Showing posts with label podcasting. Show all posts
Showing posts with label podcasting. Show all posts

Thursday, October 18, 2012

Blue Microphones Snowball USB Microphone (White) Review

Blue Microphones Snowball USB Microphone (White)
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Always hold it close to your mouth to eliminate echo and get that deep, rich satin voice you're looking for!

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Includes: tripod stand.Blue Microphones Snowball - Round and white, the Snowball lives up to it's name, and features a retro style that harkens back to the early days of audio. But on the inside, the Snowball represents only the most modern in microphone technology. Bringing you professional quality audio recording on the PC or Macintosh via USB. It's perfect for everything from soft vocals to a loud garage band. It's also ideal for professional sounding podcasts. PC Requirements - XP Home or Professional Edition, USB 1.0 or 2.0 port, and a minimum of 64MB of RAM Mac Requirements - Mac OSX, USB 1.0 or 2.0 port, and a minimum of 64MB of RAM

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Sunday, September 16, 2012

Blue Microphones Snowflake USB Microphone Review

Blue Microphones Snowflake USB Microphone
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If you are looking for an inexpensive but high quality, small & portable, USB microphone, the Blue Snowflake is a great choice. Blue Microphones Snowflake USB Microphone

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Whether you're recording your newest podcast, talking business on the web, or just narrating your latest great family movie, the Blue Snowflake Microphone can capture it with amazing clarity and depth that's head and shoulders above any comparable portable USB on the market!The Blue Snowflake Microphone works on both Mac and PC with no complicated drivers to install: just connect it to your computer's USB port, follow the prompts and you'll have high-fidelity sound in no time. It's perfect for podcasting, voice recognition software, iChat, and VoIP software such as Skype and Vonage. Or use it for dictation, field recording, lecture recording, and narration for slideshows and PowerPoint presentations. The sky's the limit. It's even great for recording music via GarageBand and other multitrack recording software.

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Monday, September 10, 2012

Blue Snowball & Ringer Package -Textured White Review

Blue Snowball and Ringer Package -Textured White
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This WAS my third attempt at purchasing a microphone for some Web Based Multimedia Training that I am developing. The other two manufactures that I purchased were junk. They hissed and popped and just plain sucked! I was at my witts end. However, this Microphone by Blue Mic was an excellent investment. IT WORKS GREAT! I plugged it in and away we went. I use the Adobe products it worked out of the box with both Captivate and Presenter. I highly recommend this microphone.

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Monday, August 13, 2012

M-Audio Session Music Producer with USB microphone Review

M-Audio Session Music Producer with USB microphone
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I used this microphone with the free download software called Audacity, and it worked WONDERFULLY. I especially like the USB plug and the stand. It had great sound. I recorded an accompaniment CD with it, and it worked wonderfully. The recording was clear enough for performance, and I actually did use it for that.
But the previous poster is correct - unless you have the heftiest system on the planet, their software doesn't really cut it. I just ignored it and used what I already knew and it worked just fine.


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Tuesday, July 10, 2012

Behringer X1204USB 12-Channel Mixer Review

Behringer X1204USB 12-Channel Mixer
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This little mixer has the professional quality I require and I'm using this mixer combined with Cubase 6 software. I am happy to be using this to finish up my vocals on a progressive rock project to be mixed by the famed Terry Brown(RUSH). The Mice Pres have a wonderful warm and forward quality to them. The ease of use of the board is helping me complete a few singles that I am working on to include a Rap tune that will be spit by a member of the famed band Digital Underground, and another to be sung by the #1 Billboard charting Latin pop star Viva Angelina Sky.
It was so easy to set up and begin working with. I exchange aif files with my clients and other musiles from around the world, that I work with, and everyone has mentioned they are loving the vocal sounds. I think it's the Mic Pres! The mix between studio applications and live possibilities are awesome, too. The portability gives one a lot of options. I received it in perfect timing for me to complete my session work that was in lockdown from my previous equipment breakdown. I ordered from the dealer, they shipped in in my desired timeframe, I had it hooked up and I was on a phone patch studio session on schedule! AWESOME!
I recommend it. You can hear some of the new material on my website, [...] , as I begin to upload it, soon!!

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Friday, July 6, 2012

Samson G Track USB Microphone and Audio Interface Review

Samson G Track USB Microphone and Audio Interface
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This will be a nice semi-quick review with a little more technical perspective than a lot of the previous ones. I'm a big home recording nut, who's been on the road a lot the last year, mostly recording with my laptop, this mic, and a full version of Sonar.
First off, the audio quality:
Pretty decent. No noticeable glitches while using. Does sound a little tinny at times, but it's definitely on par with most of my other $100+ mikes (my most expensive one is a $200 Rode). Very usable for recording vocals (singing), but I haven't tried it with an acoustic guitar or other acoustic instruments. VERY-usable-plus for recording spoken words. Frequency range seems decent, but again, I haven't really ran the thing through a full range of applications.
Build quality:
Nice and solid. Almost too heavy though for easy lugging on small trips...but I keep it in the manufacturer's box and slide it in my suitcase, and so far it has made every trip just fine.
Ease of use:
Big plus here, despite a stable Windows OS possibly being as much responsible for the super simple use of the thing as the mic itself. Plug it in via USB, and you're ready to go. No special driver install or software required to get it working.
Extras:
- Line in and headphone out are constructed directly on the mic...this lets you use the mic as a line-in for recording an electronic keyboard or electric guitar directly into your recording software. And then you can use the microphone part of it to record vocals or any acoustic instruments. Nice double-feature to have in the same piece of hardware
- Comes with a very usable desk mic stand
- Comes with all the necessary cables to use right away
- Comes with some scaled-down Cakewalk recording software for your computer
I expected the sound quality would be usable and it is, but I admit the all-in-one extras and the acceptable price were what ultimately snagged me and prompted the one-click order.
Final thoughts:
If you're only doing podcasting (no music or instrument input required), you might consider a lower priced USB mic without the extras. BUT, if you're doing music with the thing, the line-in and line-out features and easy direct monitoring are way nice and worth the price.


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The G-Track is a total solution capable of taking you from your musical inspiration to your finished tracks. Samson's G-Track is the world's first USB condenser microphone with a built-in audio interface and mixer, allowing simultaneous input of vocals and guitar, bass, or keyboard while also providing monitoring through an on board headphone output.

Detailed Sound The microphone's 19mm capsule with 3-micron diaphragm is extremely detailed, and the super-cardioid pick-up pattern makes it ideal for recording vocals, acoustic instruments and just about any other sound source. On the road, in the studio, or in a fixed installation, the solid die-cast construction makes the microphone a reliable audio tool from venue to venue, day in and night out.
The on-board, high quality AD converters with 16 Bit, 48K sampling rate provide better than CD quality recording.
Record Vocals and Instruments Simultaneously The G-Track allows you to record vocals like a standard USB mic, or two mono instruments through the line/instrument input, or a mix of one mono instrument and vocal. Now singer/songwriters can directly record vocals and instruments quickly and easily with one device, making the G-Track a must have for any songwriter's home studio. And its ease of use and portability allows you to take it anywhere inspiration may strike you.
The Instrument and Mic input gain controls with Peak LED make it easy to set the proper clean signal when recording with the mic or line inputs. Connect electric guitar and bass, plus keyboards, drum machines, MP3 players and just about any other line level signal.
Onboard Headphone Amp The G-Track's onboard headphone amp with level control allows you to listen to the inputs and mix directly from the microphone, plus you can use the output to connect active studio monitors.
Ships With SONAR LE The G Track ships with Cakewalk's SONAR LE, feature-rich recording software for musicians using PC-based recording. SONAR LE provides a cutting-edge music production studio, giving users what they need to get started creating music on Windows XP, X64, or Vista PCs.
What's in the Box Samson G-Track, Desktop Mic Stand, Swivel Stand Mount, USB cable, 1/4-Inch Cable, User's Manual

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Thursday, May 3, 2012

AKG PERCEPTION 120 Professional Studio Microphone for general purpose. Review

AKG PERCEPTION 120 Professional Studio Microphone for general purpose.
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I use this microphone to record acoustic guitar and vocals in Garageband. It's plugged into an ART Tube MP phantom power/preamp which feeds into an M-Audio Fasttrack USB. It's an affordable setup and sounds great to me.
If you are looking to record yourself in any capacity, I think this mic would do well for you. The mic picks up every overtone and nuance of the acoustic guitar and sounds MUCH better than plugging the guitar's pickup directly into the M-Audio box.
Vocal recording with this mic is shockingly accurate (to me anyway). My previous mic was an off-brand dynamic which sounded dull in comparison to the AKG. For better or worse, this mic will record you EXACTLY the way you are.
The mic is well built and feels robust. Build quality is absolutely no concern with this mic, and that is primarily what steered me away from the MXL 990.
Some considerations on buying this (or any condenser) mic:
You must have a solid stand. It's a pretty heavy mic and you don't want to test the build quality by watching it crash to the floor.
You will need a phantom power & preamp source. Phantom power alone will not do the job.
These mics pick up EVERYTHING. If you breathe funny while playing guitar you'll hear it on the recording. If you hit pickguard while strumming, this mic picks that up quite loudly. If you leave your cellphone on vibrate on the other side of the room, it'll pick that up too. SO, if you can't record in a relatively quiet room you'll be amazed/frustrated with all that you hear in the recording.
You will want to buy a pop screen if you plan record vocals at all. These mics sound best if you speak/sing directly into them (as I understand) and doing so will produce a loud "puh" sound frequently. The answer is a $20 pop screen.
Downsides to this mic are primarily in the value department. The MXL 990 includes a shock mount and carrying case at the same price. The Perception 220 has a larger diaphragm, comes with the shock mount and carrying case, looks a bit cooler and costs about $80 more. A decent shock mount will cost $40 and I have yet to find the AKG-branded case for sale by its self online, so the price difference is well made up just by the included accessories. Realistically, I don't see much of a need for the shock mount in my setup, and in the unlikely event that I carry the thing elsewhere I can just use the box/foam it came in.
Overall I'm quite pleased with this microphone. I'd give it 4.5 stars for the lack of a spider mount and case, but to me those are non-issues. This is a great mic from a great brand and I'm confident that if you buy it (and have no need for the shock mount/case) you'll be just as happy as I am with your purchase.

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Thursday, March 8, 2012

MXL USB006 USB Cardioid Condenser Microphone Review

MXL USB006 USB Cardioid Condenser Microphone
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I got this microphone to record voiceover narration for a video. There are points where there will only be narration, and no music or background audio.
Although it sounds pretty good for a USB mic, in that it gives a rich, faithful reproduction, there is a noticeable pitch generated by the microphone itself. This self-noise is audible during quiet moments or even when speech is recorded, if you listen carefully. On the plus side, it does come with a nifty case, desktop tripod and has hardware gain control with three settings. It worked right out of the box with my Mac, so no problems in the compatibility department.
I was poking around to make myself feel better about buying this microphone over the popular Samson C01U and Snowball, and came across a review of all of these microphones, including the new Rode Podcaster, pitted against each other. The reviewer noted a distinct B-natural pitch from the MXLUSB.006, though it did have less self-noise than the Samson. Check out the review at Emusician, search google for Samson, MXL, Podcaster and you should find it.
Wish I saw that review before I bought the MXL, since I experienced the same thing. Though the MXL has a rich sound, the noise is unacceptable for my application and I'll be returning it.
Although USB mics are notorious for noticeable self-noise, I went ahead and got the Rode Podcaster, and have not noticed any significant self-noise.
If a faint high-pitched noise is not a big deal to you, this is a pretty good condenser microphone. I would be all over it if it weren't for the fact that I need a really quiet mic.

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Saturday, November 5, 2011

Behringer XENYX1002 10-Channel Mixer Review

Behringer XENYX1002 10-Channel Mixer
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I have owned this mixer for a little over 6 months and could not be more pleased. The sound quality, inclusion of two high quality phantom power inputs, and configurability make this ideal for podcasting. This mixer has a small footprint considering the number of inputs it can handle and feels like a quality piece of gear. All controls have a firm feel.
There is no analog level meter, which keeps the cost and size of the unit down. However, there is a 5 segment LED that approximates input levels and signals red on clipping. Essentially this is all that is really needed and works quite well. If you record into software, that will give more precise levels if needed.
The cost of the unit is such that for most it leaves the budget available for a decent quality condenser mike which is just as essential, if not more so, for quality audio recording.
While the larger Xenyx models do include a built-in USB interface for immediate connection to a computer, this mixer does not. However, you can pick up either a USB or Firewire interface separately and inexpensively. I use the Behringer FCA202 firewire interface which works great and is also priced for tight budgets.
The signal path, described in the user guide with a diagram, is simple yet versatile. It is possible to interface to an external effects processor and also send a separate mix for control room or tape out purposes.
Most critical, as Behringer promises, the inputs are very clean. This value oriented mixer offers everything needed for basic recording,e.g. podcasting, with quality and durability.


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