PreSonus AudioBox USB 2x2 USB Recording Interface Review

Average Reviews:

(More customer reviews)Brand New Review for Nov 2010:
I recommend this only if: 1) you are not recording a guitar with high output pickups through the instrument-in, because it will clip even with the gain turned all the way down on the AudioBox, 2) you are not using an SM57 or some other dynamic mic that requires more than 35dB of gain, otherwise it will be too quiet, and 3) your headphones have an impedance above 100 ohms, otherwise the USB-powered Audiobox can't keep up with the current draw and will have no bass in the headphone monitoring out.
If you meet those conditions, then this is a great, affordable, stable recording interface. On my Mac it's plug-n-play, both on my older G4 powerbook with Tiger and newer 2010 Mac Mini with Snow Leopard. On the Mac, no separate software or drivers are needed. The construction of the AudioBox is very good. All metal box, and metal knobs. The blue metal looks great.
The mic preamps sound pretty darn good, crystal clear if you're using a condenser mic. For recording vocals on condensers, this interface is great. If you're on an old system, however, recording direct guitar and running it through a virtual amp simulation will give you latency problems. Not as much on Core 2 Duo systems and above. Be advised that the zero-latency monitoring is for a clean signal going in, not the processed sound from your software plugin, thus you can't do zero-latency distorted guitar recording that way unless you listen to yourself play clean while recording.
Now officially this does not have line-level recording ability. So you can't take the headphone output from a walkman, guitar amp, or mp3 player into this. But actually that does work as long as you carefully keep the line signal volume low and plug it into the instrument jack on the AudioBox. I've done this and it records just fine. But if the line volume gets turned up too high, you risk burning out the chip inside the AudioBox, since it wasn't engineered with safety mechanisms for that, thus Presonus says it doesn't do line-in.
It gets 4 stars for what it does well, and minus 1 star because of the caveats / exceptions listed at the beginning. As with all gear buying, my honest recommendation is to save up and get something 1.5X the cost of what you thought you could afford. If I could do it all over again, I would get an Echo Audiofire 4, Focusrite Saffire Pro 14, or Apogee Duet and call it a day. But, my Audiobox has served me well for over two years now, made some great clear recordings, right up until I got new headphones with too low impedance and the bass dropped out.

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Tascam US1641 USB 2.0 Audio and MIDI Interface with digital Connection - Macintosh and Windows Review

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(More customer reviews)I looked at virtually every multiple mic interface on the market and couldn't find anything to touch this in features and/or price... so I bought it.
Wow!This thing rocks! I connected up 8 microphones for Kick, Snare, Hi-hat, Tom 1, Tom 2, Tom 3, Left Overhead and Right Overhead... all those mics plug into the 8 XLR mic sockets at the front of the unit. Got some really great 20ft XLR mic cables from Amazon for only $6.95 each (Whirlwind LowZ Microphone Cable (20 Foot) I then plugged in my bass guitar into one of 2 switchable line/guitar 1/4" mono inputs on the front.
Each of the 10 front panel inputs has a volume control knob and red/green led. The drummer hits each drum individually one by one so I can adjust each vol control so that it just occasionally clips red but mostly stays green.
After adjusting the six individual drum mics I now get the drummer to play the whole set and I adjust the left and right overheads mics so they don't clip (go red). That's it! The mics are setup ready to record.
I took the main output from the back of the unit to my monitors and there's a volume control on the front of the unit to allow you to turn down the monitor while recording... then you turn it up to listen back... so in effect, the unit has it's own monitoring control.
Two headphone jacks would've been nice, but I used a Y-adapter 1/4" Headphone Splitter to split the output allowing me to plug in the two headphones for me and the drummer.
I now setup recording on my laptop (HP TX2500z) using the supplied Cubase LE4 software which is really easy to use - buy yourself the The Complete Idiot's Guide to Recording with Cubase. There's no specific book for version LE4 but this idiot's guide worked great for me.
A note about my notebook - It's a tablet PC laptop HP Pavilion tx2500z 12.1" TOUCH-SCREEN Notebook with a great touch screen - so you can arm/disarm or mute/unmute your record channels/tracks just by touching the screen buttons with your finger - it's just like a real mixing desk with real tactile switches - it's really cool!
You may need to tweak your laptop for audio recording to get the best results otherwise you will hear artifacts (odd noises) when recording if the laptop is struggling to find the necessary processing power. I tweaked my laptop and it was just amazing to see the difference in performance. You can Google "Tweak Vista for audio recording" to find the information on how to tweak.
I also replaced my 5400rpm drive with a 7200rpm drive Seagate 500 GB 7200RPM 2.5" Drive - it's real easy to do... Google "Upgrading laptop hard drive". As well as getting a faster speed drive I also made it a 500GB to replace the 320GB drive that I had - so lot's more space... and very low cost too!
RESULTS!!!!!!!!!!!
Well... Let me tell you, I was absolutely BLOWN AWAY by the results obtained with this unit! The Tascam 1641 is an amazing piece of gear and Amazon's price is just out of this World at only $299...
It's like having a whole recording studio in a box - the mic pre's, the mixing desk (vol controls), the signal LED's, the monoring vol control, headphone controls, etc... AND the software - all for $299 - You can't beat that!
The actual sound that I got was totally professional - I couldn't have done better if I was in a top-notch recording studio. I am 100,000% satisfied!
GO FOR IT!!! HIGHLY RECOMMENDED!!!!!!!



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M-Audio Fast Track Ultra High-speed 8 x 8 USB 2.0 Interface Review

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(More customer reviews)I've been using the Fast Track Ultra for about a month now.
System:
Gateway MC7801U Laptop
Pentium Duo 2 core 2Ghz T5800
4G RAM
Vista 64 Home Premium
Sonar 8 Producer 64 bit
I almost returned the product initially because it was locking up my laptop. After some persistent searching, I found a message buried on the MAudio website that fixed the problem:
[The high-performance mode can be a bit tricky on some systems and what you are seeing is not a surprise. High-performance mode basically misuses the host computer CPU clock. On typical PC systems this allows the driver to increase the performance of the USB bus. On computers that are already tweaked for high performance or have high performance graphics cards or the like, this mode can !!!!cripple the operating system. It works best with older PCs!!!...]
AHA! I had enabled "high-performance mode" and that appears to have been he cause of the system lockup.
After uninstalling / reinstalling the driver AND LEAVING "high-performance mode" OFF, the unit has been performing flawlessly. I have enough confidence in it now that I will shortly be placing it into service in live performance for a weekly contemporary worship service.
It would be beneficial if MAudio would update their documentation - or even provide a pop up confirmation / warning when the high-performance mode is enabled - to advise users of the dangers of "high-performance mode".
1 star deducted for not documenting this "feature".

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The Fast Track Ultra 8 x 8 audio/MIDI interface takes M-Audio's acclaimed mobile recording line to the next level with high-speed USB 2.0 connectivity, MX Core DSP mixer and four preamps with award-winning Octane technology. Featuring both analog and digital I/O, it allows recording on all eight channels simultaneously with pristine 24-bit/96kHz fidelity--while M-Audio's mature low-latency drivers ensure rock-solid stability and performance. The on-board MX Core DSP mixer processes eight hardware inputs and eight software returns to the eight hardware outputs, delivering flexible routing and monitoring with delay and reverb. Compatible with most major audio software*, Fast Track Ultra lets you record the way you want--in the studio or on the go.

High-speed USB 2.0 Technology The next generation of mobile recording interfaces has arrived--the Fast Track Ultra features high-speed USB 2.0 technology for advanced performance. Like FireWire, USB 2.0 delivers the bandwidth for 24-bit/96kHz audio resolution throughout the recording and monitoring process. The increased data speed lets you enjoy exceptional fidelity on all of your inputs and outputs simultaneously.
Built-in Effects Processing Tired of tracking vocals and instruments dry? Fast Track Ultra features MX Core DSP technology that gives you reverb and delay on the headphone outputs with separate sends for every channel. Adding effects is an easy way to inspire creativity and infuse a performance with new energy--without taxing your CPU resources.
Make the Connection Fast Track Ultra provides a complete recording solution, with six channels of analog inputs and outputs plus 2-channel digital S/PDIF I/O. Unlike most USB interfaces, it features two dedicated inserts on the first two channels, giving you the ability to insert outboard processing before A/D conversion. Easy connection via a single USB 2.0 cable delivers both audio and MIDI communication with your computer. Compatibility with most major audio software, means seamless integration into any studio setup.
MX Core DSP Technology for Sophisticated Channel Routing The Fast Track Ultra makes it easy to create multiple monitor mixes when recording other musicians. The robust MX Core mixer employs an array of eight individual DSP cores to deliver near-zero latency and a matrix for sophisticated channel routing options--accessible via an intuitive control panel that utilizes a separate mixer for each pair of outputs. The mixer expands the total I/O to an impressive 16 x 8 configuration, allowing you to connect synths and outboard gear to any of the interface's hardware inputs, then mix them with the eight audio streams coming from your computer.
Professional Octane Preamp Technology The quality of your recordings is only as good as the initial signal. The Fast Track Ultra features four preamps with multi-award-winning M-Audio Octane technology, creating a premium front end that delivers amazing audio clarity. You get professional, low-noise, high-gain preamplification with enough channels for a variety of miking applications. Features include +48V phantom power for condenser mics, signal/peak LED indicator lights and a pull-out gain knob that activates a 20dB pad for recording at high volumes. See why world-class artists choose the M-Audio Octane preamp.
Dual Headphone Amp Whether you usually track vocals or an ensemble, you're likely to need multiple headphone mixes. Fast Track Ultra has two completely independent headphone outputs so you can take advantage of the DSP mixer's powerful routing options and create the right mix for your performers--complete with reverb and delay.
The Perfect Combination Apple's latest MacBook and MacBook Air laptops don't include FireWire connectivity--the latest models are all about USB 2.0. If you want to make music with a MacBook, the Fast Track Ultra high-speed USB 2.0 interface delivers the perfect solution. Whether you're a musician, producer or DJ, the powerful combination of Apple and M-Audio gives you everything you need to put together a high-powered personal studio.
Bundled Software
Ableton Live Lite Ableton Live Lite delivers much of the functionality of Ableton Live--the revolutionary, multi-award winning music production solution that allows you to spontaneously compose, record, remix, improvise and edit your musical ideas in a seamless audio/MIDI environment. Live brings your acoustic, electronic and virtual instruments--as well as your digital audio recordings and MIDI sequences--together in a single interface with unparalleled ease of use.
inTone | Express Bundle Creative Software Applications for M-Audio Hardware Products. Your M-Audio hardware is compatible with a suite of creative applications that enable you to start making music right away. Designed by leading audio effects provider Audiffex, the inTone series provides a broad array of tools--from guitar and bass stomp boxes to virtual mixers and much more. Each software program lets you arrange channel routing and effects in a variety of ways, so you can develop a sound that's truly unique.

What's in the Box M-Audio Fast Track Ultra, Software/Driver CDs, AC Adapter, USB Cable, User's Manual

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Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp Review

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(More customer reviews)I bought the Blue Icicle because I had to quickly record some trumpet lines and I didn't have an interface. Well, actually, I did pick up an open box unit that didn't work because they couldn't provide me with the external power supply, so I took it back and got the Icicle as a quick fix that would get me where I needed to go in a timely manner.
Hardware: iMac, dual core 2.0 GHz processor and 4 GB or RAM. OS 10.5.8.
Software: Garage Band.
Mic: Shure SM57.
Pros. For recording trumpet with an SM57 it was perfect. Clear sound, low noise, LOTS of signal. With the gain a little over half way on the Icicle and about 58% in Garage Band I got hot horn lines with gain to spare. Any hotter and they would have started clipping, so it definitely gave enough signal to get the job done.
Cons. The gain knob has no dial or indicators for how far you have turned it - it has to be done by feel making it almost impossible to duplicate your settings exactly. This could be improved with a knob with an arrow and a marked dial so you can see where it's set. It also feels a bit cheap - it's lightweight and feels almost fragile. Treated with care it's fine, but I doubt it would take much abuse before it would break and I have been ultra careful with it because it feels so lightweight and cheap. I also used it as recommended in the accompanying literature and didn't plug it directly into the back of the mic - I used it with a mic cable.
For what I needed it was perfect - simple plug and play that got good sound into my computer, and it worked well in a pinch. I just wish it was a little higher quality in terms of construction. A bit heavier and a better dial for the analog gain, and I would have rated it a full 5 stars but as it is, I can at best give it 4.


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The Icicle is Blue's new stylish USB converter and mic preamp combo that allows you to connect any XLR microphone directly into your computer via USB. The Icicle features a studio quality microphone preamp, 48V phantom power, fully balanced low noise front end, analog gain control, and driverless operation.

Make Any Mic a USB Mic The Icicle works with both dynamic and condenser microphones, providing high quality and hassle-free connectivity with Mac or PC. Whether you're using a microphone for digital recording, podcasting, voice messaging, or voice recognition applications, the Icicle is the quick and easy way to get connected.
Plug and Record Simply plug in the USB cable and your mic will be live--no special driver installation is required.
Quality and Simplicity The Icicle features a built-in, studio-quality mic preamp, along with a fully balanced, low-noise analog front end to send a clear signal via USB.
It also supplies 48V Phantom Power for condenser mics.
On the control front, the Icicle keeps it simple, with a single analog volume level control.
What's in the Box Blue Icicle, 6-foot USB Cable

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ART Tube MP Studio Mic Preamp Review

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(More customer reviews)+ REVIEW +
This is really an excellent little preamp for the money. It's quiet as a mouse, built like a sherman tank, and has some nice little features like an output limiter, phase reverse, a -20db pad, and of course, 48V phantom power for your condenser mic. Great for boosting a quiet source like an electric guitar or a condenser mic, but don't expect it to give you crazy tube warmth like you'd find on higher end units. It's more like a DI box with just the slightest bit of tube character. I've used this thing for vocals and guitar mostly, and in both cases it provides super silent amplification of my signal. My only complaint is that it doesn't push the signal quite as hard as I'd like to get a good level going into my DAW (Garageband or Logic 8).
+ COMPARE TO: Presonus TubePre +
PreSonus Tubepre Single-Channel Vacuum Tube Mic Pre
The only thing keeping me from recommending it over something like the PreSonus TubePre (despite the fact that I gave the TubePre 3 stars instead of the 4 I've given to the ART) is that it's hard to get a high enough level out of the ART -- I've maxed out the volume controls for both input and output with my AT4040 ($300) mic. In contrast, the Presonus TubePre provides a little more gain and allows you to control the amount of signal being sent to the tube via a separate "drive" knob. This is nice because you can boost the signal using the solid state portion, and then add the tube in as desired to color the sound a bit.
+ HOW TO: Replace the tube +
This can be a bit intimidating to some people but it's super easy and you'd have to be pretty clumsy to do any damage. Tubes are meant to be swapped -- they're engineered in such a way that they're very easy to replace. If you don't like the way the MP sounds out of the box, replace the cheap piece of junk tube it comes with. Try a Sovtek 12ax7 or any of the JJ tubes, either of which will cost about $12 at your local music store or Guitar Center. To install it, just remove all of the screws and unscrew the hex nuts around the line level input jacks. Gently rock the top part of the unit it opens like a book. Be careful because there is some wiring near the "spine" of the "book" and you don't want to rip it apart. Rock the tube back and forth until it comes out. Don't be afraid to apply counter pressure and tug on the tube fairly hard to get it moving -- you won't hurt it. Pop the new tube in, put the screws back in, and you're ready to rock. If you're freaked out by the process, as someone at a local guitar shop to give you a hand but don't let them charge you more than $5 because replacing a tube is really not a difficult task.

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The original Tube MP made pro-caliber tube preamping available to ordinary musicians and home studios. The MP Studio goes a step further by adding a VU meter for better level control and ART's OPL (Output Protection Limiter), which controls and maintains the output peak signal to protect hard-disk recording systems and soundcards. The VU meter reflects the impact of the OPL circuitry when it is activated, which allows more effective fine tuning of the audio signal. It is a valuable tool for recording in project and home studios and can also function as a DI box with impedance matching and preamplification for line-level sources. Includes a 3-year warranty.

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Lexicon IONIX U22 2-Input USB 2.0 Desktop Recording Studio Review

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(More customer reviews)I bought this one after looking at the cheaper products from M-Audio, Tascam, and Lexicon. I agonized for weeks reading product reviews and the conclusion I came to was: for under $200, I'm going to be disappointed. All were plagued with quality/longevity issues, and many had problems with pops/drops of the audio signal. I like a bargain, but you get what you pay for. The only other one I considered was the Prosonus, which I'd recommend for anyone who desires a firewire devices (which gives you the ability to chain devices together for expansion).
Pros:
- Installation was flawless: insert DVD, follow instructions.
- 9V adapter (instead of being USB powered) and supports the 48V 'phantom' power for high end microphones.
- USB 2.0, all complaints about drops and pops for the USB 1.1 products are gone.
- Sturdy construction, nice big dials. The less expensive Lexicon products had quality complaints; this one is built like a brick.
- Simplicity. It has only 2 inputs (the 3rd 'instrument' input disables the mic/line input #1 when plugged in) but that is exactly what I need.Cons:
- No power button? I'll need to put all my recording stuff on a switched power strip.
- Like most of these products, for some reason there is no easy way to use your PC speakers for a monitor. I'd figured there would be a way to send the digital output to the sound card, but instead I guess I'll connect the outputs to the analog PC line in. Ah well..

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