Showing posts with label logic studio. Show all posts
Showing posts with label logic studio. Show all posts

Wednesday, June 6, 2012

Apple Logic Express 8 Review

Apple Logic Express 8
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Here we are six months after this product was released, and there's only one review so far. I guess that's because Logic Express's big brother, Logic Studio, gets all the attention. Hey, I'd love to have Logic Studio too, especially with all those Jam Packs, as an amateur "tinkerer", I really can't justify paying five hundred bucks or so.
I decided to take the plunge on Logic Express 8 since it has much of the good stuff of Logic Studio, but it's about 300 bucks less. I'm glad I bought this. It's a lot of fun
I've had it just a couple of weeks so far, and I haven't even scratched the surface of its capabilities. Mostly I've spent my time playing with the EXS-24 sampler and the EVOC-20 vocoder. Vocoder you say? Yep. It's not even mentioned in the description above. I use a simple logitech headset mic and an M-Audio Oxygen midi controller and it works like a charm.
As to the EXS-24 sampler: a lot of people are interested in the sample library that comes with the Express version. As you are probably aware, the express version does not come with the 4 Jam Pack DVD-Roms. The library included with Express has some holes, but it is fairly easy to fill those holes with freely downloaded soundfonts from the web.
You don't get the nice box and documentation with the Express version, but the sequencer and audio recording capabilities are full-fidelity and full function. Honestly, most people are not going to miss the advanced features of Studio because there's enough to keep you busy learning for years.
The thing that made me decide to buy Logic Express 8 now rather than waiting until I had the money to buy Studio was the upgrade policy. You can upgrade to the Full Studio version for $299, which is the approximate difference in price between the packages.
UPDATE 7/2008
Now that I've been playing with Logic Express 8 for about six months, I want to add more depth to my previous comments. It still rates 5 stars for value; however I've run into areas that Apple can improve on the next refresh.
The EXS-24 sampler can lose track of samples if your library gets too large. There are work-arounds. You can split your instruments into separate Sampler Instrument folders, and you can use EXS Manager, a 3rd party software package, but it should be unnecessary.
The ES2 synthesizer sounds nice, but its user interface is obtuse, crowded and behind the times.
There is no paper manual. I'd pay an extra 20-30 bucks to get a genuine users manual with the software.
At least "right out of the box" Logic Express does not "play nice" with most midi controllers. If you want to use the buttons and sliders on your midi controller, you need to program them yourself. Personally, I haven't found the time. I can see why Apple came up with the Soundstage application that it bundles with the Studio version of Logic. Accessing your sounds across multiple built-in synths can take multiple steps in Logic Express. If you are a performing musician, you probably will eventually want Logic Studio.
Last but not least, Logic does a poor job at importing General Midi files. Basically, in this department, Logic is equal to, but no better than Garageband. Logic imports the GM file, converts it to a logic file, and assigns each track to a default instrument that often sounds nothing like the GM standard. The EXS sampler does not have a general midi soundfont. Quicktime, which comes with every mac, does have a good general midi soundfont, and you can play the Quicktime synthesizer from Logic, BUT you can't save presets, and the program does not automatically map the sounds, which makes it pretty useless.
Other than accurate General Midi importing, my wishlist would include built-in vocal-reduction (karaoke) support and pitch-to-midi input.

Click Here to see more reviews about: Apple Logic Express 8

Logic Express 8. Powerful music creation. Logic Express 8 delivers the power, precision, and professional toolset of Logic Pro 8--including a redesigned interface that allows musicians to write, record, edit, and mix with unparalleled speed and ease. Logic Express includes all the functionality of Logic Pro 8 except for four high-end professional features--surround, TDM/DAE support, distributed audio processing (DAP), and support for high-end control surfaces. Logic Express 8 comes with an expanded collection of professional instrument and effect plug-ins from Logic Studio, as well as channel strip settings and plug-in settings that allow you to begin making music immediately with professionally designed sounds. Logic Express is the ideal application for professional musicians and producers who want to get into the world of Logic for $199, as well as GarageBand users who are ready to take their music to the next level. A World of Options Logic Express puts a world of creative options at your fingertips, thanks to an open architecture that lets you use a wide range of audio interfaces and many different control surfaces. You can also explore hundreds of third-party Audio Units instruments and effects and incorporate sounds from third-party applications such as Ableton Live and Propellerhead Reason. Logic Express lets you work anywhere at any time, without proprietary hardware. When inspiration strikes, all you need is Logic Express and a Mac to capture your ideas and turn them into music-at home, on the road, or in the studio.

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Thursday, May 31, 2012

Apple Logic Studio Review

Apple Logic Studio
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So you want a whole music studio for under $500? What are you, some kind of crazy Mac user?
Apple's generous price drop for this version of what many consider to be the ultimate music tool (and I'm one of those) has removed any excuse one may have for putting off this purchase any longer. Meaning they cut the price in half and added twice the features of the original: Not only do you get a leaner, meaner and much easier to use version of Logic Pro, but they've thrown in updated versions of Soundtrack Pro and Compressor (previously only available with Final Cut), a live performance module called MainStage, all five Garageband Jam Pack titles, WaveBurner 1.5 for CD mastering, new effects such as Delay Designer .... all you need supply is lots of time and about 45 gigs of hard drive space.
As a happy user of Logic since version 6, I found the upgrade (available for just under $200) easy to grow into, especially being used to Apple's other pro apps, and really appreciated the addition of Soundtrack Pro 2, whose predecessor I'd used more for track mastering. The newer interface for Logic is more self contained now, with sliding panels replacing all those open windows you used to have to deal with ... although that is still an option if you're a person who thrives on complexity. Now you can look at both the Arrange Window and Matrix Edit (now called "Piano Roll", how quaint) in the same window, just roll it in and out as needed. Same with Audio Mixer, Score View, Hyper Edit, etc. In keeping with this more streamlined method, some of the tools are more hidden away which, along with other changes, I'm quickly getting used to. Another rollaway panel gives you access to instrument settings (and other audio resources) by way of a Soundtrack-like browser -- don't like that piano sound and don't feel like scrolling through all of them? Just pick one off the list, and it's there!
Another nice feature you'll see right away is some handy standard templates: Now, instead of trying to figure out how many blank tracks, and what kind, you may need for a certain project, just click one of the template buttons and you're on your way. You can easily customize them if you're a seasoned user. The one that has this user the most excited is the orchestral template ..... a whole symphony orchestra, ordered the same as it would be in a classical score, with instruments already loaded and regions just waiting for note entry. Now that's power. You can transcribe classical works using Logic's score editor, which by the way will also print out scores should you ever hire live musicians for your compositions.
One thing that will make Logic veterans happy is, now you don't need the USB XS-Key to be plugged in to run the software. Upgraders only need it to install, then just unplug it and drop it in the box. New users won't even have to deal with it. They don't know what they've missed, and they're better off.
In summary, Logic is the solution for the Mac-based musician, as far as composing, arranging, recording, looping, producing, scoring, sound designing, whatever-ing in an audio capacity. No messy cables and reels of tape all over the place like in the old days, just launch and bring musical dreams to life. I can't emphasize enough what a good deal this is (without sounding like a salesman), and once you get over a slight learning curve you realize the possibilities are virtually boundless for what you'll come up with. Just be aware: this ain't no Garageband. Logic is for the serious musician or music producer for whom music matters above most other things. This is what obsessed people do with their time. If this sounds like you, well, you owe it to yourself to make the most logical investment.

Click Here to see more reviews about: Apple Logic Studio

Logic Studio, Apple's comprehensive suite of professional music and audio tools, provides musicians with everything they need to create in the studio, on the stage, and for the screen. Logic Studio includes Logic Pro 8, Apple's legendary professional music production application featuring a new, intuitive interface; MainStage, an innovative new application for music performance; and Soundtrack Pro 2 for audio post-production and sound design. It also includes Studio Instruments and Studio Effects, with 40 acclaimed instruments and 80 professional effect plug-ins; an expanded Studio Sound Library; and new production utilities--all in a single box at an incredible price.

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Wednesday, April 11, 2012

Logic Studio Retail Review

Logic Studio Retail
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(More customer reviews)
I use to use Logic Pro back in the day of Atari Falcon and STE1080. then i went to PC and used Logic 4.7. Though i never used the audio with it back then due to the instability of the product. It was easier to use a Mackie HDR 24/96 with midi clock to sync.
Before obtaining Logic Studio i was using Ableton Live versions 5,6,7 and now 8. The reason i bring this up is that i am now back to Logic Studio Pro on a MacPro 8 Core. The major reason for this change back to Logic was for 3 main reasons that blow away Ableton 8:
* Midi control for external and internal instruments
* Clean, Tight, Dynamic Headroom, clarity of sound. Audio Engine is far better then Ableton even at 44.1 (though i use 96k)
* for the price and what you get, this software is incredible!
The new features of Logic Studio 9 is the Flex and Guitar suite. Though i have not been impressed with the flex (perhaps because i am not sure how to use it correctly yet) the Guitar suite is AMAZING. I have owned a Line 6 pro and a Line 6 bass pro and this Guitar Suite is amazing if you run it under 96k.
The Logic Pedal board has a great slew of guitar stomp pedals that sound amazing and better then most other emulations i have heard. the distortions are warm and tube like, unlike more software emulations i have heard. it rips just right even with a guitar straight into the A/D and processed by Logic. They have a Tape Delay that emulates the Roland 201 tape echo or EHX Memory Man Deluxe and it sounds sweet and mixes very well.
The automation features are tight and crisp as well. Though it takes a bit more time to get setup on Logic for controller setup then Ableton, it is tight once you get it there.
User friendliness is not as good as Ableton but then you are getting a more PRO engine then Ableton has thus been able to deliver. In Ableton it seems the 'warp marker' technology seems to 'fuzzy' then audio in such a degree that the clarity is not tight. the dynamic headroom and stereo separation is not there. I was wondering if i was loosing my mind, but it is not the A/D Presonus firepod it was the engine of the Ableton 8. Once on Logic Studio 9, the clarity and tightness of the mix returned. This proving this engine is far superior to Ableton for a studio mix.
NOTE: if you can handle the disk space and processing power required to run 96k, do it. It will tighten your mixes amazingly.
Should you buy this? here is my suggestion:
If you run a Mac it is worth the cost. for what you get for such a pro engine and features and plug-ins this blows away the competition. At now version 9.0.2, the system on Snow Leopard is stable. very stable. It runs cleaner and crisp on snow leopard with the 64bit processing. It utilizes all the cores effectively as well. With the new imac @ 4 cores, it really could be a mini pro monster for recording.
If you own a PC, you can't use Logic, so you have to consider Sonar, Cubase, Ableton, ProTools.
I have not tried protools due to the cost of upgrades and truly to use it as tight as the industry standard, it takes a year for upgrades to happen after a new OS and the cost is outrageous compared to Logic.
I have not tried Sonar. I have used Cubase. the engine is clean though cumbersome to use.
Hope this is helpful.

Click Here to see more reviews about: Logic Studio Retail


With over 200 new features and enhancements, the new Logic Studio delivers everything musicians need to write, record, produce, and perform on a Mac. The center of Logic Studio is Logic Pro 9, which makes it easier than ever to create your own compositions. Produce and play nearly any sound imaginable with a huge collection of effects, instruments, and loops, including the new Amp Designer and Pedalboard plug-ins. Use MainStage 2 to perform live with the instruments, amps, effects, and sounds you used to make your tracks. Logic Studio also comes with applications and utilities that expand your creative options into audio post-production and mastering, including Soundtrack Pro 3, WaveBurner 1.6, and more.

Logic Studio. A studio on your Mac as big as your ambitions.

Top Features New Pedalboard with an assortment of 30 virtual stompbox pedals inspired by the classics.

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Tuesday, March 6, 2012

Apogee Duet - Audio input adapter - IEEE 1394 (FireWire) Review

Apogee Duet - Audio input adapter - IEEE 1394 (FireWire)
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I bought the Duet to use with my Aluminum iMac and Logic Studio 8 and have had zero problems with the unit. The interface is very streamlined so you have to get used to using a single, multi-function knob for everything. The quality of conversion between analog and digital is head and shoulders above anything else near this price level. It sounds as good as units costing 3 times as much due to the designers' emphasis on quality sound. To get the high quality conversion at this price you are limited to the line outputs and headphone output levels being permanently linked. Some people find this a drawback, so be aware before you buy if this feature is something that is a deal breaker for you.
The small form factor is nice because as anyone with a home studio can attest to, space is not a luxury we have. I didn't pick this for its portability but as it is the size of a paperback book I can imagine it being very easy to tote around with a macbook/pro.
The included Maestro management software is straightforward and lets you set the unit up in seconds with a very easy to understand user interface. Configuring my iMac to use this as the audio input and output took less than a minute from reading the instructions. Making Logic label its mixer to match is equally simple. One thing I found convenient is how OSX lets you still use the iMac's built in speakers for the system alerts so that an error message gong sound isn't sent out through your 100watt studio monitors. You can set the output level of the system alerts separate from the duet's outputs.
The breakout cable is securely attached and the plugs are labeled with big, clear markings so changing hook-ups is easy. It has phantom power if your mics require it, which is set using Maestro.
Most audio interfaces in this price range try to win you over with more I/O channels or other add-ons instead of making the best sound conversion. They trade quality for quantity with predictable results. Apogee decided on doing a simple 2 channel interface, a single physical control and top shelf A/D/A converters so the result is the best 2 channels you can get. When you want more channels without sacrificing quality then you can step up to their Ensemble line.

Click Here to see more reviews about: Apogee Duet - Audio input adapter - IEEE 1394 (FireWire)



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Thursday, February 23, 2012

Logic Express 9 Upgrade Review

Logic Express 9 Upgrade
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Why should you upgrade to 9? Because Snow Leopard introduces the ability for intel powered Mac's to move up from 32 bit to 64 bit for some choice software. Logic being just about the choiciest.
Do you really want to move to 64 bit? It isn't necessary. If you like to work with Logic's EXS sampler, you can reconfigure in 32 bit if you'd like to take advantage of assigned virtual space on your hard drive. But if you got 9 (and you download the free apple upgrade), and if you got more than 4 gigs of ram, you can get that extra ram assigned directly to your sampler. Or if by chance you have any sampler laden 64 bit 3rd party software (Omnisphere, a lot of NI's stuff), same thing.
On the other hand most 3rd party plugs have not made the leap to 64 yet. They still will run on the upgraded system, but without any advantage. We're still early here in what now seems a significant (and in a few years' time will appear quaint) upgrade. If your relatively new to this and not heavily invested in 3rd party plug-ins, this probably is a great time to set yourself up for the future. Otherwise, there's no rush.

Click Here to see more reviews about: Logic Express 9 Upgrade


Record, edit, and mix your music on a Mac using the new Logic Express 9. Open your GarageBand files and get right to work, or start from scratch with a new composition. Logic Express 9 is a guitar player's dream, with Amp Designer and Pedalboard, two new plug-ins that re-create the sound of legendary amps and stompbox effect pedals. You can build your own amp model and try any combination of stompboxes. An improved set of music creation tools makes it even easier to capture and develop your musical inspirations. Use the new Flex Time tools to easily manipulate audio timing and tempo. And make music right out of the box with over 100 instrument and effect plug-ins from Logic Studio.

Upgrade Version
Upgrade from retail versions of Logic Express 6, 7, or 8; or Logic Audio 5 or 6.

Logic Express 9. Record, edit, and mix music on your Mac.

Top Features
Perfect for capturing and developing your musical inspirations
Seamless compatibility with GarageBand files
Flex Time features that make editing audio timing and tempo easier than ever
More than 70 studio-quality effect plug-ins, including vintage and modern compressors, delays, reverbs, and more
New Amp Designer plug-in to help you re-create the sound of 25 legendary amps and 25 speaker cabinets
New Pedalboard plug-in with an assortment of 30 virtual stompbox pedals inspired by the classics
36 software instrument plug-ins, including the Ultrabeat drum synth and beatbox, ES2 synth, and EXS24 sampler

Related Products
Complete your music studio with a Mac Pro workstation and two 24-inch Apple LED Cinema Displays. Take a MacBook Pro with you and make your music anywhere.

AppleCare
Offering solutions for businesses of any size, AppleCare provides ongoing product coverage, including the AppleCare Protection Plan for Mac systems and Apple flat-panel displays. To augment your experience with Apple professional software, AppleCare Professional Video Support and AppleCare Professional Audio Support offer direct access to Apple's professional support staff. For more information, visit www.apple.com/support/products.


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Saturday, December 3, 2011

Apogee Ensemble FireWire Digital Interface MAC Review

Apogee Ensemble FireWire Digital Interface MAC
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Picked up the Apogee Ensemble for use as part of a Logic Studio system. Impressive in every way - particularly sound quality and integration with Apple H/W and S/W. The mic pres are excellent, balanced inserts are icing on the cake. Routing and phone outputs sound clean with loads of headroom. A/D converters are outstanding, as one would expect from Apogee. All in all, a fantastic product at a fair price.

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Monday, September 12, 2011

Gio Review

Gio
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Decided to add a GiO to my (Apogee Ensemble-based) system for controlling guitar effects in Logic Studio. It works perfectly, and as a guitar player I love having a pedalboard that integrates seamlessly with my new virtual amp and stompbox rigs! The color-coded LEDs are a nice touch, and I've really come to rely on them for at-a-glance operation while writing and recording. Clever design. I've also run the GiO as a primary interface using the guitar input and headphone output - which is absolutely great - perfect for a portable setup on a MacBook Pro. How they pull off all of that low-noise, high-res audio I/O running off USB power is amazing. You simply can't go wrong with this latest Apogee stuff - the folks in Santa Monica are certainly "using the old noodle" and coming up with some innovative and well-executed products - well done!

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