Key Rig modules each feature their own dual effects processors for delay, chorus, phaser and more.There's also a master effects section that further processes the combined output of all modules.
Flexible Mixing and Assignment You get an internal mixer and assignment controls that allow you configure independent MIDI channels for each module. But that's not all... you can easily create splits and layers for things like left-hand bass with right-hand keys, piano/string layers and any other combination you can think of.
Use It Your Way M-Audio's virtual racks let you use them as stand-alone instruments or with most host sequencers. Lots of people, for example, are just taking their keyboard and laptop to live performances. Compatibility with AU, VST and RTAS also means that you can use it as sound sources for your tracks in Pro Tools, Logic, Cubase, Ableton Live, and, well, pretty much any popular music software.
What's in the Box KeyRig 25 Controller Keyboard, USB Cable, KeyRig Software, Ableton Live Lite Software

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Wednesday, December 21, 2011

M-Audio Prokeys Sono 88 Review

M-Audio Prokeys Sono 88
Average Reviews:

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I bought it for my wife,alas it didn't work.I suppose, because it was packed not enough secure and also it has very light weight and therefore fragile.I 've sent it back and had my money back but not the shipment money

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