Showing posts with label usb audio interface. Show all posts
Showing posts with label usb audio interface. Show all posts

Saturday, January 12, 2013

Steinberg CI1 USB Audio Interface Review

Steinberg CI1 USB Audio Interface
Average Reviews:

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I needed a very simple audio interface to get good live DAW output with soft synths. I tried the Numark DJ|iO and its ASIO driver was at an uncontrollably high output level that caused distortion. Couldn't figure out how to fix that without buying a mixer, so I left it. This was a shame because that device's DirectSound output in Windows applications was ABSOLUTELY STELLAR. In fact, I didn't return it...I simply gave it to my brother for the simple purpose of listening to music.
Back to the CI1......This interface has good control. Decent but not wonderful sound. Mine has a problem with the TRS input...only the XLR input works. I'm currently working on getting it replaced through Steinberg/Yamaha. They have GREAT customer service.
No latency issue as described in previous review. I'm using a Turion 64 processor with 3 GB RAM on a laptop. Don't know what the problem is for previous reviewer but I doubt that it is this interface's fault. I recommend this device for low budget consumers. If the sound quality were as good as the DJ|iO, I would give it 5 stars.

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Friday, January 4, 2013

M-Audio MobilePre USB Mobile Preamp and Audio Interface Review

M-Audio MobilePre USB Mobile Preamp and Audio Interface
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The MobilePre USB has been a fantastic performer in my home studio for some months now. No latency issues when recording Mic (XLR or 1/4") or Guitar. Clean output for my Alesis monitors and Sennheiser headphones. I've had no driver issues, no unexpected noise, nor latency setting problems - but...I do have a newer PowerMAC Dual G5.
Whether working in GarageBand, Logic 7, or Reason 3 with Native Instruments' "Guitar Rig", or just using it to play back my collection via iTunes, it's been a joy.
However, I also tested it on an older G4 500 iMac and I witnessed what others are complaining about. So, if you have a dinosaur CPU, you may want to look into a soundcard rather than the MobilePre USB (or other USB sound interface). Or better still, it may be time to update your computer :).

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MobilePre USB is the preamp with a built-in audio interface that's designed for laptop recording such as field recording and sampling expeditions. It's completely bus-powered (of course, you can use it on the desktop as well). A total of three kinds of audio inputs and outputs provide maximum flexibility for any application--including two on-board microphone/instrument preamps and high-impedance instrument inputs ideal for connecting guitars and basses. And unlike many competitors, zero-latency direct monitoring provides you with a streamlined professional recording experience.


Flexible Input Options The MobilePre USB boasts a variety of inputs to suit a variety of applications--two balanced XLR microphone inputs with built-in preamps, complete with a phantom circuit to power your condenser mics; two 1/4-inch instrument/line inputs for guitar, bass, etc.; and even an 1/8-inch stereo microphone input.

Line and Headphone Outs Monitor while recording with the stereo headphone output, conveniently located right on the front of the unit.

Both a stereo 1/8-inch and two mono channel outputs on back let you send to powered monitors, computer speakers, etc.

Hardware Direct Monitoring Thanks to the MobilePre's zero-latency hardware direct monitoring and software level control, you can overdub without lag, and adjust the levels to best suit whatever you're tracking.

Total Mobility Because the MobilePre is USB bus-powered, it's perfect for field recording or other sessions where you want to travel lightly. No need for a "wall wart" power adapter.

Ableton Live Lite Ableton Live Lite delivers much of the functionality of Ableton Live--the revolutionary, multi-award winning music production solution that allows you to spontaneously compose, record, remix, improvise and edit your musical ideas in a seamless audio/MIDI environment. Live brings your acoustic, electronic and virtual instruments--as well as your digital audio recordings and MIDI sequences--together in a single interface with unparalleled ease of use.

What's in the Box MobilePre USB audio interface, One high-quality USB cable, M-Audio Driver CD (includes driver installation software), Additional software installation CDs, This Product Manual.


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Saturday, December 29, 2012

Tascam US-800 8 Input USB 2.0 Computer Audio Interface Review

Tascam US-800 8 Input USB 2.0 Computer Audio Interface
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Posting my experience with this device in case it is useful to anyone else.
I purchased the 800 about a week ago. As far as recording features go, it is great; super-low latency, decent preamps, digital i/o and midi, nothing to complain about and 6 xlr inputs for $200 is way better than any competing product. However, there are problems playing ordinary Windows audio that may make the 800 unsuitable for your needs. At least in Windows 7 x64, I can't speak for any other OS.
Within a day of plugging in the interface, I began having memory usage issues. Task Manager was reporting 3.8gb in use, even with just about every non-essential process killed. I'd try opening something that put me over the 4 gb limit and virtual memory would kick in, rendering my computer so slow as to be unusable; the only way to free resources was to restart. This happened day after day, to a computer that was previously reliable enough that I wouldn't reboot it for weeks at a time.
After a lot of googling, diagnostic programs, and trial and error, I figured out the problem: any non-asio audio played through the 800 would never leave memory (I had the 800 set as the default playback device in the Sound control panel). Every mp3, flash video, dvd, and game would leave their audio buffer in system memory even after closing the program. I confirmed this by setting up Foobar to use asio while Windows Media Player would use Windows' audio; every mp3 I played in Foobar would disappear from RAM after it was done playing, while Windows Media Player grew more and more bloated with every song, and wouldn't relinquish hundreds of megabytes after I closed it. This was also the case with VLC Player being used for flash video and dvds, Firefox and Chrome, and every game I tested. Same result when using Ableton Live vs any non-asio program.
There is a workaround if you have an S/PDIF output on your computer; just set your digital out as the default playback device in the control panel (I disabled the 800 just to be sure) and connect it back to the 800. I've confirmed that this solved the problem, and asio works perfectly alongside ordinary audio this way. Unfortunately many laptops don't have a digital out.
As an audio interface strictly for recording, the 800 has worked flawlessly and is a better value than just about any interface below $300. However, if you're merely a hobbyist like me, who wants both an interface and an upgrade from your motherboard's noisy and cheap converters for everyday use, unless you don't mind (and have the capability of doing) the S/PDIF trick you might want to look elsewhere.

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Tuesday, December 25, 2012

Mackie Onyx 1620i FireWire Recording Mixer Review

Mackie Onyx 1620i FireWire Recording Mixer
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this mixer is amazing. if you have wanted to build a project studio or record your band in your rehearsal space, this is the mixer you need.
the pre's sound great. very quiet (even when jacked).
the eq is really fun to play around with. you can really find the sound you are looking for with a few tweaks.
i'm using Ableton as my recording DAW. it's really snappy and after a few tweaks, very hard to notice any latency.
the Firewire I/O also works with Pro Tools, which is great. the driver is available for purchase on the mackie website.
for this price, you won't find anything even close to the same ball park.


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Sunday, December 9, 2012

Line 6 Tone Port UX2 Review

Line 6 Tone Port UX2
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Out of all the equipment that I have for my home studio, is is by far my favorite. Basically the Line 6 TonePort UX2 is a USB audio interface. As you can see from the picture it has multiple connections for your instruments, pedals, microphones and speakers.
What you may not know is that the device has its own built-in ASIO drivers, which essentially means you can use the device as an external sound card. The ASIO, IMO, is about as good as you are going to get in this price range. It does a considerably better job than my laptop's built-in ASIO (Sony Sound Reality) at reducing CPU load while minimizing latency.
This port also comes with its own software, GearBox, but that has already been phased Line6's Pod Farm. It comes with an updater so you can get the software for free, however if you want it in VST format you are going to have to shell out another 50 bucks. Pod Farm has a myriad of effects and amps and tons of presets for bass, electic and microphone. I am running this software on Windows Vista and I have not had any compatibility issues.
One thing you should note is that like any sound hardware you do have be conscious of your grounding otherwise you will hear feedback (buzzing).

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Friday, December 7, 2012

PreSonus AudioBox USB 2x2 USB Recording Interface Review

PreSonus AudioBox USB 2x2 USB Recording Interface
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Brand New Review for Nov 2010:
I recommend this only if: 1) you are not recording a guitar with high output pickups through the instrument-in, because it will clip even with the gain turned all the way down on the AudioBox, 2) you are not using an SM57 or some other dynamic mic that requires more than 35dB of gain, otherwise it will be too quiet, and 3) your headphones have an impedance above 100 ohms, otherwise the USB-powered Audiobox can't keep up with the current draw and will have no bass in the headphone monitoring out.
If you meet those conditions, then this is a great, affordable, stable recording interface. On my Mac it's plug-n-play, both on my older G4 powerbook with Tiger and newer 2010 Mac Mini with Snow Leopard. On the Mac, no separate software or drivers are needed. The construction of the AudioBox is very good. All metal box, and metal knobs. The blue metal looks great.
The mic preamps sound pretty darn good, crystal clear if you're using a condenser mic. For recording vocals on condensers, this interface is great. If you're on an old system, however, recording direct guitar and running it through a virtual amp simulation will give you latency problems. Not as much on Core 2 Duo systems and above. Be advised that the zero-latency monitoring is for a clean signal going in, not the processed sound from your software plugin, thus you can't do zero-latency distorted guitar recording that way unless you listen to yourself play clean while recording.
Now officially this does not have line-level recording ability. So you can't take the headphone output from a walkman, guitar amp, or mp3 player into this. But actually that does work as long as you carefully keep the line signal volume low and plug it into the instrument jack on the AudioBox. I've done this and it records just fine. But if the line volume gets turned up too high, you risk burning out the chip inside the AudioBox, since it wasn't engineered with safety mechanisms for that, thus Presonus says it doesn't do line-in.
It gets 4 stars for what it does well, and minus 1 star because of the caveats / exceptions listed at the beginning. As with all gear buying, my honest recommendation is to save up and get something 1.5X the cost of what you thought you could afford. If I could do it all over again, I would get an Echo Audiofire 4, Focusrite Saffire Pro 14, or Apogee Duet and call it a day. But, my Audiobox has served me well for over two years now, made some great clear recordings, right up until I got new headphones with too low impedance and the bass dropped out.

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Wednesday, December 5, 2012

ART USB Dual Pre 2 Channel Preamp Review

ART USB Dual Pre 2 Channel Preamp
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I finally got a chance to use this little beauty for two recent live recording sessions, and I am extremely satisfied with it.
I recorded two live vocalists using Shure SM-58 microphones. The only musical accompaniment was a "harmonium", an Indian classical instrument that's like a keyboard driven by a hand-operated bellows like an accordion.
Both the sessions were unplanned and spontaneous, recorded in a normal living room, and that's exactly the kind of situation I had in mind when I bought this unit. Earlier, I would miss out on recording such sessions because of the hassle and time required for setting up my Peavey PV-10-USB mixer, which is not exactly portable nor light-weight. OK, I do miss out on having a couple of extra mics for a background singer and the harmonium, but the compromise is well worth it in terms of sheer ease of setup, and most important, WITHOUT any compromise in sound quality.
The setup with this unit is extremely simple. here are the steps I followed:
1. Plug the mics into the XLR input jacks on the front
2. Conenct the unit to your PC with the USB cable - if you have Windows Vista or Windows 7 it is recognized immediately as a USB device
3. Select "USB audio codec" as your default recording device in Windows by right-clicking on the speakers icon in the taskbar
4. Choose he recording properties that you want (I picked stereo / 16-bit / 48 kHz) and save this selection by clicking OK
5. Fire up your recording software ( I use Sony Sound Forge)
6. Set the levels of each channel using the hardware gain control knobs on the device
7. You are ready to record
All the above steps took me less than 5 minutes. My PC runs Windows 7 and it worked without a hitch (Windows 7 rocks, by the way!)
Note that I do not monitor the recorded sound from my laptop while recording - I simply use headphones plugged into the socket at the back of this unit for real-time monitoring.
Sound quality:
I essentially purchased this unit to get around the limitations of my PC sound card - I wanted the A-D conversion taking place outside the PC, and that's exactly what this device does very well. It is capable of 16-bit digitization at a maximum sampling rate of 48 kHz, i.e., better than audio CD quality.
Each channel's sound was crystal clear, capturing the highs and lows with zero audible distortion. I had set the gain control knobs about halfway (between 8 and 14 db on the dial) such that the levels on my recording software did not exceed -4 db on average and -1 db at peak. I could NOT tell the difference between the sound quality recorded with this device and the sound I recorded with my Peavey mixer (using the same microphones and the same singers). I don't believe that the unit itself adds any significant distortion to the sound, and you will essentially be limited only by the quality of your microphones.
Caveats:
1. Vocals obviously have a limited frequency range, so I cannot say what the sound quality will be for extreme highs and lows. But in the range I recorded (approx 800 Hz to 3 kHz), it was flawless.
2. All my recording is in casual settings, i.e., NOT in a studio. There is a fair bit of background noise, so again, maybe there are subtle differences which may become noticeable in a studio environment using professional condenser mics.
Dislikes: Just two minor cribs:
1. I cannot control the degree of left-right separation in the recording mix. This is because each channel has its own gain control knobs, instead of a master gain level knob with a left/right balance. So if I have only one singer singing a particular passage, I have almost zero signal in the other channel. A master gain control with L/R balance would have been a nice thoughtful touch. So I've taken off half a star for that.
2. (a) The choice of colours for letters/numbers makes them slightly hard to read - I need to squint hard to read them. (b) USB cable not included. Another half star gone.
Likes:
1. Very compact and yet very solid build quality
2. Needs no external power - draws USB power from the PC
3. Extremely simple and flawless setup - I didn't even need to read the instructions
4. Can handle condenser mics as it has a 48V phantom power supply
5. Universal mic input jacks - XLR and 1/4"
6. Headphone monitoring with its own level control - very helpful
Overall:
A strong "buy" recommendation, if you want to make quick and easy CD-quality live recordings with extreme portability. Absolutely amazing value for money - there is nothing in the market at this quality and price point that I am aware of.


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Tuesday, October 16, 2012

Monster Cable AI STUDIOLINK Monster iStudioLink 1/4 to 1/8 adapter Review

Monster Cable AI STUDIOLINK Monster iStudioLink 1/4 to 1/8 adapter
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works fine for me, it records pretty quiet without a pre-amp, but thats only on my computer. the problem with recording is that computers have a limit to how much they can amplify sound (based on strict regulations), so whenever you want to record straight from a guitar, you need to turn everything up all the way. But that doesn't have anything to do with this product.
This is very high quality, and if you are a person you can appreciate that, then this is perfect for you.

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Saturday, October 6, 2012

Behringer FCA202 Review

Behringer FCA202
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In August 2006 I purchased this small audio interface (1.10" x 6.10" x 4.53") to connect my notebook with my mixer.
Until today I am very satisfied with the device. Being a user of Apple's LOGIC I found no trouble in setting the interface up. No installation of any software was necessary (the same applies for Garage Band). In Mac OS X it allows you an easy configuration via the audio application.
Attention PC users: Windows requires you to install drivers before you connect the unit to the computer. Unless an ASIO driver is used, the set-up might be tricky, too.
Additionally everybody should consider the following system requirements:
PC
Intel or AMD CPU, 1 GHz or higher
min. 512 MB RAM
6-pin or 4-pin FireWire interface
Windows XP SP2
MAC
G4/G5 or Intel Core Duo, 800 MHz or higher
min. 512 MB RAM
6-pin or 4-pin FireWire interface
MAC OS X 10.3.9 (Panther) or higher
The connection via FireWire works flawlessly and supplies the interface with power, too. Therefore the included external power adaptor has not seen much use so far.
From my point of view this interface serves any home-recording musician (especially if you use a Mac) and the artist on stage who wants to hook up his notebook to other devices. Needless to say, it is not suited for more complex tasks or even studio use due to its limited inputs and outputs. But this is not the purpose of it anyway, which allows me to recommend it for the mentioned tasks.

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Friday, September 28, 2012

Pro Tools Mbox Mini (3rd gen) Review

Pro Tools Mbox  Mini (3rd gen)
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First let me say, I have no idea what the other guy is talking about. I just got my Mbox Mini the other day and had zero issues installing the program.
As for using the Pro Tools, it can do everything and sets the standard. I wish it came with more plug-ins, but those that are included cover all aspects of sound production. I was surprised to see a trimmed-down Guitar Rig 4 plug-in included.
While the learning curve for Pro Tools is steep, once you get the hang of it, there isn't anything it - and you, can't do!

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Monday, September 24, 2012

Lexicon Lambda Desktop Recording Studio Review

Lexicon Lambda Desktop Recording Studio
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I purchased the Lexicon Lambda in December of 2009, mainly because I wanted an audio interface that would allow me to connect my MIDI keyboard (Alesis QS8), L-R audio out from the keyboard and two XLR mics to my PC, one of which requires phantom power (AKG C2000B). I have since purchased a hardware compressor / limiter (Behringer MDX4600) and am now using the handy "insert" busses in order to make use of the compressor.
In the few weeks that I have been using the Lambda, it has proven to be a powerful workhorse in my home studio. The device is sturdy, the sound is clean and the features are exactly what I need for producing professional quality media on a home studio budget. I am very satisfied with my choice in this product and how well it works with the equipment in my studio and the software that I use (Sony SoundForge 10, Sony Vegas Pro 9, Sony Acid 7).
The only problem that I have had is that the unit may infrequently "lock-up" or go silent, but that is remedied by briefly unplugging and reconnecting the USB cable from the back of the unit... and this may be the fault of the software that I use, the PC or the static electricity that can cause an audible "click" when I touch the keyboard or mic stand. Either way, these problems have been extremely minor and should not deter you from considering this product.
For what it's worth, I'm using the Lexicon Lambda on a PC running Windows 7 Ultimate, a 3.4Ghz Pentium Extreme CPU and 4GB of RAM. I had originally planned to buy the similar product by TASCAM, but was advised that many people have experienced compatibility issues with that unit. Thus, I went with the Lambda.
Highly recommended!

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Tuesday, August 7, 2012

Tascam US1641 USB 2.0 Audio and MIDI Interface with digital Connection - Macintosh and Windows Review

Tascam US1641 USB 2.0 Audio and MIDI Interface with digital Connection - Macintosh and Windows
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I looked at virtually every multiple mic interface on the market and couldn't find anything to touch this in features and/or price... so I bought it.
Wow!This thing rocks! I connected up 8 microphones for Kick, Snare, Hi-hat, Tom 1, Tom 2, Tom 3, Left Overhead and Right Overhead... all those mics plug into the 8 XLR mic sockets at the front of the unit. Got some really great 20ft XLR mic cables from Amazon for only $6.95 each (Whirlwind LowZ Microphone Cable (20 Foot) I then plugged in my bass guitar into one of 2 switchable line/guitar 1/4" mono inputs on the front.
Each of the 10 front panel inputs has a volume control knob and red/green led. The drummer hits each drum individually one by one so I can adjust each vol control so that it just occasionally clips red but mostly stays green.
After adjusting the six individual drum mics I now get the drummer to play the whole set and I adjust the left and right overheads mics so they don't clip (go red). That's it! The mics are setup ready to record.
I took the main output from the back of the unit to my monitors and there's a volume control on the front of the unit to allow you to turn down the monitor while recording... then you turn it up to listen back... so in effect, the unit has it's own monitoring control.
Two headphone jacks would've been nice, but I used a Y-adapter 1/4" Headphone Splitter to split the output allowing me to plug in the two headphones for me and the drummer.
I now setup recording on my laptop (HP TX2500z) using the supplied Cubase LE4 software which is really easy to use - buy yourself the The Complete Idiot's Guide to Recording with Cubase. There's no specific book for version LE4 but this idiot's guide worked great for me.
A note about my notebook - It's a tablet PC laptop HP Pavilion tx2500z 12.1" TOUCH-SCREEN Notebook with a great touch screen - so you can arm/disarm or mute/unmute your record channels/tracks just by touching the screen buttons with your finger - it's just like a real mixing desk with real tactile switches - it's really cool!
You may need to tweak your laptop for audio recording to get the best results otherwise you will hear artifacts (odd noises) when recording if the laptop is struggling to find the necessary processing power. I tweaked my laptop and it was just amazing to see the difference in performance. You can Google "Tweak Vista for audio recording" to find the information on how to tweak.
I also replaced my 5400rpm drive with a 7200rpm drive Seagate 500 GB 7200RPM 2.5" Drive - it's real easy to do... Google "Upgrading laptop hard drive". As well as getting a faster speed drive I also made it a 500GB to replace the 320GB drive that I had - so lot's more space... and very low cost too!
RESULTS!!!!!!!!!!!
Well... Let me tell you, I was absolutely BLOWN AWAY by the results obtained with this unit! The Tascam 1641 is an amazing piece of gear and Amazon's price is just out of this World at only $299...
It's like having a whole recording studio in a box - the mic pre's, the mixing desk (vol controls), the signal LED's, the monoring vol control, headphone controls, etc... AND the software - all for $299 - You can't beat that!
The actual sound that I got was totally professional - I couldn't have done better if I was in a top-notch recording studio. I am 100,000% satisfied!
GO FOR IT!!! HIGHLY RECOMMENDED!!!!!!!



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Monday, July 30, 2012

Tascam US-100 USB 2.0 Audio Interface Review

Tascam US-100 USB 2.0 Audio Interface
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Tascam advertises this as "class compliant" USB 2.0, and it is. I plugged it into my Ubuntu Linux machine and was ready to go. No messing with drivers, no clunky setup. The US-100 works and works well. The case is nice and sturdy, making it idea for mobile use. And it sounds good too. If you want to just plug and play, this is a great buy.

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Tascam's US-100 breaks the price barrier for great-quality recording into your computer. The microphone input captures great-sounding performances, or you can plug in your guitar or bass directly into the instrument-level input. Stereo line inputs can be switched to RIAA phono level for digitizing your vinyl collection from your favorite turntable. The USB 2.0 connection guarantees playback without hiccups on your Mac or Windows computer, and the compact aluminum construction withstands the hazards of the road, studio or dorm room.
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Sunday, July 22, 2012

M-Audio Fast Track Ultra High-speed 8 x 8 USB 2.0 Interface Review

M-Audio Fast Track Ultra High-speed 8 x 8 USB 2.0 Interface
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I've been using the Fast Track Ultra for about a month now.
System:
Gateway MC7801U Laptop
Pentium Duo 2 core 2Ghz T5800
4G RAM
Vista 64 Home Premium
Sonar 8 Producer 64 bit
I almost returned the product initially because it was locking up my laptop. After some persistent searching, I found a message buried on the MAudio website that fixed the problem:
[The high-performance mode can be a bit tricky on some systems and what you are seeing is not a surprise. High-performance mode basically misuses the host computer CPU clock. On typical PC systems this allows the driver to increase the performance of the USB bus. On computers that are already tweaked for high performance or have high performance graphics cards or the like, this mode can !!!!cripple the operating system. It works best with older PCs!!!...]
AHA! I had enabled "high-performance mode" and that appears to have been he cause of the system lockup.
After uninstalling / reinstalling the driver AND LEAVING "high-performance mode" OFF, the unit has been performing flawlessly. I have enough confidence in it now that I will shortly be placing it into service in live performance for a weekly contemporary worship service.
It would be beneficial if MAudio would update their documentation - or even provide a pop up confirmation / warning when the high-performance mode is enabled - to advise users of the dangers of "high-performance mode".
1 star deducted for not documenting this "feature".

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The Fast Track Ultra 8 x 8 audio/MIDI interface takes M-Audio's acclaimed mobile recording line to the next level with high-speed USB 2.0 connectivity, MX Core DSP mixer and four preamps with award-winning Octane technology. Featuring both analog and digital I/O, it allows recording on all eight channels simultaneously with pristine 24-bit/96kHz fidelity--while M-Audio's mature low-latency drivers ensure rock-solid stability and performance. The on-board MX Core DSP mixer processes eight hardware inputs and eight software returns to the eight hardware outputs, delivering flexible routing and monitoring with delay and reverb. Compatible with most major audio software*, Fast Track Ultra lets you record the way you want--in the studio or on the go.

High-speed USB 2.0 Technology The next generation of mobile recording interfaces has arrived--the Fast Track Ultra features high-speed USB 2.0 technology for advanced performance. Like FireWire, USB 2.0 delivers the bandwidth for 24-bit/96kHz audio resolution throughout the recording and monitoring process. The increased data speed lets you enjoy exceptional fidelity on all of your inputs and outputs simultaneously.
Built-in Effects Processing Tired of tracking vocals and instruments dry? Fast Track Ultra features MX Core DSP technology that gives you reverb and delay on the headphone outputs with separate sends for every channel. Adding effects is an easy way to inspire creativity and infuse a performance with new energy--without taxing your CPU resources.
Make the Connection Fast Track Ultra provides a complete recording solution, with six channels of analog inputs and outputs plus 2-channel digital S/PDIF I/O. Unlike most USB interfaces, it features two dedicated inserts on the first two channels, giving you the ability to insert outboard processing before A/D conversion. Easy connection via a single USB 2.0 cable delivers both audio and MIDI communication with your computer. Compatibility with most major audio software, means seamless integration into any studio setup.
MX Core DSP Technology for Sophisticated Channel Routing The Fast Track Ultra makes it easy to create multiple monitor mixes when recording other musicians. The robust MX Core mixer employs an array of eight individual DSP cores to deliver near-zero latency and a matrix for sophisticated channel routing options--accessible via an intuitive control panel that utilizes a separate mixer for each pair of outputs. The mixer expands the total I/O to an impressive 16 x 8 configuration, allowing you to connect synths and outboard gear to any of the interface's hardware inputs, then mix them with the eight audio streams coming from your computer.
Professional Octane Preamp Technology The quality of your recordings is only as good as the initial signal. The Fast Track Ultra features four preamps with multi-award-winning M-Audio Octane technology, creating a premium front end that delivers amazing audio clarity. You get professional, low-noise, high-gain preamplification with enough channels for a variety of miking applications. Features include +48V phantom power for condenser mics, signal/peak LED indicator lights and a pull-out gain knob that activates a 20dB pad for recording at high volumes. See why world-class artists choose the M-Audio Octane preamp.
Dual Headphone Amp Whether you usually track vocals or an ensemble, you're likely to need multiple headphone mixes. Fast Track Ultra has two completely independent headphone outputs so you can take advantage of the DSP mixer's powerful routing options and create the right mix for your performers--complete with reverb and delay.
The Perfect Combination Apple's latest MacBook and MacBook Air laptops don't include FireWire connectivity--the latest models are all about USB 2.0. If you want to make music with a MacBook, the Fast Track Ultra high-speed USB 2.0 interface delivers the perfect solution. Whether you're a musician, producer or DJ, the powerful combination of Apple and M-Audio gives you everything you need to put together a high-powered personal studio.
Bundled Software
Ableton Live Lite Ableton Live Lite delivers much of the functionality of Ableton Live--the revolutionary, multi-award winning music production solution that allows you to spontaneously compose, record, remix, improvise and edit your musical ideas in a seamless audio/MIDI environment. Live brings your acoustic, electronic and virtual instruments--as well as your digital audio recordings and MIDI sequences--together in a single interface with unparalleled ease of use.
inTone | Express Bundle Creative Software Applications for M-Audio Hardware Products. Your M-Audio hardware is compatible with a suite of creative applications that enable you to start making music right away. Designed by leading audio effects provider Audiffex, the inTone series provides a broad array of tools--from guitar and bass stomp boxes to virtual mixers and much more. Each software program lets you arrange channel routing and effects in a variety of ways, so you can develop a sound that's truly unique.

What's in the Box M-Audio Fast Track Ultra, Software/Driver CDs, AC Adapter, USB Cable, User's Manual

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Wednesday, July 18, 2012

TASCAM US122MKII USB Audio/Midi Interface Review

TASCAM US122MKII USB Audio/Midi Interface
Average Reviews:

(More customer reviews)
In September, Tascam "officially" certified all of its audio interfaces for use in Snow Leopard, saying the devices were "fully functional" in the operating system. They lied. Neither the Tascam US-122l nor the Tascam US-122MKII is fully functional in Snow Leopard.
I bought the Tascam US-122l based on Tascam's "certification." I have a mid-2009 iMac (not the brand new version) and am running Snow Leopard. After receiving the interface I downloaded the most up-to-date drivers and firmware. However, the interface was not recognized as a in/out sound device in either Snow Leopard's "system preferences" or its "Audio MIDI Setup." I called Tascam customer support and talked to a very friendly and informative representative who basically told me that there was nothing that I could do about it, and that a driver might (eventually) be released that offers full support. I asked if the US-122MKII was fully functional in Snow Leopard (it had been released right after I bought the US-122l), and he said that on his computer it showed up in both system preferences and audio midi setup. Based on this information, I bought the US-122MKII, only to come across the same exact problem.
IMPORTANT: Both audio interfaces are fully functional in the audio programs I have (Ableton Live, GarageBand, Audacity). If all you want to use the interface for is audio in-out for such programs, you won't have any problems. However, if you want to be able to use the interface as your computer's main soundcard (ie:, to output all sound through the interface) you should not buy either interface for use in Snow Leopard. This ability is a big plus: for example, your iTunes music will likely sound much better coming through an audio interface than straight from your onboard sound card. Additionally, the ability to output all your sound through your interface means that you can keep your speaker cables connected to your interface at all times, without having to switch back to your computer after you've finished recording.
I don't know if there are any audio interfaces out there that are fully functional with Snow Leopard yet, but Tascam's are NOT and the company should not be claiming that they are.***********UPDATE***************
Tascam has finally released a driver that makes the US-122mkii fully functional in Snow Leopard. The delay was frustrating, but now the interface is a great value for Mac users. I've changed my rating accordingly, but Tascam needs to be more honest about compatibility in the future if they want to maintain their customers' trust.

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Whether you're getting started with computer recording or adding a portable interface to your road rig, the Tascam US-122mkII USB audio interface is the affordable choice for professional results. Refreshed with improved audio specs and a fresh new look, the US-122mkII starts with two great-quality XLR microphone preamps with phantom power for condenser microphones. There's also a pair of balanced line inputs and a guitar-level in for direct recording of electric guitar or bass. The stereo signal is sent to your computer at up to 96kHz/24-bit audio quality.


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Sunday, June 24, 2012

Tascam US122 Audio/MIDI Interface with Free Software Review

Tascam US122 Audio/MIDI Interface with Free Software
Average Reviews:

(More customer reviews)
I finally got the unit. It got derailed and took a while but i need it and am satisfied with price and fact it was delivered to me.

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Sunday, May 13, 2012

Alesis MultiMix 8 USB 2.0 Mixer Review

Alesis MultiMix 8 USB 2.0 Mixer
Average Reviews:

(More customer reviews)
I was a little nervous to buy this without reading someone's assurance that it would do specifically what I wanted: record our band multi-tracked into a MacBook.
But it works great. No hiccups while streaming 6 channels at once into Garageband. Amazing at the price.

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Designed with low-noise analog electronics, the MultiMix 8 USB 2.0 mixer lets you take advantage of 100 studio-grade 28-bit digital effects. Whether used for mobile or studio recording, the MultiMix 8 USB 2.0 mixer makes recording high-quality audio to your computer fast and easy. The MultiMix 8 USB 2.0 mixer is also bundled with award-winning Cubase LE software for instant creativity right out of the box.
Key Features
10-direct outputs to your computer for recording and 2 return inputs for monitoring
High-gain mic/line (XLR and 1/4-inch balanced) inputs with phantom power, 2 stereo balanced 1/4-inch
Line inputs, aux send (to onboard or external effects), stereo aux return
Switchable 75Hz high pass filters
100 onboard 28-bit preset effects including reverbs, delays, chorus, flanging, pitch and multi-effects
3-band EQ per channel with high/low shelving and mid band pass/reject
Separate 1/4-inch balanced main and monitor outs, headphone out
24-bit, 44.1 to 96 kHz operation with high-end A/D and D/A conversion through an integrated USB 2.0 Audio interface
Steinberg Cubase LE included

Specifications
Input Channels
Mic In Sensitivity Range: -60dBu to -10dBu nominal, +5dBu maximum
Line In Sensitivity Range: -40dBu to -+10dBu nominal, +25dBu maximum
Mic/Line Gain Range: +10 to +60dB

Equalization
High-Pass Filter: 75Hz, 18dB/octave
High Shelving: 12kHz, +/- 15dB
Mid Bandpass/Band Reject: 2.5 kHz, +/- 15dB
Low Shelving: 80Hz, +/- 15dB

Aux Sends
Aux Send A & B Gain Range: -∞ to +10dB

Aux Returns
Aux Return A Gain Range: -∞ to +15dB
Effects Level/Aux Return B Gain Range: -∞ to +15dB

Channel Levels
Channel Level Gain Range: -∞ to +10dB

Master Levels
Main Mix, Ctrl Room Gain Range: -∞ to +10dB

1/4-inch Inputs
Stereo Aux Return Level: +4dBu nominal, +20dBu maximum

RCA Inputs
2-TRACK IN Level: -10dBV nominal, +5dBV maximum

1/4-inch Outputs
Main Mix, Ctrl Room, Ext Aux Send Level: +4dBu nominal, +20dBu maximum
Headphone Output: 75 ohm output impedance >105mW into 75 ohms, >40mW
into 600ohms

RCA Outputs
2-TRACK OUT Level: -10dBV nominal, +5dBV maximum

Dimensions and Weight
14.5 x 10.75 x 5 inches
7 pounds



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