Showing posts with label akai. Show all posts
Showing posts with label akai. Show all posts

Wednesday, January 2, 2013

Akai SYNTHSTATION25 25-Key Keyboard Controller For Iphone And Ipod Touch Review

Akai SYNTHSTATION25 25-Key Keyboard Controller For Iphone And Ipod Touch
Average Reviews:

(More customer reviews)
I had been eyeballing this thing for a while, but I didn't have an iphone. I recently got an ipod touch 4g for an unrelated reason, and within a few hours of that purchase it occurred to me that I should get this thing too. I'm glad I did.
The controller is well built for a powerless piece of plastic (i say powerless because it is not a pre-amp or anything, it does require batteries). I own the LPK25 and the LPD8, and the SS25 is pretty similar in design with the exception of the pitch and mod wheels (drum pads are controlled via the touch screen). There is no on board speaker, and keys played don't play through the ipod's speaker, so you NEED headphones or to use the line out. Get an RCA to 1/8" adapter and you are set. I really like this because I make the noise in my band and it is difficult to do what I do without a computer. This essentially puts Garage Band in my pocket and I've spent many a night on the couch completely oblivious to my wife and kids while I amuse myself and actually get some work done at the same time; the portability is just awesome.
Software:
AKAI SS25 Software: 1/5 stars. It turns on when the ipod is plugged into controller unless another app is running which I find completely annoying. Also. I have yet to figure out how to record a freaking song with this software. UI just plain sucks and is not at all intuitive. If this were the only software available for the controller nothing could have redeemed it and i would have given the keyboard a 1/5 also. BUT luckily...
Nano Studio: 4/5 This software has everything the SS25 app lacks: friendly interface, decent library of sounds, and modeled after your typical track by track software. My only complaint is the drum and synth selectors on the keyboard behave a little strangely and don't necessarily correspond to tracks in an obvious way. Still, after a week I've produced some very pretty sounding tracks that are unique from one another. The best part of NS for me is that it can connect directly to and upload to Soundcloud.com, which I was already using for my regular band. You can also connect via Nanosync and transfer wirelessly to a computer. VERY HANDY.
Music Studio (full version): 4/5. Essentially the same as Nano Studio, but with more of a Garage Band sort of quality to it. The sound library is decent and expandable and laying track by track is easy. Exporting is also simple with MS, you can connect to a computer via your phones IP address and transfer files to a computer. I like Nano Studio just a tad more than MS, but only because I had been using NS for a day or so before getting MS and I'm a brand loyalist. However, I AM actively using both NS and MS apps.
Long story short: Get the controller, don't waste 99 cents on the Akai app, DO invest $15 in Nano or Music Studio, and go to town.

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Saturday, May 19, 2012

Akai Pro LPD8 Laptop Pad Controller Review

Akai Pro LPD8 Laptop Pad Controller
Average Reviews:

(More customer reviews)
I bought the Korg nanoPAD and just recently returned it because a few of the pads would stick down. This is really annoying when you're trying to play quick notes. I bought this midi controller as a replacement, and for the most part, I'm happy with it. I'll definitely be keeping this one.
Pros:
*Back-lit keys when you hit the pad are REALLY nice to have (this comes in handy later too).
*Control knobs! You don't get those on the nanoPAD. They are handy to have, and you can assign them to anything you want in Ableton Live (which like the other reviewer, I use also).
*In Ableton Live, the drum kits are in a 4x4 grid arrangement. With the nanoPAD, since it was 6 wide, the pads didn't line up with the on-screen grid. They do to a greater degree with this pad, so it's easier to see what you're hitting.
Cons:
*This pad is NOT as sensitive as the nanoPAD, so I find myself hitting it significantly harder than I had to on the Korg model. This is made better by the fact that they light up when it registers a hit, but I still wish it was a little more sensitive.
Summary:
This is a great pad for the money, and for me, the back-lighting and control knobs really make it worth the money.


Click Here to see more reviews about: Akai Pro LPD8 Laptop Pad Controller

No matter where you are when an idea pops into your head, you can turn it into a beat by simply plugging the Akai Pro LPD8 Laptop Pad Controller into your Mac or PC. A great choice for musicians, producers, DJs and other music creators on the go, this compact controller easily fits in your laptop bag or backpack so you can always have it on hand.


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Thursday, May 17, 2012

Cakewalk A-300PRO USB/MIDI Keyboard Controller Review

Cakewalk A-300PRO USB/MIDI Keyboard Controller
Average Reviews:

(More customer reviews)
This review is actually for the A-500 Pro, but Amazon can't seem to find that particular one. There is no difference between the 300 and 500 except for the number of keys. Keys feel good, even though they are a little springy and they are a little small, but not too bad. With Macintosh's utility "Audio MIDI Settings" it's easy to map out and the driver installed without a hitch. Construction is solid and this thing is very lightweight. Display is easy to read and the controls are well designed, although just a bit complex. For me, here's the huge problem. I use Logic and often Camel Audio's Alchemy soft-synth, and the mod wheel is very important because for many of the patches it drastically alters the parms to the point of getting a new sound. The A500Pro has a mod stick that is spring loaded. Therefore, if you find a setting that you really like, you have to hold the mod stick because when released it springs back to "zero" position. This is a critical, deal-killing design flaw, in my opinion. You can never play a mod setting with two hands. I'm returning the A500 that I just bought and sticking with my M-Audio Axiom Pro for my laptop controller.

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Wednesday, November 9, 2011

Akai Pro MPK mini Review

Akai Pro MPK mini
Average Reviews:

(More customer reviews)
If you have spent any time reading the reviews of the LPD8 and the LPK25, rest assured you can apply them to this product as well. The MPK Mini is literally a combination of the LPD8 and LPK25; nothing less and nothing more. Which is a great thing if you've been considering both!
This is my first MPC product but I am an experienced keyboardist. The Pads are pretty nice. I enjoy how they light up when you hit them. Like others said regarding the LPD8, they aren't as sensitive as some might prefer, and I'm inclined to agree. It tends not to register some of might lighter hits, so I'm having to get used to how hard I have to hit it. No big deal. It's also nice to have the knobs. They aren't as nice as professional grade knobs, but they work nicely for such a compact unit. The keyboard has mini keys and they are very sturdy. Some complain that it feels like a toy keyboard. Of course it does, they are mini keys! The keys are fine for their purpose of capturing ideas. I do not consider them performance worthy.
For those comparing this to other 25 key midi controllers, please know what you are comparing. There's a reason this is $100. It's simply a combination of two other products. Don't complain about the lack of pitch/mod wheels. The purpose of this product is portability and to allow you to capture ideas when you don't feel like lugging around larger equipment. For these reasons, I find it to be an excellent product.
Definitely pick this product up if you're looking for something extremely portable with acceptable mini keys and very playable MPC pads.

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Wednesday, September 14, 2011

Korg nanoKONTROL USB Controller, Black Review

Korg nanoKONTROL USB Controller, Black
Average Reviews:

(More customer reviews)
I'm a laptop musician and I've gotten extremely tired of staring at the screen, twiddling virtual knobs one at a time with my mouse. When Korg introduced the nano line, I practically ran to the store to check them out. The nanoKONTROL is almost perfect for my setup, and for under sixty bucks I couldn't walk out without one.
First off, this is definitely NOT plug-n-play, but it's a breeze to setup. I use Ableton Live and it immediately recognized the nanoKONTROL and let me assign functions to each button, knob, and slider with no issues at all. It revolutionized my live show because I can suddenly operate multiple faders and trigger multiple audio loops at once, all in a unit that's smaller than a carton of cigarettes. There are only nine fader/knob sets, but you can change 'scenes,' which essentially transposes the controls up to the next bank of nine, effectively giving you 36 fader sets. It even has lights so you can see what's triggered on a dark stage. I've had this for a good four or five months now and have never had any problems- after setting it up, simply plug it in and you're good to go.
The nanoKONTROL also ships with a copy of the Korg Kontrol Editor, which is a little program you can use to alter the firmware of the device. The Editor allows you to change the parameters of your nano- what kind of midi signal is being sent, the channel, the toggle, the high and low values, et cetera. You can even save multiple editor files, so you can switch between settings depending on what program you're using. Absolutely brilliant.
There is one con to this unit, and I'm not gonna lie: it feels chintzy. When I first picked it up, I had to laugh because it's such a lightweight piece of plastic that it feels more like a child's toy than a piece of equipment. I feel like one little drop and this thing will shatter into bits. The knobs and faders are cheap as hell and before you plug it in, you will feel a little ripped off. BUT AFTER YOU PLUG IT IN, you will realize that those tacky knobs and faders are extremely responsive and you just got a great controller for the price of a decent dinner for two.
I've heard mixed reviews of the other nano products, especially the keyboard (seriously, you can buy an old Oxygen 8 for almost the same price, so get some real midi keys), but I HIGHLY recommend the nanoKONTROL. You'll love it.

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Part of the super-compact nanoSERIES, Korg's nanoKONTROL offers nine faders, nine knobs, 18 switches, plus a full transport section for expansive control; even a flexible note input mode to help you lay down your next big groove.

The Korg nanoSERIES The Korg nanoSERIES provide a keyboard controller, a pad controller, and a studio controller with dedicated transport controls. Each of these USB-powered, slim-line controllers is designed to make the most of your valuable studio space, and is small enough to take with you on any musical journey. Place one of our keyboard controllers in front of your laptop, rest a pad controller on your music workstation, park a studio controller on your recording console--or anywhere else you need versatile control over your DAW, virtual instrument, effect or DJ software. Although small in size, all three nanoSERIES controllers go HUGE when it comes to functionality, yet their intuitive layouts provide extremely easy operation for any user.
nanoKONTROL--The Most Expansive Array of Controls For Its Size--Period The nanoKONTROL features a plethora of controllers to help you get the most control out of your software for the size and money. nanoKONTROL offers nine faders, nine knobs, 18 switches and a full transport section. For each of the four programmable scenes the nanoKONTROL offers, you can set the controllers any way you need them. That means that you can transmit a total of 168 different MIDI CC (Control Change) messages, as well as MIDI notes with the switches. The six transport buttons can each transmit either MIDI CC messages or MMC messages to control functions such as: start, stop, loop, or record on your DAW software.
Imagine taking full control of your software--transport, a full track's worth of faders, pans and mutes--or how about precise dedicated control over the many parameters of software synths, samplers or virtual drum machines. It's all possible with the nanoKONTROL.
To add to the nanoKONTROL's flexibility, an attack and decay time can be specified for the eighteen switches. This allows you to smoothly feed controller messages into parameters such as wet/dry levels for an effect, a filter for a synth, or a volume fader for that perfect fade.
What's in the Box Korg nanoKONTROL, USB cable, Owner's Manual

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Friday, August 19, 2011

Akai Pro LPK25 Laptop Performance Keyboard Review

Akai Pro LPK25 Laptop Performance Keyboard
Average Reviews:

(More customer reviews)
Akai Pro LPK25 Laptop Performance Keyboard
OVERALL IMPRESSION: NOT A TOY! This is an excellent songwriting tool, that makes music making on the go a reality. Not intended to replace your main MIDI controller.
DISCLAIMER: I am an amateur musician making songs mostly to share with family and friends. Also, guitar is my native instrument, and my keyboard skills still leave much to be desired. That being said:
I LOVE THIS DEVICE!!
PROS:
-PORTABILITY AND SMALL FOOTPRINT. I can take this thing with me anywhere and it does not take much space in my laptop bag or work-surface. I have a 20"x20" wood board that I use as a work-surface for my laptop, mouse, LPK25, and headphones. Using that setup I composed whole songs in my bed, sofa, dinner table, backyard chair, passenger seat of my car (at work during lunch time), hotel room, in-laws house...you get the idea. I also have a room with a full size desktop piled with recording equipment in my house, but I only use that setup for recording vocals, guitars, mixing, and mastering (when I have time). Most of my music creation is done with the LPK25 and my laptop.
-PLAYABILITY. Although the keys are small they are still comfortable to play without hitting more than one note at once with each finger (and I have thick fingers). The keys also have great sinth-like action.
-BUILT-IN ARPEGIATOR. I am a novice at using arpegiators but I have found the built-in arpegiator on the LPK-25 very useful and simple to use. An excellent tool to develop ideas, particularly if you (like me) are lacking serious keyboard skills.
-USB POWERED. No power brick required, and it does not drain my laptop's battery quickly either.
-PLUG & PLAY: No drivers to download and fuss with.CONS:
-VELOCITY RANGE NOT AS WIDE AS I WOULD LIKE. The difference in loudness when you press a key fast/hard VS. soft/slow is not as noticeable as more expensive controllers I have used in the past. If you are a very expressive player you won't like it this very much.UNKNOWNS:
-QUALITY & LONGEVITY: I have only owned it for a few months so I don't know how well it will stand to the test of time. But that being said as far as I know AKAI products are pretty reliable, and well built, and this product feels solid.
FINAL NOTE: Although this will be obvious to most, I think it is worth mentioning that this is a midi controller and NOT A STAND ALONE KEYBOARD. The unit makes no sounds of its own and you need a separate computer program (i.e. virtual instrument) to use it.
UPDATE 12/08/2010: I am happy to report that as of today (12/08/2010) my Akai LPK25 is still working as good as the day I bought it.

Click Here to see more reviews about: Akai Pro LPK25 Laptop Performance Keyboard

Create melodic and harmonic riffs in seconds, anywhere, with the Akai Pro LPK25 Laptop Performance Keyboard, a scaled-down relative to the MPK series of keyboard performance controllers. Made up of 25 miniature, velocity-sensitive keyboard keys with synth action, the LPK25 is a great choice for keyboard players who want to work with software on their computer. Measuring less than 13 inches across and weighing less than a pound, it easily fits into a laptop case, backpack or messenger bag for extreme portability.


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Wednesday, August 17, 2011

Akai Pro MPK61 USB MIDI Keyboard Controller Review

Akai Pro MPK61 USB MIDI Keyboard Controller
Average Reviews:

(More customer reviews)
I've seen only two reviews on the MPK61 having looked all over the net. Both complained of the feel of the keyboard. I'll get to that shortly.
I bought mine based on reviews of the MPK49. I also bought an On-Stage stand for it and a Behringer expression pedal. It was a quick setup - but I found almost immediately that two adjacent notes were not playing - unless I really hit them hard. So it got RMAed - no problem - the next unit was fine.
Pros:
The controls and pads were much bigger than I thought they would be - I just hadn't picked up on the size from the photo. So they are large and very smooth.
The pitch bend and mod wheels are well built (and lit up!). It doesn't look like the pitch bend would ever bias like some controllers.
The unit can run on USB power only. For all the lights on this thing you wonder how 500 milliamps manages it all. If a USB connection is not established the MPK will send controls out the MIDI connector - yet still run from USB power (say your computer is in standby but still provides USB power - actually I'm passing through a USB hub). This is useful if you just have a sound module connected to it.
If USB is established, the MIDI in connectors will pass another controller or keyboard to the computer. This keyboard actually establishes three USB MIDI connections with your computer.
Aftertouch works well.
Generally you have a lot of control over sensitivity of the keys and pads. So you can adjust things the way you like. Except....
Cons:
The guy was right about the feel of the keyboard. To be more specific - it is supposed to be a semi-weighted keyboard but the spring in the keys requires every bit of force (or more) than a fully weighted keyboard. The spring fights your fingers down and up as well. But worse, the keys are about an inch shorter than they should be - so hitting a black key requires a lot of force if you're towards the back of the key. Be prepared to learn how to play just for this keyboard. Akai should really rethink this - much less spring and longer keys.
Those two reviews also complained about the pads not working well. But I find that they work just fine as long as the sensitivity and sensitivity curve are adjusted properly - I use 14 w/curve A.
Considering I had to return the first keyboard - Akai has some quality issues.
Finally, one annoying firmware bug - a bank value of 127 for the MSB in a program change is excluded only if you try to assign it to a key. Why? For me it is a pain since all my drum kits use MSB=127.

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