Showing posts with label mxr. Show all posts
Showing posts with label mxr. Show all posts

Tuesday, November 13, 2012

Jim Dunlop M169 Mxr Carbon Copy Analog Delay Review

Jim Dunlop M169 Mxr Carbon Copy Analog Delay
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I had the privilege of using an original Echoplex delay box that was lent to me years ago. After returning the Echoplex, I've relied on an inexpensive digital delay pedal that recently began to bomb out on me. After reading a lot of info and positive reviews on the MXR Carbon Copy Delay pedal, I decided to take the plunge and purchase it online at Amazon. I must say that I was pleasantly surprised.
The pedal is nice and compact...no bigger than a phase 90. Sound-wise it's not quite an echoplex...but does have warm tonal characteristics that remind me of the old school delay sounds. The modulation button is a nice touch and does sound similar to the tape warble heard on the echoplex. It basically varies the speed of the echo...creating a chorus effect when heard along with your original signal. This is a very subtle chorus sound...but that's how I remember (and like) it. The pedal will also self oscillate when the repeats are pushed to the max for some crazy sounds...just take care not to blow up your speakers. I did notice some very minor noise on the longer echos when playing clean bright tones, however, I've read that this is not an uncommon thing with analog pedals.

My only gripe with pedals like these are the internal controls. Personally, I think the whole trimpot concept is barbaric anymore. It just doesn't make sense to make the user disassemble an entire pedal to access additional controls. I doubt it would take much for Dunlop to drill an additional 2 holes into the housing to accommodate these features. Also, take care when disassembling these things. The jack threads are made of plastic...which can cross thread very easy if the metal nut fastener is tightened too much or incorrectly.
Overall a really nice pedal. I was initially concerned that the 600ms delay wouldn't be long enough...but as it turns out...it's actually a little more than I need. Sounds cool, looks cool, and not too pricey. I think most musicians will find this a valuable addition to their setup.


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Friday, October 12, 2012

Jim Dunlop M115 Mxr Distortion Iii Review

Jim Dunlop M115 Mxr Distortion Iii
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This lovely little box from MXR receives five stars from me. It's durable, well-made, and easy to dial in everything from a subtle overdrive to a vintage-sounding crunch. Unlike some other pedals I have used, there is no constant hum while it is switched on. This pedal is also true-bypass and does not blanket the natural tone of your axe.
This is a great little pedal - just be sure you know what you're getting into. This pedal is not fuzzed out or metal. What it does it does well though!

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Wednesday, September 12, 2012

MXR M103 Blue Box Octave Fuzz Distortion Pedal Review

MXR M103 Blue Box Octave Fuzz Distortion Pedal
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well made. when you roll the right knob all the way to 5 o'clock you get a fuzz sound .. roll it to 7 o'clock you get a octave, everything between both is a mix of fuzz & octave.. the left knob controls the output volume. it also mixes the fuzz octave sound , it also changes very fast i mean one second fuzz and the other oct .. that fast.. from oct to fuzz you can hear it way on the back but it's there.. its hard to describe but if you're reading about it maybe its for you. the only thing i dont like is that if im playing the clean channel and then activate the blue box with the volume set a maximun, the sound coming out is lower than that when playing clean .. therefore youre gonna sound lower when you turn it on.. to solve that i use a compressor but i'd still have to press one first and then the other in order to get the same amount of volume as playing the clean channel alone.

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Friday, June 22, 2012

Dunlop M148 MXR Micro Chorus Review

Dunlop M148 MXR Micro Chorus
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Well worth the [...] bucks i paid. Analog with true bypass. Easy to use with one knob. And has nice high quality chorus effect. MXR built like a tank. Works with my Boss DS1 AC adapter too.

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Thursday, June 14, 2012

MXR Eddie Van Halen Phase 90 Pedal Review

MXR  Eddie Van Halen Phase 90 Pedal
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This musical unit has ability to switch between the 70's script logo Phase 90 and the more modern Block logo Phase 90. The Script setting is quite a bit smoother in the upper register harmonics. It has the EVH striping which looks cool to most guitarists over 25. Its a good solid unit but a bit pricey compared to the standard Phase 90 so 4 of 5 starts. If you need a really a versitile phaser look at the Phase 100.
You can deffinitely get that Atomic Punk sound out of this unit but remember to use a short slap back delay to match the intro. When it sounds like the palming speeds up Eddie is really just tapping the delay on then off and keeping the wiping speed constant.
Have Fun,
;}~

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Tuesday, January 24, 2012

Jim Dunlop M152 Mxr Micro Flanger Review

Jim Dunlop M152 Mxr Micro Flanger
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I use it in my pedal board. It is quiet, sounds professional, not gimmicky. You can adjust it to very subtle flanging or a whole lot, but it's never really over-the-top.
Very useful for coloring passages on the fly or recording.

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Friday, December 23, 2011

MXR Dyna Comp Effects Pedal Review

MXR Dyna Comp Effects Pedal
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This was the first pedal I ever bought. In retrospect, maybe I should have bought a fuzz box first, but that's my fault, not the box's. This box doesn't make your sound get fuzzy, pulse or turn somersaults, but that's by design.
For those of you who haven't used a compressor, it makes softer sounds louder and louder sounds softer by reducing (aka "compressing") the dynamic range of the instrument. At less extreme settings, it adds some sustain and a bit of extra attack that helps to cut through the live mix. If you set the compression too high, however, you will end up with no soft or loud passages at all-everything is the same volume, even finger and pick noise.
I like to use this pedal for a clean solo boost and to keep some definition when using other effects. I set this pedal up before the fuzz boxes and wah pedals, put in a little compression (I set the Sensitivity to 10 o'clock or so) and set the output to match my uneffected volume. This gives me a little more attack and sustain and adds a brightness that works well with the other boxes. If I really want to get a clicky, percussive, clean 80's new wave sound, I turn the Sensitivity knob up just past 12 o'clock and I sound like I'm in the Cars.

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Sunday, December 11, 2011

MXR Stereo Chorus Effect Pedal Review

MXR Stereo Chorus Effect Pedal
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My previous pedal was an old DOD which had only had a rate and width knob. When you turn it on, it blasted overbearing chorus even turned all the way down. The great thing about the MXR is the intensity knob which allows you to control how much effect you want in your signal. So smooth. The bass and treble function is great. If you're lacking in low end, boost the bass. The LED light not only shows you when the pedal is on but also mimics the rate speed. With the width and rate all the way down, the average listener will never know its a chorus pedal and won't know how you get that great tone. I don't know if I'll ever go fully clean again. One thing worth mentioning is that the width and rate don't go Grand Canyon wide or like spastic speed but it's more than enough. Get more pedals for that anyway. I leave the low end cut on. The knob level indicators glow in the dark, good for the stage. You can actually power this with 2 9V batteries if you're crying over the adapter. Why not just buy a power brick though? Mine came with the adapter. Playing this pedal in stereo is a must. I wish there was a ping pong option because with the rate and width up high, it sounds really close to a tremelo pedal. Put delay and a little distortion next to this pedal and BAM, a single note sounds like an epic 80s solo. Very transparent. Again, intensity knob is the best. I haven't tried the BOSS chorus pedals but after this I really don't care to. I prefer the MXR footswitch over the bulky BOSS ones anyway. It's not as big as those RC20 or Memory Man double pedals FYI. Love it. Negatives? Um... I wish it came in midnight blue.

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Wednesday, December 7, 2011

MXR Kerry King 10 Band EQ w/ Boost Pedal Review

MXR Kerry King 10 Band EQ w/ Boost Pedal
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I'll keep this short and to the point. I am a metal player, and a Slayer fan at heart - this pedal is a must have for that reason alone. I also play in cover bands, and I NEED to be able to alter my tone, rather the aggressiveness of it, willingly; this pedal is a must have for that too. I also play two Marshall JCM800 2203 stacks - this pedal can run both heads without an expensive input buffering unit... because it is one of those too!
I use this between the guitar and head, shaping the sound of my guitar; other guys put it in the effects loop, but I think there are better tools for that than this pedal (but those guys all love how it works too, so don't discount that as an option). Kerry King uses very aggressive tone shapes, a "middle finger" he calls it, with the peak at 1k hz. I peak the tone around the same point, but not quite as severely - my touch is more subtle, but it still goes from Slayer-style guitar brutality to a more reserved touch with just a tap of the switch. I like that control!
I also experiment with the fact you can adjust the gain and volume boost of this pedal. For years, OD pedals in front of distorted amps was the way to get that horrible buzzy distortion that made death metal sound the way it did, but excellent distortion comes from clean boost - this has it. AND you can still tailor the tone with 10 sliders instead of rotating a single knob one way or the other for "less treble".
In all, this is the most useful pedal in my arsenal. I DO NOT gig without it. And by the way it is built, I trust it to run for decades without a problem.

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Monday, November 7, 2011

Jim Dunlop ZW38 Mxr Black Label Chorus Pdl Review

Jim Dunlop ZW38 Mxr Black Label Chorus Pdl
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I just bought this pedal and took it home and compared it to my MXR M-134 Chorus. I used an American made Strat and a Schecter V-1 Hellraiser. I tried it through a Roland Cube 60 using a MXR MetalBore pedal for distortion and a Marshall JVM 410 half stack on both the clean and OD1 Channels. This is a really good pedal. On the clean settings it is very similar to the MXR M-134 but on the distorted settings the Black Label Chorus really shines. It had a much more dynamic feel to it and the individual notes of each chord sounded much better. Bottom line is that if you already own an MXR M-134 and use clean settings than it may not be worth picking up but if you don't own the M-134 or play with distortion I would recommend that you consider this pedal.

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Saturday, October 22, 2011

Dunlop DC Brick Power Supply Review

Dunlop DC Brick Power Supply
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The "brick" itself works fine. It's as sturdy as any MXR stomp box, and powered my pedals adequately. The "wall wart" power adapter, however, is another story entirely-- the cord on mine snapped at the stress relief joint just a few months after purchase, rendering it useless. It didn't survive rehearsal-- no way it's going to stand up to weekly gigs.
Dunlop's support rep simply told me to shell out $30 for a replacement. Thanks a lot! I expect much better reliability (and customer service) for a $120 item.

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Saturday, September 10, 2011

Jim Dunlop M80 Dunlop Bass D.I. Pedal Review

Jim Dunlop M80 Dunlop Bass D.I. Pedal
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Tried several other 'names' to improve my sound, some more expensive, and some cheaper. Although this is not the cheapest, it ROCKS !
This is some powerfull piece of kit. Took a coupla days to find my way around it, but it is the best deal going for $ value. Easy to read knobs on dark stage. Incredible boost and distortion, light, small, and TOUGH built. One note of caution, the damn thing EATS batterys, so get yourself a mains converter for about $19

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