Showing posts with label computer audio. Show all posts
Showing posts with label computer audio. Show all posts

Saturday, January 12, 2013

Steinberg CI1 USB Audio Interface Review

Steinberg CI1 USB Audio Interface
Average Reviews:

(More customer reviews)
I needed a very simple audio interface to get good live DAW output with soft synths. I tried the Numark DJ|iO and its ASIO driver was at an uncontrollably high output level that caused distortion. Couldn't figure out how to fix that without buying a mixer, so I left it. This was a shame because that device's DirectSound output in Windows applications was ABSOLUTELY STELLAR. In fact, I didn't return it...I simply gave it to my brother for the simple purpose of listening to music.
Back to the CI1......This interface has good control. Decent but not wonderful sound. Mine has a problem with the TRS input...only the XLR input works. I'm currently working on getting it replaced through Steinberg/Yamaha. They have GREAT customer service.
No latency issue as described in previous review. I'm using a Turion 64 processor with 3 GB RAM on a laptop. Don't know what the problem is for previous reviewer but I doubt that it is this interface's fault. I recommend this device for low budget consumers. If the sound quality were as good as the DJ|iO, I would give it 5 stars.

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Saturday, December 29, 2012

Tascam US-800 8 Input USB 2.0 Computer Audio Interface Review

Tascam US-800 8 Input USB 2.0 Computer Audio Interface
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Posting my experience with this device in case it is useful to anyone else.
I purchased the 800 about a week ago. As far as recording features go, it is great; super-low latency, decent preamps, digital i/o and midi, nothing to complain about and 6 xlr inputs for $200 is way better than any competing product. However, there are problems playing ordinary Windows audio that may make the 800 unsuitable for your needs. At least in Windows 7 x64, I can't speak for any other OS.
Within a day of plugging in the interface, I began having memory usage issues. Task Manager was reporting 3.8gb in use, even with just about every non-essential process killed. I'd try opening something that put me over the 4 gb limit and virtual memory would kick in, rendering my computer so slow as to be unusable; the only way to free resources was to restart. This happened day after day, to a computer that was previously reliable enough that I wouldn't reboot it for weeks at a time.
After a lot of googling, diagnostic programs, and trial and error, I figured out the problem: any non-asio audio played through the 800 would never leave memory (I had the 800 set as the default playback device in the Sound control panel). Every mp3, flash video, dvd, and game would leave their audio buffer in system memory even after closing the program. I confirmed this by setting up Foobar to use asio while Windows Media Player would use Windows' audio; every mp3 I played in Foobar would disappear from RAM after it was done playing, while Windows Media Player grew more and more bloated with every song, and wouldn't relinquish hundreds of megabytes after I closed it. This was also the case with VLC Player being used for flash video and dvds, Firefox and Chrome, and every game I tested. Same result when using Ableton Live vs any non-asio program.
There is a workaround if you have an S/PDIF output on your computer; just set your digital out as the default playback device in the control panel (I disabled the 800 just to be sure) and connect it back to the 800. I've confirmed that this solved the problem, and asio works perfectly alongside ordinary audio this way. Unfortunately many laptops don't have a digital out.
As an audio interface strictly for recording, the 800 has worked flawlessly and is a better value than just about any interface below $300. However, if you're merely a hobbyist like me, who wants both an interface and an upgrade from your motherboard's noisy and cheap converters for everyday use, unless you don't mind (and have the capability of doing) the S/PDIF trick you might want to look elsewhere.

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Tuesday, December 25, 2012

Mackie Onyx 1620i FireWire Recording Mixer Review

Mackie Onyx 1620i FireWire Recording Mixer
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this mixer is amazing. if you have wanted to build a project studio or record your band in your rehearsal space, this is the mixer you need.
the pre's sound great. very quiet (even when jacked).
the eq is really fun to play around with. you can really find the sound you are looking for with a few tweaks.
i'm using Ableton as my recording DAW. it's really snappy and after a few tweaks, very hard to notice any latency.
the Firewire I/O also works with Pro Tools, which is great. the driver is available for purchase on the mackie website.
for this price, you won't find anything even close to the same ball park.


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Monday, December 3, 2012

Logic Express 9 Retail Review

Logic Express 9 Retail
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I am a hobbyist, not a pro, so keep that in mind as you read this; however, I have over the years used the old Logic when it was made by eMagic, Cubase, and landed on MOTU Digital Performer for a few years. I took a wrong turn and ended up playing with Reason and Live for a while, and then quit altogether. After a few years, I recently picked up Native Instruments Komplete 6, and never having found an ideal DAW, decided to dip my toe in the water with the new version of Logic Express. Having used many packages, I can tell you this is a robust package that strikes a nice balance between ease of use for a musician and powerful features for a producer. The Express version is not defanged, and can happily handle tons of tracks, Audio Units plug-ins (no VSTs), and without reading the manual I could record MIDI tracks, use software instruments, and record audio the same day I installed it. There are some really nice features and if you need the pro version you simply pay the difference for the upgrade, making this pretty exceptional value. I'm still fine with Express, but knowing the upgrade is easily available at no penalty is a nice policy. This is an intuitive and thoughtfully designed piece of software that has definitely reduced barriers for me at least in terms of getting the ideas that are in my head down and playing with them until they sound great.

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Record, edit, and mix your music on a Mac using the new Logic Express 9. Open your GarageBand files and get right to work, or start from scratch with a new composition. Logic Express 9 is a guitar player's dream, with Amp Designer and Pedalboard, two new plug-ins that re-create the sound of legendary amps and stompbox effect pedals. You can build your own amp model and try any combination of stompboxes. An improved set of music creation tools makes it even easier to capture and develop your musical inspirations. Use the new Flex Time tools to easily manipulate audio timing and tempo. And make music right out of the box with over 100 instrument and effect plug-ins from Logic Studio.

Logic Express 9. Record, edit, and mix music on your Mac.

Top Features
Perfect for capturing and developing your musical inspirations
Seamless compatibility with GarageBand files
Flex Time features that make editing audio timing and tempo easier than ever
More than 70 studio-quality effect plug-ins, including vintage and modern compressors, delays, reverbs, and more
New Amp Designer plug-in to help you re-create the sound of 25 legendary amps and 25 speaker cabinets
New Pedalboard plug-in with an assortment of 30 virtual stompbox pedals inspired by the classics
36 software instrument plug-ins, including the Ultrabeat drum synth and beatbox, ES2 synth, and EXS24 sampler

Related Products
Complete your music studio with a Mac Pro workstation and two 24-inch Apple LED Cinema Displays. Take a MacBook Pro with you and make your music anywhere.

AppleCare
Offering solutions for businesses of any size, AppleCare provides ongoing product coverage, including the AppleCare Protection Plan for Mac systems and Apple flat-panel displays. To augment your experience with Apple professional software, AppleCare Professional Video Support and AppleCare Professional Audio Support offer direct access to Apple's professional support staff. For more information, visit www.apple.com/support/products.


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Sunday, November 25, 2012

PreSonus Inspire 1394 4X4 Firewire Recording Interface Review

PreSonus Inspire 1394 4X4 Firewire Recording Interface
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Now this is the way computer peripherals are supposed to work - 15 minutes or so after opening the box, I was laughing my way through my first home recording effort. No tearing my hair out, no frantic searching on-line for new drivers, no pouring through obscure FAQs looking for solutions... it simply works! Mind you, this is with Mac OSX, 10.4.11.
Audio quality is plenty good to my middle-aged ears, and completed recordings downloaded to my IPod sound just as good as any commercial tune. Sure, crank the gain up full and add the boost and you can hear a little bacon frying in the background, but more sedate settings are very quiet indeed.
The absence of buttons and knobs on the unit is fine as well, the on-screen control panel has proven fast and easy to use.
Bottom line? The Presonus Inspire is simple, inexpensive, and performs well.


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Now compliant with Intel Macs! The INSPIRE 1394 is a revolutionary FireWire Recording System featuring professional quality 24-bit/96k analog to digital conversion rate, four simultaneous inputs, software control panel as well as audio recording and production software giving you the smallest, most flexible, most affordable and all-inspiring computer recording studio ever! What's InsideThe INSPIRE 1394 is loaded with state of the art components and technology enabling the easiest computer recording experience ever. The INSPIRE 1394 installs effortlessly on both Windows XP and Macintosh-based computers and works seamlessly with virtually all popular recording software including Cubase, Nuendo, Sonar, Cakewalk, Logic, Logic Express, Digital Performer and many others. The microphone and instrument preamplifiers loaded in the INSPIRE 1394 are designed to deliver ultra-low noise, high gain preamplification for all types of microphones and instruments needed for professional quality recordings. Ins and OutsThe front panel of the INSPIRE 1394 features two custom-designed PreSonus microphone preamplifiers with +48V phantom power and two instrument Hi-Z inputs. The back of the INSPIRE features selectable line or phono (with RIAA filter) inputs great for all types of keyboards, samplers, drum machines and turntables. Outputs on the INSPIRE 1394 include RCA unbalanced and mini TRS jacks as well as headphone output. Software Control PanelThe INSPIRE 1394 is comp...

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Monday, July 30, 2012

Tascam US-100 USB 2.0 Audio Interface Review

Tascam US-100 USB 2.0 Audio Interface
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Tascam advertises this as "class compliant" USB 2.0, and it is. I plugged it into my Ubuntu Linux machine and was ready to go. No messing with drivers, no clunky setup. The US-100 works and works well. The case is nice and sturdy, making it idea for mobile use. And it sounds good too. If you want to just plug and play, this is a great buy.

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Tascam's US-100 breaks the price barrier for great-quality recording into your computer. The microphone input captures great-sounding performances, or you can plug in your guitar or bass directly into the instrument-level input. Stereo line inputs can be switched to RIAA phono level for digitizing your vinyl collection from your favorite turntable. The USB 2.0 connection guarantees playback without hiccups on your Mac or Windows computer, and the compact aluminum construction withstands the hazards of the road, studio or dorm room.
Click here for a larger image.

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Thursday, May 31, 2012

Apple Logic Studio Review

Apple Logic Studio
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So you want a whole music studio for under $500? What are you, some kind of crazy Mac user?
Apple's generous price drop for this version of what many consider to be the ultimate music tool (and I'm one of those) has removed any excuse one may have for putting off this purchase any longer. Meaning they cut the price in half and added twice the features of the original: Not only do you get a leaner, meaner and much easier to use version of Logic Pro, but they've thrown in updated versions of Soundtrack Pro and Compressor (previously only available with Final Cut), a live performance module called MainStage, all five Garageband Jam Pack titles, WaveBurner 1.5 for CD mastering, new effects such as Delay Designer .... all you need supply is lots of time and about 45 gigs of hard drive space.
As a happy user of Logic since version 6, I found the upgrade (available for just under $200) easy to grow into, especially being used to Apple's other pro apps, and really appreciated the addition of Soundtrack Pro 2, whose predecessor I'd used more for track mastering. The newer interface for Logic is more self contained now, with sliding panels replacing all those open windows you used to have to deal with ... although that is still an option if you're a person who thrives on complexity. Now you can look at both the Arrange Window and Matrix Edit (now called "Piano Roll", how quaint) in the same window, just roll it in and out as needed. Same with Audio Mixer, Score View, Hyper Edit, etc. In keeping with this more streamlined method, some of the tools are more hidden away which, along with other changes, I'm quickly getting used to. Another rollaway panel gives you access to instrument settings (and other audio resources) by way of a Soundtrack-like browser -- don't like that piano sound and don't feel like scrolling through all of them? Just pick one off the list, and it's there!
Another nice feature you'll see right away is some handy standard templates: Now, instead of trying to figure out how many blank tracks, and what kind, you may need for a certain project, just click one of the template buttons and you're on your way. You can easily customize them if you're a seasoned user. The one that has this user the most excited is the orchestral template ..... a whole symphony orchestra, ordered the same as it would be in a classical score, with instruments already loaded and regions just waiting for note entry. Now that's power. You can transcribe classical works using Logic's score editor, which by the way will also print out scores should you ever hire live musicians for your compositions.
One thing that will make Logic veterans happy is, now you don't need the USB XS-Key to be plugged in to run the software. Upgraders only need it to install, then just unplug it and drop it in the box. New users won't even have to deal with it. They don't know what they've missed, and they're better off.
In summary, Logic is the solution for the Mac-based musician, as far as composing, arranging, recording, looping, producing, scoring, sound designing, whatever-ing in an audio capacity. No messy cables and reels of tape all over the place like in the old days, just launch and bring musical dreams to life. I can't emphasize enough what a good deal this is (without sounding like a salesman), and once you get over a slight learning curve you realize the possibilities are virtually boundless for what you'll come up with. Just be aware: this ain't no Garageband. Logic is for the serious musician or music producer for whom music matters above most other things. This is what obsessed people do with their time. If this sounds like you, well, you owe it to yourself to make the most logical investment.

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Logic Studio, Apple's comprehensive suite of professional music and audio tools, provides musicians with everything they need to create in the studio, on the stage, and for the screen. Logic Studio includes Logic Pro 8, Apple's legendary professional music production application featuring a new, intuitive interface; MainStage, an innovative new application for music performance; and Soundtrack Pro 2 for audio post-production and sound design. It also includes Studio Instruments and Studio Effects, with 40 acclaimed instruments and 80 professional effect plug-ins; an expanded Studio Sound Library; and new production utilities--all in a single box at an incredible price.

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Wednesday, April 25, 2012

Focusrite Saffire 6 USB Audio Interface Featuring Two Focusrite Pre-Amplifiers, Saffire 6 USB Review

Focusrite Saffire 6 USB Audio Interface Featuring Two Focusrite Pre-Amplifiers, Saffire 6 USB
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I have been recording for 12 + years and have bought most of the interfaces in this price range....Digi 002, Mbox, Emu 0404, Centrance Mic Port Pro, Presonus Firebox....and out of all of the above the only one that played nice with Windows was the Centrance but it's only one mic channel for $150. The others had high latency, pops and clicks, crashes - the Digi products being the absolute worst.
I'm a songwriter and wanted to focus more on creativity than tech support and troubleshooting and with this product, I have finally found the solution. I don't write reviews but was compelled to let people know how amazing this product is.
I'm using it with Reaper ($40) and the two combined cost $250 and it's the most rock solid setup I have used yet. Literally installed the drivers, loaded up a 24 track session with plugins, and pulled the buffer slider all the way to the left...with other products that's guaranteed to stutter, drop out, pop and click, etc
And it worked....not a hitch. I couldn't believe it. It ran 24 tracks of audio with three plugins on each track for 3 1/2 minutes flawlessly.
So I plugged in a guitar and tried the same thing - no pops or clicks. I recorded it against a click and played on the 2 and 4 to see if it was synching up. Perfect synch.
I also ran the Centrance latency utility on it (Google the name, it's a free download) and it reported a latency of 3.48 ms with 167 samples. In Reaper, I manually adjusted for that offset in Preferences > Audio > Recording (even though it wasn't needed - no noticeable latency) and now I'm recording and monitoring in 100% real time. It's unreal.
Not to mention this also comes with the Focusrite plugin suite - not your average crappy freebie throw in, they are excellent sounding quality plugins that can be used in professional productions. And a full VSTi of the Novation Bass Station.
If you want a rock solid recording setup for PC - they're practically giving this interface away. Midi hookup, two amazing mic preamps, versatile monitoring options, and it runs off of USB bus power...no wall wart!
You could have an amazing setup for $250 if you combine this with Reaper. I can't recommend this highly enough. Best audio quality I've had yet and unbelievable stability. My PC is an Acer laptop running Vista bought used for $400 - no megacomputer here.

Click Here to see more reviews about: Focusrite Saffire 6 USB Audio Interface Featuring Two Focusrite Pre-Amplifiers, Saffire 6 USB

Focusrite has, over the past two decades, built a reputation as the market leader for high quality recording equipment, with its mic-pre technology as the cornerstone of that enviable reputation. Now Focusrite is proud to present the new Saffire 6 USB, an innovative new product which brings the Focusrite interface to a new level of affordability without compromising on quality.The Saffire 6 USB makes Focusrite's renowned sound quality and performance available to more people than ever before. The design takes two ofFocusrite's legendary mic pres and creates a 2 in/ 4 out interface with simplicity and reliability as the central component.Ideal for laptop DJs, the Saffire 6 USB has four outputs which allow you to route two stereo pairs to different sides of a DJ mixer. The switchable headphone output enables you to cue up tracks, and the mic/line inputs allow you to add external instruments or a microphone to the performance.The Saffire 6 features simple three-dial monitoring: one for the main out, one for your cans, and one to mix in other inputs. This is the perfect USB for tracking, with 2 mic-pres with phantom power, pad and instrument switches. The Saffire 6 has monitor outputs on 1/4 inch jacks or RCA phono jacks, as well as a switchable headphone output.The mixer section blends between your input and the signal playing back from your computer. The Saffire range of DAW interface solutions delivers the Focusrite sound into your DAW via Firewire, USB or ADAT. At the heart of these solutions are class-leading digital conversion and 25 years of excellent mic-pre design. Combined, they ensure you capture every subtle nuance of your sound. Focusrite - because your sound quality is everything.

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Tuesday, April 17, 2012

Mackie Onyx Blackjack Premium 2x2 USB Recording Interface with Tracktion 3 Music Production Software Review

Mackie Onyx Blackjack Premium 2x2 USB Recording Interface with Tracktion 3 Music Production Software
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I was worried from reading the other reviews that I would have problems. (including reviews outside of Amazon)
After doing a lot of research I realized that it was probably the right fit for what I want.
I have a MAC Power Book - OS 10.6.6
I had been using only the 1/8th inch jack on the side for input and that, obviously, wasn't cutting it.
I wanted to use an electric guitar and a near field mic for vocals - specifically a Sure SM57
- because I'm recording in a place where I can't control the outside sounds and if I want to get a clean sound without a lot of background noise
and a low noise floor, I knew I would need the less sensitive and more directional mic.
The Sure SM57 needs a pre-amp that generates at least 54db to 60db, because it's a dynamic mic.
The Mackie Onyx Blackjack 2x2 USB was the only USB box I found who's pre-amp was that strong.
Since I have a MAC there was no "driver" problems talked about in other reviews.
I plugged the box in, went to the System Preferences >Sound > switched the "Audio In" to Onyx Blackjack, started up "Logic" and it worked instantly.
No issues at all. Good quality sound. No Clicks, No Latency. Simple and Perfect for what I want it for.
I tested it on Electric Guitar and then vocals with the SM57, and with some larger diaphragm mics.
It does the job I want it to do, and I give it 5 stars.

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Wednesday, April 11, 2012

Logic Studio Retail Review

Logic Studio Retail
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I use to use Logic Pro back in the day of Atari Falcon and STE1080. then i went to PC and used Logic 4.7. Though i never used the audio with it back then due to the instability of the product. It was easier to use a Mackie HDR 24/96 with midi clock to sync.
Before obtaining Logic Studio i was using Ableton Live versions 5,6,7 and now 8. The reason i bring this up is that i am now back to Logic Studio Pro on a MacPro 8 Core. The major reason for this change back to Logic was for 3 main reasons that blow away Ableton 8:
* Midi control for external and internal instruments
* Clean, Tight, Dynamic Headroom, clarity of sound. Audio Engine is far better then Ableton even at 44.1 (though i use 96k)
* for the price and what you get, this software is incredible!
The new features of Logic Studio 9 is the Flex and Guitar suite. Though i have not been impressed with the flex (perhaps because i am not sure how to use it correctly yet) the Guitar suite is AMAZING. I have owned a Line 6 pro and a Line 6 bass pro and this Guitar Suite is amazing if you run it under 96k.
The Logic Pedal board has a great slew of guitar stomp pedals that sound amazing and better then most other emulations i have heard. the distortions are warm and tube like, unlike more software emulations i have heard. it rips just right even with a guitar straight into the A/D and processed by Logic. They have a Tape Delay that emulates the Roland 201 tape echo or EHX Memory Man Deluxe and it sounds sweet and mixes very well.
The automation features are tight and crisp as well. Though it takes a bit more time to get setup on Logic for controller setup then Ableton, it is tight once you get it there.
User friendliness is not as good as Ableton but then you are getting a more PRO engine then Ableton has thus been able to deliver. In Ableton it seems the 'warp marker' technology seems to 'fuzzy' then audio in such a degree that the clarity is not tight. the dynamic headroom and stereo separation is not there. I was wondering if i was loosing my mind, but it is not the A/D Presonus firepod it was the engine of the Ableton 8. Once on Logic Studio 9, the clarity and tightness of the mix returned. This proving this engine is far superior to Ableton for a studio mix.
NOTE: if you can handle the disk space and processing power required to run 96k, do it. It will tighten your mixes amazingly.
Should you buy this? here is my suggestion:
If you run a Mac it is worth the cost. for what you get for such a pro engine and features and plug-ins this blows away the competition. At now version 9.0.2, the system on Snow Leopard is stable. very stable. It runs cleaner and crisp on snow leopard with the 64bit processing. It utilizes all the cores effectively as well. With the new imac @ 4 cores, it really could be a mini pro monster for recording.
If you own a PC, you can't use Logic, so you have to consider Sonar, Cubase, Ableton, ProTools.
I have not tried protools due to the cost of upgrades and truly to use it as tight as the industry standard, it takes a year for upgrades to happen after a new OS and the cost is outrageous compared to Logic.
I have not tried Sonar. I have used Cubase. the engine is clean though cumbersome to use.
Hope this is helpful.

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With over 200 new features and enhancements, the new Logic Studio delivers everything musicians need to write, record, produce, and perform on a Mac. The center of Logic Studio is Logic Pro 9, which makes it easier than ever to create your own compositions. Produce and play nearly any sound imaginable with a huge collection of effects, instruments, and loops, including the new Amp Designer and Pedalboard plug-ins. Use MainStage 2 to perform live with the instruments, amps, effects, and sounds you used to make your tracks. Logic Studio also comes with applications and utilities that expand your creative options into audio post-production and mastering, including Soundtrack Pro 3, WaveBurner 1.6, and more.

Logic Studio. A studio on your Mac as big as your ambitions.

Top Features New Pedalboard with an assortment of 30 virtual stompbox pedals inspired by the classics.

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Wednesday, February 1, 2012

Edirol FA-66 6 x 6 FireWire Audio Interface Review

Edirol FA-66 6 x 6 FireWire Audio Interface
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I've been using this product for about a year now and it has some real strengths in terms of audio fidelity and everything being in the one unit. I shared some of the difficulties of the last user initially, using a Dell Inspiron 8600, but was able to resolve them. The FA-66 can be resource fussy - not much extra needs to be going on with the computer before there is skipping. Maxing out the buffer fixes this, but this is devastating in terms of latency. The Windows that ships with Dells is less customisable than plain-vanilla Windows, and does have lots of things running in the background. I eventually identified that the anti-virus software was launching a separate app to check for updates (every 10 minutes!) and that this was causing skipping. Audio programs themselves - despite being resource intensive - don't seem to cause the problem. Once I disabled this app everything was good and I could operate at latencies of about 4ms without any problems.
There are a lot of good external units out there of which this is one. It really comes down to what you want and what software is packaged with the unit. 192KHz is overkill since consumer products like these have too much DAC jitter for this to be relevant. 96KHz is probably pushing it. But for straight-forward home or field recording where you don't want to bother with a mixer or a separate midi box, this is hard to look past. The inclusion of an analogue limiter sets it apart from offerings from M-Audio and the like, it is solidly built and having phantom power is very handy.
November 2007 Update - I've been using this with a MacBook Pro for a year now and its a dream. My recent purchase of Apple Logic Studio completes a really solid set up, exposing me to the harsh reality that any remaining limitations are user-based.

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6 x 6 FireWire Audio Interface

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Monday, January 30, 2012

M-Audio ProFire 610 Firewire Audio Interface Review

M-Audio ProFire 610 Firewire Audio Interface
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I'm a big fan of this audio interface, M-Audio just did everything right here. Very stable, works great on Windows 7 - 64 bit, works wonderful on Sonar 8 and now they finally released proper drivers to make it work on Pro Tools in Windows 64 bit. You have to make sure you download the beta drivers though.


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Monday, December 19, 2011

Edirol by Roland UA-25EX Audio 2 Channel Interface Review

Edirol by Roland UA-25EX Audio 2 Channel Interface
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This product is compatible with Windows 7 64-bit. Seems to be working fine for me. You do need to download the Windows 7 drivers from the Roland website (they are not included on the packaged CD) but it works great. I haven't put it through all its paces yet, but the setup was a breeze, the sound is crystal clear in both recording and playback, and I'm not getting any pops or dropouts.
I got this to replace my old Tascam US-122 because they weren't staying current with drivers and it was wonky under Vista and totally unusable under Windows 7, so Windows 7 compatibility was really important for me.


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Saturday, November 19, 2011

MAudio Audiosport Quattro 4x4 USB Audio/MIDI Interface Review

MAudio Audiosport Quattro 4x4 USB Audio/MIDI Interface
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I use this item for a virtual DJ setup with my technics 1200's and finalscratch time coded vinyls @ 125grams. I also use groovemaster IIrm and IIpro which suites my needs for beatmixing. This was my last piece of DJ equipment to complete my setup. Don't be fooled by the usb...it boast a latency under 10ms depending on PC configuration. I bought mine on ebay for 105. make sure you use TS to rca cables when you connect your preamp from your turntables to you quattro. you have to use all the channels for it to work with all virtual dj software. kudos to m-audio, they know whats up

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M-Audio's Quattro USB audio interface is perfect for any application that requires high-quality audio as well as portability and/or compactness, such as tight studio spaces. The Quattro provides four .25-inch TRS analog audio inputs and four analog audio outputs in the ASIO (Audio Stream Input/Output) format and two in/out in Windows MME (multimedia extensions) or when using the Macintosh Sound Manager. It also offers a front-panel 1 x 1 MIDI port.High-performance, 24-bit/96 kHz analog-to-digital and digital-to-analog converters ensure faithful reproduction coming and going, and all audio inputs and outputs are switchable between balanced (+4 dBu) and unbalanced (-10 dBV) operation to accommodate professional and consumer devices--and to work between them. Each 1/4-inch jack will accept either TRS or TS 1/4-inch plugs.You may connect the output of a line-level instrument such as an electronic keyboard or instrument preamp, the output of a microphone preamp (a mic preamp is required for use with a microphone), or the output of a CD player or similar line-level device.The Quattro lets you record at any sampling rate that your recording software will allow, up to 96 kHz at 24-bit resolution. You can also work at 16 or 24 bits with a sampling rate of 48 kHz or less. An ASIO control panel comes with your driver software, which lets you set the Quattro to its different operating modes. If you are not using ASIO or otherwise wish to monitor the signal at the Quattro inputs, a convenient direct/monitor switch bypasses the computer so you can directly monitor the input signal present at the Quattro.When all four input and output stereo pairs (two input pairs and two output pairs) are enabled, the Quattro will operate in 16-bit mode at either the 44.1k or 48k sampling rates. With three stereo pairs enabled, i.e., either one input and two output pairs or two input and one output pair, the Quattro will operate at 48 kHz sampling rate or lower, and at either 24- or 16-bit. When one stereo pair is enabled and in 24-bit mode, the Quattro will operate at the 96 kHz sampling rate or lower.You may connect the four outputs of the Quattro to a mixing console, or use two of the outputs for a stereo send to a monitoring system (power amp and speakers, or a home stereo), powered speakers, or a headphone amplifier.The Quattro can be your only MIDI device, or it can be used in conjunction with as many other MIDI devices in your system as your music program allows.
Additionally, the Quattro can be used in conjunction with M-Audio's Omni I/O desktop recording system (not included). The Omni will add two microphone/instrument preamplifiers to the Quattro inputs, and a mixer to the Quattro outputs. The Omni will let you blend MIDI keyboards with audio tracks, add effects to the Quattro outputs, and control monitor and headphone levels while mixing down.What's in the Box Quattro USB audio interface, one (1) USB cable, one (1) 9V AC 1,000mA power supply, one (1) driver disk containing drivers and additional software, and a user's manual.Note: It's usually possible to connect multiple devices to your USB port through the addition of a USB hub. The Quattro, however, requires all of the bandwidth that is available to the USB port, and therefore it is required that you plug the Quattro directly into your computer's USB port, and not into a USB hub with other USB devices. MIDI operation on Macintosh computers requires the OMS MIDI Manager from Opcode, which must be installed prior to the installation of the Quattro drivers.

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Sunday, November 13, 2011

M-Audio Fast Track Pro 4x4 Mobile USB Audio/MIDI Interface with Preamps Review

M-Audio Fast Track Pro 4x4 Mobile USB Audio/MIDI Interface with Preamps
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(More customer reviews)
1.- This is primarily an USB External Soundcard, so don't ask more than a simple soundcard can deliver for you. If you want a multitrack recorder, or a high-end amplifier, or a 256 mixing console, then buy them, but not this one.
2.- The installation is the simplest. Don't use the CD. C'mon! This machine has been in the market since (I think) 2005, so don't expect 2010 drivers in the box. Forget about the CD and go directly to the M-Audio website and download the drivers that you need.
Don't forget to uninstall all previous drivers associated with older soundcards and physically extract your old soundcard from your computer.
And, beware: first of all install the M-Audio drivers, reboot your machine and just then, you can turn in your Fast Track Pro, never ever before (!).
3.- Maybe the interface it's a little enigmatic to understand - because the manual isn't that explicit - but not impossible to master. An advice... You`re surely gonna need some Y adapters because the only cable that comes in the box is the USB connector. In my case - only my case - I needed one Y adapter to connect my speakers (crappy ones) that have a 1/8 male connector (just enough for my old soundcard), so I needed a 1 stereo TRS 1/8 female to 2 mono RCA male Y adapter (lot of letters, uh?). Besides, I use an old second hand V-AMP with my guitar, so I needed a 1 stereo TRS female to 2 mono TRS male Y adapter, to connect my V-AMP in stereo and not mono. If you don't do this your instrument signal will be in mono and at one side.
4.- Some people complain that the sound is not that loud, but it depends of the kind of speakers and headphones you use. Bad ones, weak output - Good ones, strong output. With this dude, the bad stuff really sounds bad! So don't blame the Fast Track Pro for any weak sound.
5.- Some people - believe me - gets confused with the front, with all the knobs and buttons, but it's not that hard. The "signal" knobs at the side of the XLR/TRS inputs are exactly for that, for them only. The fun it's in the right side... The "mix" knob has two functions:
- When your're using the XLR/TRS inputs, for guitars, basses or microphones, just to mix them left and right. The upper bottom (inst/line) it's to select between a guitar signal or a synthesizer signal. The lower bottom (pad) is to cushion your soundcard from a too strong signal (maybe an amplified one). I use it to connect stuff I don't know how powerful could be.
- When you're not using those XLR/TRS inputs, and you just want to hear music (because, after all, it's a soundcard), then turn the "mix" knob all the way to the right, so then you can use the other two knobs, the "output" knob and the "level" knob.
The "output" knob is for turning up or down your speakers level or anything you have connected to the RCA outputs in the back. The "level" knob is for the same function, but only if you connect a pair of headphones to the TRS input in the front, exactly below the "level" knob.
6.- By the way, I haven't used the two TRS output, nor the TRS inputs, nor the secondary RCA outputs, nor the S/PIDF RCA connectors, nor the MIDI in/out connectors either. I don't have that many necessities, but they may come in handy for somebody else. And the MIDI connectors really come in handy when you need to plug a synthesizer or sampler that needs dedicated midi in/midi out messages; so there's no need to connect via USB first to your computer, then again via USB to your Fast Track Pro, and then again via USB to your PC to hear the results (!). So it's kind of common sense, to connect MIDI directly to the MIDI in the Fast Track Pro, isn't it?
Other thing, this device doesn't have an synthesizer chip inside, so don't expect to hear any MIDI sound if you connect your controller keyboard to it. You'll have to use softsynths for that, be it standalone or plugins (VST, DX, RTAS) in your Sequencer.
7.- This soundcard doesn't have a software interface as a Soundblaster or the likes, your equalization and volume depends only of the player or program you use, so don't look for a virtual mixer, equalizer or F/X board to modify the sound. I use Winamp or Windows Media Player, so I modify the sound in those programs.
8.- To configure it with your favorite software, you'll need to look on internet to find the right way, because it's not in the manual (the manual is basic hardware description and some instructions to configure it in your OS). I highly recommend The M-Audio forums to find your way in the different configurations, but usually - in any software - it's inside the "properties" or "audio hardware" menu, where you can assign the M-Audio hardware and drivers to make a software work.
In my case, I use Sonar 8 Producer Edition - a monster that I spent weeks trying to make it emit a sound in a humble Soundblaster - and Adobe Audition 3.0 (far easier to configure). And I had to read a lot in internet to make them work with Fast Track Pro, because the experience - without that valuable information - was really disheartening, something that made me understand absolutely all the people that put 1 star on this product. This dude is not for people with little or any patience, or for people that is not PC or Internet savvy, or for people that is not familiarized with Music Software.
9.- Finally, the hardware is really simple to master, just some knobs and buttons with double functions, some different connectors, inputs and outputs (believe me, you will need some Y adapters), and that's it. But on the software side, the one that makes your Fast Track Pro interplay with your Sequencer, your Softsynth, or your Audio Editor... You'll need some time to learn.
In my case, I had to navigate a lot in the M-Audio forums, the Cakewalk Sonar forums and the Adobe Audition forums, to get the information I needed.
PS: Remember that this soundcard (never forget this is a soundcard) doesn't have a CPU or RAM of its own (technically, a DSP), so you'd better have a new and powerful machine (not less than an Intel Core i3), because all the weight of dealing with audio, softsynths and special effects is gonna be on your CPU and RAM... That's why a lot of people with old and weak computers complain about the latency and cracking supposedly "caused" by this soundcard.

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The M Audio Fast Track Pro delivers all the mobile recording flexibility of the Fast Track USB, plus evenmore professional features. You get 2 front-panel mic/line inputs complete with phantom power for condenser microphones, inserts for outboard effects, balanced and unbalanced analog outputs, S/PDIF digital I/O, MIDI I/O, and more. Fast Track Pro also features near zero latency direct hardware monitoring and low-latency ASIO software monitoring, plus an A/B source switch and dual output pairs for DJ-style cueing. Fast Track Pro is compatible with most popular PC and Mac music software. USB connection and bus power along with class-compliancy for Mac OS X make it a breeze to set up. M Audio Fast Track Pro Features 4 x 4 24-bit/44.1kHz audio interface 2 front panel mic/instrument preamp inputs (Neutrik XLR/ 1/4-inch TRS) with: Gain controls Signal/peak lights Pads for each input Insert jack (1/4-inch TRS) for outboard processors 2 balanced outputs (1/4-inch TRS) 4 unbalanced outputs (RCA) SPDIF digital I/O with 2-channel PCM SPDIF out also supports pass-through of AC-3/DTS surround-encoded content 1 x 1 MIDI I/O with activity LEDs Headphone output (1/4-inch TRS) with level control> headphone A/B source switch for DJ-style cueingLI>Input/playback mix control for hardware direct monitoringLI>Mono switch for input/playback direct monitoringLI>Master output level controlLI>Near zero-latency hardware direct monitoringLow-latency ASIO software monitoringLI>USB connection to computerLI>Powered via USB or optional AC power adapterLI>Kensington lock portLI>Mac and PC compatible; class compliant with Mac OS X 10.3.9 and higher/UL>

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Friday, November 11, 2011

Yamaha Audiogram 3 USB Recording Interface Review

Yamaha Audiogram 3 USB Recording Interface
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I'd like to start off saying that, I bought a used Yamaha Audiogram 3 as part of an excellent deal. For large parts people are very curious about this product and there are so few reviews if any at all online. So I wanted to share my opinions. At the time I bought it, I was taking my chance and I can say with confidence that I am very satisfied with the product. This is a simple, high quality, low latency device with the help of which I record music using a condenser microphone.
Overview:
The layout of the Audiogram is very simple and minimalistic. The Audiogram 3 has 2 separate sources of inputs. Firstly, to the left there is the combo jack which accpets XLR and 1/4 inch jack. This input has the option of being phantom powered. That is, if the source of sound(microphone/instrument) does not have power of it is own, extra power is supplied by the Audiogram so that adequate signal produced. The is essential, if you wish to use the audiogram with a condenser mic. Even a guitar can be directly plugged in without having to pass it through an amp.
Next in the middle there is a line-level input. This input source can be accessed in 2 ways, either through RCA or 1/4 Stereo cables. Bear in mind that this input is NOT phantom powered. Devices like ipods, amps and other instruments with their own source of power can be plugged in.
Finally, to the right of the Audiogram you have the outputs and the level knob. The output can be accessed in one of 3 ways. Either through RCA, 1/4'' Stereo out or 1/4 headphone out. The output has live monitoring. In simple terms, even if you plug this into a wall usb source, you will be able to hear the audio sources irrespective of weather it is connected to a computer or not.
All these inputs/outputs may confuse you. So check the below videos out: Amazon won't let me post the hyperlink, figure it out :).
youtube(dot)com/watch?v=p6Eb5JJfDIU
youtube(dot)com/watch?v=t0cBZQXjpp8
Info: YOU WILL EXPERIENCE NASTY LATENCY ISSUES if you use the drivers which windows recognizes it with. Use ASIO or the manufacture drivers.
Usage:
I found the device fairly simple to use, and with my Windows 7 system I had no driver issues. The system automatically recognized the device as a usb audio source. I don't use the yamaha supplied recording software either. I use Adobe Audition(formerly Cool Edit Pro). I had NASTY latency issues, but that is not because of the Audiogram but is because of the poor stock sound cards found on modern day computers. I resorted to ASIO4ALL drivers which are available for free on the net, and my problems vanished instantly. You could also try the manufacture drivers(I haven't tried them).
The combo jack on input one on my unit malfunctions. It seems to only accept XLR inputs. To me that is not an issue as I only use XLR in input 1. Most probably this might be so because my unit is a used one. Whatever be the case, it is not really an issue to me. The signal is very clean and quality is very high. I plugged in my ipod on input two and it sounds like a charm. I experience very less noise and absolutely no distortion.
Support:
I was under the impression that the Yamaha website was poor and didn't give any information whatsoever. I was WRONG. The product info can be fully accessed from Yamahasynth(dot)com. I apologize to readers who read my earlier review in which I was against the lack of manufacture info. This product is perfect all around now. Drivers, software and specs are all up on the website that I just mentioned above.
Pros:
-Simple Device
-Great form factor
-High quality sound
-Low Latency
-Multiple input capability.
-Port Versatility
-Live Monitoring
-USB Powered
-Great Value
-Comes with Manufacture software Cubebase 4 + VST Plugins + Midi capability + samples = Great Value
-PC and Mac compatible
-Ease of recording is remarkable(Once you understand the setup)
Cons:
-No Inbuilt Equalizer ( Am I asking for too much)
-The gain on output could have been a little higher. But that said, it is more that sufficient.
-Lack of alternative sources of info online. (I'll try and make a video to help)
-Manufacture software is not the most intuitive software. (Again, but it is free and that's great value),(You can also find great programs like Audacity for free. Or step it up like I did with Adobe Audition)
Final Verdict:
To me this is an excellent product. For people who don't know how to experiment and tweak the problems out(if any), this might not be such a good option. The first reviewer of this product on Amazon belongs to that category of people who SHOULDN'T get this unit. His rating is ENTIRELY unjustified.
For people who need a high quality yet bare basic preamp for a home set up. You will need to find good drivers of optimum functioning. M-Audio preamps are so problematic and latency ridden, but yet they are the best selling ones I don't know why. I am not against M-Audio. In fact I use their Nova condenser microphone, which is also highly recommended by me. Audiogram 3 was a hit for me. Period.


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Sunday, October 30, 2011

TC Electronic Desktop Konnekt 6 24Bit/192kHz Firewire Desktop Audio Interface Review

TC Electronic Desktop Konnekt 6 24Bit/192kHz Firewire Desktop Audio Interface
Average Reviews:

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I had to get rid an Alesis iO device after the upgrading to Windows 7 and downgraded to an older, but compatible, Tascam USB interface device in the meantime. The Konnekt6 is better than both of them. The device buttons and knobs all have a quality feeling to them - plus they're functionally elegant with indicator illumination. The monitor volume knob, for instance, glows brighter as it is turned. The balanced output works great - as do the inputs. The WDM drivers work great in Windows 7 32 bit, as does the control panel. When running it for the first time, it recognized that there was a new firmware on the disk and seamlessly installed it. The control panel's interface seems well designed - I was able to grasp all of the mixer and device setting configuration without resorting to documentation. I probably will never use the reverb but it was easy to completely disable. So far, I'm very pleased with this purchase.

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Anyone familiar with the T.C. Electronics' Konnekt line of interfaces knows they offer high-quality recording features. This addition to the family, the Desktop Konnect 6, continues that trend but is in a smaller footprint size FireWire audio interface allowing you to focus more on your performance than worrying about messing with complicated technology. It gives you all the features you'll need, like an advanced Monitor control, IMPACT mic pre with excellent I/O options, and the top-notch M40 Studio Reverb to instantly record instruments and vocals into your Mac or PC. Monitor Control The volume control on the Konnekt 6 Interface is the knob that you'll use all the time. Therefore, it is great that it sits right where you want it: always within reach. With a volume control independent from the computer - between the computer and the active speakers - you can always turn down the volume, no matter what your computer does. High resolution meter The high resolution gives you precise information about levels. With clear level indication, you can always monitor the level of the input signal and know if you're near clipping. You can also choose to use the meter for mastering purposes. Reverb for tracking For monitoring convenience, the reverb is available as part of your monitor mix. You can control the reverb level directly from the top panel of Desktop Konnekt 6,and you can set reverb parameters using the control panel on the computer. Direct monitor mix Use the direct monitor knob to control the direct monitor level directly from the top panel of Desktop Konnekt 6. Together with the DIM switch and the MONO switch you have all the monitor functions you need at hand. Scenes With Scene select you can easily access three independent scenes or "setups". The three default presets are for Microphone and guitar, two guitars/basses, and stereo line signal. Control panel The control panel gives you full control over your monitor mix, including the M40 Studio Reverb. IMPACT and

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